Revolutionary Paris and the Market for Netherlandish Art


Book Description

Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.







The J. Paul Getty Museum Journal


Book Description

The J. Paul Getty Museum Journal 11 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, paintings, and sculpture and works of art. This volume includes an Editorial Statement by the Journal’s editors: Burton B. Fredericksen, Curator of Paintings, Jiří Frel, Curator of Antiquities, and Gillian Wilson, Curator of Decorative Arts. Conservation problems will be discussed along with the articles written by Gillian Wilson, Adrian Sassoon, Charissa Bremer-David, Bruno Pons, Selma Holo, Marion True, Arthur Houghton, Zdravko Barov, C.E. Vafopoulou-Richardson, Jiří Frel, Kenneth Hamma, Mario A. Del Chiaro, Michael Pfrommer, Klaus Parlasca, Catherine Lees-Causey, Marit Jentoft-Nilsen, Wilhelm Brashear, Wilhelm Brashear, Roy Kotansky, John W. Nesbitt, Burton B. Fredericksen, and Gary Schwartz.




The Paintings of Karel Du Jardin, 1626-1678


Book Description

The Paintings of Karel du Jardin (1626 Amsterdam-Venice 1678) is the first monograph devoted to this talented and versatile artist. It comprises six chapters outlining Du Jardin's life, his reception, his patrons, portraits, history paintings and landscapes, followed by a conclusion, a list of documents, and a catalogue raisonné of his approximately 158 autographs paintings, as well as doubtful and rejected works. Celebrated in his own lifetime by poets and playwrights, and known primarily for his luminous Italianate landscape paintings, he also produced a modest number of elegant and aristocratising portraits of Amsterdam's patrician and merchant elites, along with stunning and recondite history paintings. Never fully studied before, these works have been carefully researched, with much new or additional provenance, and are discussed in terms of their content and meaning; at times unusual and innovative. They are set within the context of artistic developments both in the Netherlands and abroad, as well as Du Jardin's own life, now fully reconstructed with a wealth of new archival material, and that of his circle of well-to-do, educated patrons and buyers, who turned out to share certain notions of civility and honnêteté.







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Book Description




Inventing the Art Collection


Book Description

The pace and scale of the exchange of cultural goods of all sorts&—paintings, furniture, even ladies' fans&—increased sharply in nineteenth-century Spain, and new institutions and practices for exhibiting as well as valorizing &"art&" were soon formed. Oscar V&ázquez maps this cultural landscape, tracing the connections between the growth of art markets and changing patterns of collecting. Unlike many earlier students of collecting, he focuses not upon questions of taste but rather upon the discursive and institutional frameworks that came to regulate art's economic and symbolic worth at all levels of Spanish society. Drawing upon sources that range from newspaper reviews to notarial documents, V&ázquez shows how collecting acquired the power to mediate debates over individual, regional, and national identity. His book also looks at the emergence of a new state apparatus for arts administration and situates these social and political changes in the broader European context. Inventing the Art Collection will be of interest to historians and sociologists of Spain and Europe, as well as art historians and cultural theorists.




Jacob Van Ruisdael


Book Description

If you know the 26 letters of the alphabet and can count to 99 -- or are just learning -- you'll love Tana Hoban's brilliant creation. This innovative concept book is two books in one!




The Purchase of the Past


Book Description

Offers a broad and vivid overview of the culture of collecting in France over the long nineteenth-century.