Tahiti The Marriage Of Loti


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First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.







Tahiti


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Noa Noa


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Tahiti


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Tahiti Report 2003


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The South Sea Island


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When the first European explorers ventured into the unknown Pacific Ocean, their minds were filled with tales of remote, paradisiacal islands. Hopeful ideas of noble savages, ecological balance, and immense riches gave them the courage to search for a new world – even when faced with the unimaginable. The South Sea Island – A Geography of Pleasure is a journey through the history of ideas and literature over three centuries of European and American narratives about islands, oceans, and archipelagos. Literary scholar Frits Andersen reads and analyses travel accounts, paintings, films, and novels from the 18th century up until the present day by visual artists and authors including Paul Gauguin, Herman Melville, Robert Louis Stevenson, Jules Verne, and Thor Heyerdahl. These readings, combined with Andersen’s eye for pleasure, sense, and longing, give rise to a novel literary history of the disappearing Pacific islands. At the same time, the book offers historical models that we can use today to enhance our understanding of, and find new answers to, global political and climate-related challenges. Frits Andersen is a professor of Comparative Literature at Aarhus University, Denmark. His previous works include The Dark Continent? Images of Africa in European Narratives about the Congo (2016). The Danish edition of this book, entitled Sydhavsøen. Nydelsens geografi received the Georg Brandes Prize.




The Word, the Pen, and the Pistol


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This postcolonial study explores the Western myth of Tahiti as a paradise, as well as the complex and diverse ways the Maohi people have responded to this myth.




Sailing the Pacific


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Solo sailors are widely known to be a breed apart, and here's an unforgettable book that shows just how wide a berth they give themselves from the crowds. Several years ago, Miles Hordern, a schoolteacher by training---though he had run away to sea a few times before---set sail on a twenty-eight-foot boat from New Zealand to South America, the largest uninterrupted stretch of water on earth, and into the dominion of icebergs, cyclones, and swells of monumental proportions. The trip would take him through the fjords of Patagonia, one of the last uncharted areas in the world, then north on the Peru Current before he began his homeward voyage. Sailing the Pacific recounts that trip in prose so vivid you can almost feel the spray sting your face and the deck heave beneath your feet. Here is prose so hawser-taut that it takes you back to Conrad, Melville, and Poe, indeed all those writers whose works about the bounding main have launched countless imaginations. Hordern pauses to consider those who have gone before him, recounting the stories that have given life to this lonely and magisterial part of the world. Writers, adventurers, fictional characters, cartographers, doomed voyages from history's pages—from the Whaleship S.S. Essex to the HMS Bounty: the South Pacific drew them all, and in their way they left mark on its vast surface. Part sailing yarn, part adventure story, part homage to an unending but beckoning horizon, Sailing the Pacific will appeal to the sailor in each one of us, whatever the way we choose to answer the ocean's call.




Travel, Tourism and Art


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Art, in its many forms, has long played an important role in people’s imagination, experience and remembrance of places, cultures and travels as well as in their motivation to travel. Travel and tourism, on the other hand, have also inspired numerous artists and featured in many artworks. The fascinating relationships between travel, tourism and art encompass a wide range of phenomena from historical ’Grand Tours’ during which a number of travellers experienced or produced artwork, to present-day travel inspired by art, artworks produced by contemporary travellers or artworks produced by locals for tourist consumption. Focusing on the representations of ’touristic’ places, locals, travellers and tourists in artworks; the role of travel and tourism in inspiring artists; as well as the role of art and artwork in imagining, experiencing and remembering places and motivating travel and tourism; this edited volume provides a space for an exploration of both historical and contemporary relationships between travel, tourism and art. Bringing together scholars from a wide range of disciplines and fields of study including geography, anthropology, history, philosophy, and urban, cultural, tourism, art and leisure studies, this volume discusses a range of case studies across different art forms and locales.