Tales of a Prison Bitch


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Prison Bitch


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82189


Book Description

We are left with what might be described as an outsider memoir, or simply a document. Unrefined and unfinished, 82189 was written by a man - posthumously assigned the pen-name "Henry Bellows" - who died while serving a life sentence for rape, and who spent most his life in penal confinement. Whatever literary aspiration may have motivated Bellows' late-life confessional writing, his text now invites interest for such insight that it may offer (or conceal) regarding the formative experiences and criminal exploits of a repeat sex offender who was also rape victim. In telling his story, Bellows embeds a coldly observed account of carceral culture and the grim reality of sexual violence and abjection behind prison walls. In her introduction to this central text and in an appending interview, Mikita Brottman provides relevant background about its origins and her association with the author to frame a more probing interpretation not only of Bellows' "unfinished memoir" as such, but of the psychosexual and institutional factors that inform and complicate broader societal narratives of sex crime and the the sexual victimization of prisoners. When we think of prison, how often do we think of rape? The general consensus being, if a person committed a crime, they deserve whatever they get once inside. But does someone, especially a young offender, deserve to be robbed of their humanity, their autonomy over their own body? Male prison rape is a harsh reality willfully ignored by both prison culture - guards, warden, staff, other inmates - and society itself. How can a prisoner ever expect to be rehabilitated in such an unforgiving environment? 82189 is a horrific document, and it achieves the nearly impossible: As I read it, I came to empathize with a man who willfully made others suffer. It is an important work, the unique record of a man who was both perpetrator and victim. 82189 rightly deserves to become a classic in that most elusive of literatures: redemption through unwarranted suffering. This is humanity, writ large. Thank god it isn't you. -James Nulick, author of The Moon Down to Earth




Prison Bitch


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Humorous memoir covering eleven years inside federal female camps and prisons.An excerpt from Chapter 6, Religious Services:I had been at Danbury a few months when Vicki persuaded me to attend a revival with her one night in the auditorium. Faith healers were on the ticket and I was more than a little skeptical. I decided to go. I'll never forget it. It was standing room only, probably 500 women. Some werehoping to be healed of one affliction or another, some sought to be prophesied to. It was, to use an over-used prison phrase, off the chain. From simple introductions of our guests we soon progressed to speaking in tongues and laying on of hands. At this point, the screaming began. I don't know if they were casting out demons orwhat, but those being healed let out blood-curdling screams.Let me just briefly state that I am a survivor of domestic violence. I can't even watch a movie with those themes without having a full-scale panic attack. Xanax being unavailable to me in Club Fed, I avoid loud, contentious and violent situations at all costs.After the screaming began, I looked at Vicki like maybe this wasn't the service I needed right now. She motioned for me to keep my seat, but could tell I was uncomfortable. Next, two things happened simultaneously. A lady in the middle of the audience, in front of us and to the left, began projectile vomiting in a whole circle around herself. Just like Regan in The Exorcist! Also, somebodysuddenly screamed bloody murder in the back of the crowd, near the restrooms, and roughly threw herself against the back wall. Now I broke out in a cold sweat. My pupils were probably bigger thanmy skull as I made my way out of there, nearly hyperventilating, Vicki hot on my heels. No more organized religion at Danbury for me!




Fish


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When seventeen-year-old T. J. Parsell held up the local Photo Mat with a toy gun, he was sentenced to four and a half to fifteen years in prison. The first night of his term, four older inmates drugged Parsell and took turns raping him. When they were through, they flipped a coin to decide who would "own" him. Forced to remain silent about his rape by a convict code among inmates (one in which informers are murdered), Parsell's experience that first night haunted him throughout the rest of his sentence. In an effort to silence the guilt and pain of its victims, the issue of prisoner rape is a story that has not been told. For the first time Parsell, one of America's leading spokespeople for prison reform, shares the story of his coming of age behind bars. He gives voice to countless others who have been exposed to an incarceration system that turns a blind eye to the abuse of the prisoners in its charge. Since life behind bars is so often exploited by television and movie re-enactments, the real story has yet to be told. Fish is the first breakout story to do that.




Lucasville


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Lucasville tells the story of one of the longest prison uprisings in U.S. history. At the maximum-security Southern Ohio Correctional Facility in Lucasville, Ohio, prisoners seized a major area of the prison on Easter Sunday, 1993. More than 400 prisoners held L block for eleven days. Nine prisoners alleged to have been informants, or “snitches,” and one hostage correctional officer, were murdered. There was a negotiated surrender. Thereafter, almost wholly on the basis of testimony by prisoner informants who received deals in exchange, five spokespersons or leaders were tried and sentenced to death, and more than a dozen others received long sentences. Lucasville examines the causes of the disturbance, what happened during the eleven days, and the fairness of the trials. Particular emphasis is placed on the interracial character of the action, as evidenced in the slogans that were found painted on walls after the surrender: “Black and White Together,” “Convict Unity,” and “Convict Race.” An eloquent Foreword by Mumia Abu-Jamal underlines these themes. He states, as does the book, that the men later sentenced to death “sought to minimize violence, and indeed, according to substantial evidence, saved the lives of several men, prisoner and guard alike.” Of the five men, three black and two white, who were sentenced to death, Mumia declares, “They rose above their status as prisoners, and became, for a few days in April 1993, what rebels in Attica had demanded a generation before them: men. As such, they did not betray each other; they did not dishonor each other; they reached beyond their prison ‘tribes’ to reach commonality.”




Penitentiary Tales


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How an affluent, educated, straight white male from California survives a prison dominated by a diverse population of inmates from the mean streets of Chicago. Addressing issues of race and gender, it is at once a serious inquiry into the minds and hearts of the marginalized and the oppressed, and a bit of a romp.




Prison Bitch


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Prison Bitch is a fictional work about real life events prevalent throughout the United States. The story highlights the racism, violence and tragedies of the so called negro in America, while reminding us of the strong traditional family values and resilience of our predecessors. It takes a harsh look at the shift in values from one generation to the next and the criminal justice systems effects on our community. The book leaves little to the imagination yet spares the reader the harshest and most bitter realities of our young people who are being housed in adult prisons.




Confessions of a Prairie Bitch


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Confessions of a Prairie Bitch is Alison Arngrim’s comic memoir of growing up as one of television’s most memorable characters—the devious Nellie Oleson on the hit television show Little House on the Prairie. With behind-the-scenes stories from the set, as well as tales from her bohemian upbringing in West Hollywood and her headline-making advocacy work on behalf of HIV awareness and abused children, Confessions of a Prairie Bitch is a must for fans of everything Little House: the classic television series and its many stars like Michael Landon and Melissa Gilbert; Gilbert’s bestselling memoir Prairie Tale... and, of course, the beloved series of books by Laura Ingalls Wilder that started it all.




Prison Writing in 20th-Century America


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"Harrowing in their frank detail and desperate tone, the selections in this anthology pack an emotional wallop...Should be required reading for anyone concerned about the violence in our society and the high rate of recidivism."—Publishers Weekly. Includes work by: Jack London, Nelson Algren, Chester Himes,Jack Henry Abbott, Robert Lowell, Malcolm X, Mumia Abu-Jamal, and Piri Thomas.