Manuscript Cultures and Epigraphy of the Tai World


Book Description

During the past four decades an impressive corpus of manuscripts and epigraphical material in Thailand, Laos, and adjacent Tai-speaking areas has been surveyed, documented, and digitized. Scholarly interest in this material has not been restricted to philological and historical studies of the texts contained in manuscripts and inscriptions but has extended to its material aspects, which encompass manuscripts written on palm-leaf, various forms of paper, cloth, bamboo, and other organic material, and inscriptions on stone, metal, and wood. In Manuscript Cultures and Epigraphy of the Tai World, Volker Grabowsky seeks to explore the production, use, and transmission of manuscripts both as containers of traditional knowledge and as objects used in daily life, rituals, and ceremonies. Particular emphasis is given to the relationship between manuscripts and inscriptions, as both have influenced each other to no small degree. Through a comprehensive look at the Tai-language literature's chronological and synchronic development, readers will learn the social importance of these literary productions.




Tai Culture


Book Description




War and Popular Culture


Book Description

This is the first comprehensive study of popular culture in twentieth-century China, and of its political impact during the Sino-Japanese War of 1937-1945 (known in China as "The War of Resistance against Japan"). Chang-tai Hung shows in compelling detail how Chinese resisters used a variety of popular cultural forms—especially dramas, cartoons, and newspapers—to reach out to the rural audience and galvanize support for the war cause. While the Nationalists used popular culture as a patriotic tool, the Communists refashioned it into a socialist propaganda instrument, creating lively symbols of peasant heroes and joyful images of village life under their rule. In the end, Hung argues, the Communists' use of popular culture contributed to their victory in revolution.




Fragmented Memories


Book Description

Fragmented Memories is a beautifully rendered exploration of how, during the 1990s, socially and economically marginalized people in the northeastern Indian state of Assam sought to produce a past on which to base a distinctive contemporary identity recognized within late-twentieth-century India. Yasmin Saikia describes how groups of Assamese identified themselves as Tai-Ahom—a people with a glorious past stretching back to the invasion of what is now Assam by Ahom warriors in the thirteenth century. In her account of the 1990s Tai-Ahom identity movement, Saikia considers the problem of competing identities in India, the significance of place and culture, and the outcome of the memory-building project of the Tai-Ahom. Assamese herself, Saikia lived in several different Tai-Ahom villages between 1994 and 1996. She spoke with political activists, intellectuals, militant leaders, shamans, and students and observed and participated in Tai-Ahom religious, social, and political events. She read Tai-Ahom sacred texts and did archival research—looking at colonial documents and government reports—in Calcutta, New Delhi, and London. In Fragmented Memories, Saikia reveals the different narratives relating to the Tai-Ahom as told by the postcolonial Indian government, British colonists, and various texts reaching back to the thirteenth century. She shows how Tai-Ahom identity is practiced in Assam and also in Thailand. Revealing how the “dead” history of Tai-Ahom has been transformed into living memory to demand rights of citizenship, Fragmented Memories is a landmark history told from the periphery of the Indian nation.




Mao's New World


Book Description

Mao's New World examines how Mao Zedong and senior Party leaders transformed the PRC into a propaganda state in the first decade of their rule (1949-1959).




Rights to Culture


Book Description

This collection brings together original, small-scale, ethnographic research on minorities and communities contesting heritage, livelihood, language, and citizenship in Thailand. The case studies included here look at the rights of communities to manage their own cultural and natural resources across a range of settings including ethnic Khmer communities in the Northeast, migrant groups in metropolitan Bangkok, and hill tribe communities in the North of Thailand. The studies individually and collectively draw attention to conditions that are conducive to rights claiming, and they explore how and in what situations community leaders choose to negotiate with the state using other discourses. Readers interested in the limits and possibilities of invoking rights in the pursuit of diversity and pluralism will find in this book critically-minded, conceptually nuanced, and empirically grounded explorations of the interrelationship between culture and rights. The book’s theoretical and analytic insights contribute to the anthropology of rights as well as heritage studies by raising questions about the possibilities and limitations of rights-informed approaches to policy. Rights to Culture will appeal to students, scholars, and practitioners of cultural heritage in Thailand and Southeast Asia, as well as globally. What others are saying “Rights To Culture explores one of the most important and conceptually difficult topics in current heritage studies through case studies located in a nation of significant ethnic diversity and political complexity. The authors masterfully interweave history, environment, and cultural policy in deeply nuanced ethnographic analyses of communities that range in scale from rural villages to the pulsating urban capital of Bangkok. Rights To Culture is an outstanding contribution to debates about culture and rights globally.”—Helaine Silverman, University of Illinois at Urbana-Champaign “This book illustrates how the complex processes of transculturation are experienced by heterogeneous groups of people who are always excluded as “other” in so-called homogeneous Thai society... Most important of all is the central argument that culture and rights have provided a negotiating space for these invisible people in their politics of identity to allow them to fully participate in development.”—Anan Ganjanapan, Emeritus, Chiang Mai University.




