Catalogue of the Harvard University Fine Arts Library, The Fogg Art Museum
Author : Harvard University. Fine Arts Library
Publisher :
Page : 642 pages
File Size : 30,56 MB
Release : 1976
Category : Art
ISBN :
Author : Harvard University. Fine Arts Library
Publisher :
Page : 642 pages
File Size : 30,56 MB
Release : 1976
Category : Art
ISBN :
Author : American Art Association, Anderson Galleries (Firm)
Publisher :
Page : 1662 pages
File Size : 10,84 MB
Release : 1922
Category :
ISBN :
Author : American Art Association, Anderson Galleries (Firm)
Publisher :
Page : 1302 pages
File Size : 20,83 MB
Release : 1922
Category :
ISBN :
Author : Maurice de Vlaminck
Publisher : Wildenstein institute
Page : 612 pages
File Size : 27,63 MB
Release : 2008
Category : Art criticism
ISBN :
Author : Museum of Modern Art (New York, N.Y.). Library
Publisher :
Page : 708 pages
File Size : 14,85 MB
Release : 1976
Category : Art
ISBN :
Author : Metropolitan Museum of Art (New York, N.Y.). Library
Publisher :
Page : 1038 pages
File Size : 16,76 MB
Release : 1960
Category : Art
ISBN :
Author : Anderson Galleries, Inc
Publisher :
Page : 1092 pages
File Size : 33,13 MB
Release : 1922
Category : Art
ISBN :
Author : Juan Gris
Publisher :
Page : 312 pages
File Size : 15,49 MB
Release : 2005
Category :
ISBN :
Author : Metropolitan Museum of Art (New York, N.Y.). Library
Publisher :
Page : 1038 pages
File Size : 20,85 MB
Release : 1960
Category : Art
ISBN :
Author : Paul B. Franklin
Publisher : Getty Publications
Page : 422 pages
File Size : 21,65 MB
Release : 2016-06-01
Category : Art
ISBN : 1606064436
Robert Lebel, French art critic and collector, was instrumental in rendering Marcel Duchamp’s often hermetic life, art, and ideas accessible to a wider public across Europe and the United States, principally with his 1959 publication Sur Marcel Duchamp, the first monograph and catalogue raisonné devoted to the artist. Duchamp was a willing partner in the book’s creation. In fact, his active participation in both its conception and layout was so substantial that the book is considered part of the artist’s oeuvre. But the project took six years to complete. The trials, tribulations, quarrels, and machinations that plagued the production, publication, and publicity of Sur Marcel Duchamp are the focus of this correspondence between two lifelong friends. Translated and printed in full together for the first time, and including the original French texts, these letters, postcards, and telegrams from the collection of the Getty Research Institute offer uncensored access to the evolution of the relationship between Lebel and Duchamp from December 1946 to April 1967. They provide valuable information about their daily activities as well as those of friends and colleagues, vital details concerning their various collective projects, and illuminating insights into their thinking about art and life. These documents, witty and sincere, bear witness to the art of friendship and a friendship in art.