Catalogue des tableaux précieux des plus grands maîtres des écoles flamande et hollandaise qui composent s. cabinet
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File Size : 11,38 MB
Release : 1781
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File Size : 11,38 MB
Release : 1781
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Author : Alexandre Joseph Paillet
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Page : pages
File Size : 12,36 MB
Release : 1781
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Author : Darius A. Spieth
Publisher : BRILL
Page : 535 pages
File Size : 50,89 MB
Release : 2017-11-06
Category : Art
ISBN : 9004276750
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
Author : Tom Stammers
Publisher : Cambridge University Press
Page : 375 pages
File Size : 22,2 MB
Release : 2020-06-25
Category : History
ISBN : 1108807224
Offering a broad and vivid survey of the culture of collecting from the French Revolution to the Belle Époque, The Purchase of the Past explores how material things became a central means of accessing and imagining the past in nineteenth-century France. By subverting the monarchical establishment, the French Revolution not only heralded the dawn of the museum age, it also threw an unprecedented quantity of artworks into commercial circulation, allowing private individuals to pose as custodians and saviours of the endangered cultural inheritance. Through their common itineraries, erudition and sociability, an early generation of scavengers established their own form of 'private patrimony', independent from state control. Over a century of Parisian history, Tom Stammers explores collectors' investments – not just financial but also emotional and imaginative – in historical artefacts, as well as their uncomfortable relationship with public institutions. In so doing, he argues that private collections were a critical site for salvaging and interpreting the past in a post-revolutionary society, accelerating but also complicating the development of a shared national heritage.
Author : E. and A. Evans
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Page : 526 pages
File Size : 13,9 MB
Release : 1820
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File Size : 23,15 MB
Release : 1822
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Page : 0 pages
File Size : 37,86 MB
Release : 1847
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Author : Me. Wateau, Paris
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Page : pages
File Size : 28,80 MB
Release : 1831
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Author : De Moor
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Page : pages
File Size : 41,53 MB
Release : 1816
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Author : Jean-Baptiste-Pierre Lebrun
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Page : 26 pages
File Size : 26,50 MB
Release : 1800
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