Sale Catalogues
Author : American Art Association, Anderson Galleries (Firm)
Publisher :
Page : 1302 pages
File Size : 45,29 MB
Release : 1922
Category :
ISBN :
Author : American Art Association, Anderson Galleries (Firm)
Publisher :
Page : 1302 pages
File Size : 45,29 MB
Release : 1922
Category :
ISBN :
Author : Harvard University. Fine Arts Library
Publisher : Macmillan Reference USA
Page : 700 pages
File Size : 40,23 MB
Release : 1971
Category : Art
ISBN :
Author : American Art Association, Anderson Galleries (Firm)
Publisher :
Page : 1662 pages
File Size : 21,88 MB
Release : 1922
Category :
ISBN :
Author : Warburg Institute. Library
Publisher :
Page : 770 pages
File Size : 49,90 MB
Release : 1967
Category : Library catalogs
ISBN :
Author : British Museum. Department of Printed Books
Publisher :
Page : 752 pages
File Size : 43,92 MB
Release : 1901
Category : English literature
ISBN :
Author : Anderson Galleries, Inc
Publisher :
Page : 470 pages
File Size : 40,49 MB
Release : 1910
Category : Art
ISBN :
Author : British Library
Publisher :
Page : 756 pages
File Size : 48,70 MB
Release : 1901
Category :
ISBN :
Author : National Gallery of Canada. Library
Publisher : Macmillan Reference USA
Page : 796 pages
File Size : 29,78 MB
Release : 1973
Category : Language Arts & Disciplines
ISBN :
Author : Metropolitan Museum of Art (New York, N.Y.). Library
Publisher :
Page : 1054 pages
File Size : 29,65 MB
Release : 1960
Category : Art
ISBN :
Author : Carter E. Foster
Publisher : Hudson Hills
Page : 170 pages
File Size : 34,26 MB
Release : 2001
Category : Art
ISBN : 9780940717671
Accompanying an exhibition at the Cleveland Museum of Art last fall and now at the Dahesh Museum in New York, this catalog focuses upon the French drawings in Muriel Butkin's highly specialized collection which she has promised to the Cleveland Museum. To assemble her diverse yet nicely integrated set of drawings, Butkin started buying 18th-century French drawings when they were affordable. In the mid-1970s, with the guidance of art historian Gabriel Weisberg, she expanded her collection to include 19th-century French drawings. These drawings were counter to the mainstream impressionist and postimpressionist taste of the time and focused more on academic French subject matter such as life drawings, portraits, or compositional studies. In the preface, Butkin herself reinforces her taste by saying that drawings are much more personal and spontaneous than paintings, often demonstrating the artistic process. Foster, curator of drawings at the Cleveland Museum, and other scholars present a well-researched volume that contributes new information to a very specialized field of art history. It is greatly disappointing, however, that the bulk of the reproductions are in black and white, often missing the subtly colored tones in many of the drawings. Nonetheless, this is recommended for museum and academic libraries that support graduate programs in art history. 183 b/w illustrations