Chinese Culture, Western Culture


Book Description

This book explores how complementary Chinese and Western cultures are, how they should learn from each other to establish a dynamic balance, and how institutions need constant redefinition and renewal in order to prosper. By studying the history and development of thought and philosophy in these cultures, it suggests lessons from our past that may shed light on current events and help us in handling future challenges. The book presents answers to the following important questions: Do Chinese people think differently from Westerners, and if so, how and why? What are the key differences between Chinese and Western culture and why? How did China become the most technologically advanced and sociologically sophisticated nation in the world until the seventeenth century, and why did it ultimately decline? What are the key characteristics of political institutions in historical China and Europe, and how were they significant? In this postmodern time and era of globalization, what can we learn from Chinese culture and experiences? As China rapidly industrializes, what can it learn from the West without repeating some of the mistakes that Europeans and North Americans made in their periods of industrialization?




Encyclopedia of Contemporary Chinese Culture


Book Description

First Published in 2009. Routledge is an imprint of Taylor & Francis, an informa company.




China's Transformations


Book Description

Trouble-makers or truth-sayers? : the peculiar status of foreign correspondents in China / Martin Fackler -- The political roots of China's environmental degradation / Judith Shapiro -- Fueling China's capitalist transformation : the human cost / Timothy B. Weston -- Qigong, Falun Gong, and the body politic in contemporary China / David Ownby -- Narratives to live by : the century of humiliation and Chinese national identity today / Peter Hays Gries -- The Internet : a force to transform Chinese society? / Xiao Qiang -- The politics of filmmaking and movie watching / Sylvia Li-chün Lin -- Fictional China / Howard Goldblatt -- Of rice and meat : real Chinese food / Susan D. Blum -- Herding the masses : public opinion and democracy in today's China / Tong Lam -- Sex tourism and lure of the ethnic erotic in Southwest China / Sandra Teresa Hyde -- Welcome to paradise! : a Sino-U.S. joint-venture project / Tim Oakes -- The new Chinese intellectual : globalized, disoriented, reoriented / Timothy Cheek -- Reporting China since the 1960s / John Gittings -- Afterword: China, the United States and the fragile planet / Lionel M. Jensen.




Lost T'ai-chi Classics from the Late Ch'ing Dynasty


Book Description

Douglas Wile translates and analyzes four collections of recently released nineteenth-century manuscripts on T'ai-chi ch'uan. These writings of Wu's older brothers Ch'eng-ch'ing and Ju-ch'ing, and his nephew Li I-yu, together with the transmissions of Yang Pan-hou, represent a significant addition to the seminal literature. The rich new texts allow us to make a fresh survey of longstanding issues in T'ai-chi history: the origins of the art; the authorship of the "classics;" the differences between Wu, Yang, and Li; and the roles of Chang San-feng, Wang Tsung-yueh, Chiang Fa, and the formerly missing link, Ch'ang Nai-chou. The original Chinese texts of the four new sets of classics have been appended for the convenience of Chinese readers and scholars. The book reconsiders the world of the Wu, Yang, and Li families of Yung-nien and reconstructs it against the background of the Opium Wars, the Taiping Rebellion, and the decline of the Manchu dynasty. New biographical sources illuminate the domestic and political lives of the Yung-nien circle and their orientation to the late imperial intellectual trends. The development of T'ai-chi ch'uan in the nineteenth century is explored in the context of China's cultural response to the challenge of the West and the role of body-centered arts in Asia during the drive for independence and the ongoing search for national identity.