Tactical Publishing


Book Description

How to level up to the next transformative phase of publishing—with a critical methodology that transcends the dichotomy of paper and digital media production. Publishing is experiencing one of the most transformative phases in its history. In Tactical Publishing, a sequel to Post-Digital Print, Alessandro Ludovico explores the forces driving this historical phase, highlighting the tremendous opportunities it presents. Our task, he believes, is to develop an alternative publishing system that transcends the dichotomy between paper and digital media. He focuses first on the two activities on which publishing is premised—reading and writing (with an emphasis on writing machines and post-truth in the latter)—and then deconstructs the concept, proposing alternative strategies inspired by recent practices and unconventional uses of technology. Ludovico shows how the radical and strategic use of print in the past can serve as the basis for our transition to the next phase of publishing. He argues that the new ecology of publishing should be based on three main elements: the stimulation of our senses, the role of software in forming the publishing infrastructure, and the importance of archives. During this transition from the current post-digital phase to the next phase, independent publishers and artists, as well as readers and machines, will enable new structures and actions that realize the potential of publishing and the preservation of content, thereby enriching social practices. The author also considers the crucial social role played by new forms of libraries, as artists and publishers shape the coming publishing world in its various manifestations. Combining analytical accounts of tactical strategies with examples from artworks and experimental practices, the book concludes with a manifesto for publishing in the twenty-first century and an appendix with a selection of one hundred publications representing the “periodic table” of future publishing.




The Future Is Present


Book Description

A critical history of the pioneering art and technology group Mobile Image and their prescient work in communications, networking, and information systems. In The Future Is Present, Philip Glahn and Cary Levine tell the fascinating history of the visionary art group Mobile Image—founded by Kit Galloway and Sherrie Rabinowitz in 1977—which appropriated emerging technologies, from satellites to electronic message platforms. Based in Los Angeles, this under-studied collective worked amid urban crisis, a techno-boom, consolidating media power, and ascendant neoliberal politics. Mobile Image challenged fundamental conventions of the public sphere, democracy, communication, and political participation, as well as notions of power, representation, and identity. Glahn and Levine argue not only for the historical importance of Mobile Image, but also for a critical artistic process that is at once analytic and transformative. They weave themes such as embodiment and its mediation, public/private dialectics, and techno-utopian vision throughout the book, binding these projects to discourses around race, gender, and class, as well as margin and center, the local and the global. In today’s world of ubiquitous digital re/production, networking, and social media, The Future Is Present shows how the work of Mobile Image continues to have profound implications for art, technology, and the politics of public and private experience.




The Weapons Officer


Book Description




Holograms


Book Description

Holograms have been in the public eye for over a half-century, but their influences have deeper cultural roots. No other visual experience is quite like interacting with holograms; no other cultural product melds the technological sublime with magic and optimism in quite the same way. As holograms have evolved, they have left their audiences alternately fascinated, bemused, inspired or indifferent. From expressions of high science to countercultural art to consumer security, holograms have represented modernity, magic and materialism. Their most pervasive impact has been to galvanise hopeful technological dreams. Engineers, artists, hippies and hobbyists have played with, and dreamed about, holograms. This book explores how holograms found a place in distinct cultural settings. It is aimed at readers attracted to pop culture, visual studies and cultural history, scholars concerned with media history, fine art and material studies and, most of all, cross-disciplinary audiences intrigued about how this ubiquitous but still-mysterious visual medium grew up in our midst and became entangled in our culture. This book explores the technical attractions and cultural uses of the hologram, how they were shaped by what came before them, and how they have matured to shape our notional futures. Today, holograms are in our pockets (as identity documents) and in our minds (as gaming fantasies and 'faux hologram' performers). Why aren't they more often in front of our eyes?




The Air War in Ukraine


Book Description

This book provides a comprehensive account of the use of airpower in the first year of the Ukraine conflict. Airpower has been central to political, military, and public debates from the outset of the Russo‐Ukrainian war. After having started with whether the US and NATO should attempt to establish a No‐Fly Zone over Ukraine to protect the civilian population, the international discussion soon focused on the underperformance of Russian airpower. The fact that the initial contest for air superiority over Ukraine ended in an uneasy state of mutual denial came as a surprise to Western analysts, who suspected Kyiv would fall within a relatively short period of time. The surprise and relief that it did not only fueled urgent and ongoing discussions on how NATO nations could support the Ukrainian war effort. Regardless of nationality, age, level of education, or ethnicity, the near‐daily footage of Russian missiles, bombs and drones hitting residential areas and bombarding infrastructure to deprive an entire population of electricity and water has been emotionally imprinted on generations who have only known peace. Why the Russians have used airpower with such brutality, and how Ukraine and its allies have defended against this threat, is an important topic to understand even outside a specialist military audience. The aim of this book, therefore, is to provide an analysis on why the air war over Ukraine unfolded as it did during the first year of the war. This book will be of much interest to students of air power, military and strategic studies, Russian and eastern European politics, and International Relations.




Degraded Capability


Book Description

'Required reading for anyone wishing to understand the war and the media's role in it.' --The New Internationalist




Achieving Operational Flexibility Through Task Organization:


Book Description

On the eve of World War II, the U.S. Army was a small cadre force without deployable combat divisions. Because of years of preparation and planning during the interwar years, the Army completed the transformation into a huge organization with multiple army groups spread across the world in less than four years. This new army displayed remarkable battlefield flexibility. Doctrine and training guided senior leaders in the European Theater of Operations to ensure overwhelming combat power at the point of attack. They constantly shifted their divisions, a limited asset on the continent for the majority of 1944, between corps headquarters immediately prior to major battles. Many divisions changed corps assignments four times in a three-month period and corps moved between armies on a regular basis with no apparent difficulty. Changing task organization in the face of the enemy is a complex undertaking, affecting command relationships, logistics, and every other staff function. Despite the potential for introducing unwanted friction, the shifting of units from one headquarters to another was a common practice in the European theater in 1944. How were these newly formed units able to display the flexibility to integrate effectively while engaged in combat? This monograph proposes operational flexibility resulted from a unique American way of war developed during the interwar period by veterans of the First World War. Three factors -- common doctrine, carefully selected leaders, and an effective organizational structure -- provided senior commanders the organizational flexibility they required in combat. Without this flexibility, the Army would have had difficulty executing its breakout from the Normandy bridgehead, pursuing the retreating German forces across France, and quickly thwarting the Nazi offensive in the Ardennes at the end of 1944.




US Intervention Policy and Army Innovation


Book Description

This book examines how the US Army rebuilt itself after the Vietnam War and how this has effected US intervention policy after the Cold War.




The Publisher


Book Description