Tales of Liberation, Strategies of Containment


Book Description

This book examines six Progressive Age novels of marital discord which specifically focus upon narratives of divorced and divorcing women within the context of their multivalent social and economic value on the "Marriage market."




Love American Style


Book Description

A popular subject in sociology and cultural studies, divorce has been overlooked by literary critics. Spanning nearly a century during which the divorce rate skyrocketed, this study traces the treatment of divorce in the American novel.




Rethinking the Red Scare


Book Description

Using New York as a lens, this book examines the Red Scare that griped America between 1919-1923 and the pattern it established for future episodes of political repression. It also presents the first in-depth study of the Soviet Bureau, the unofficial Bolshevik embassy that attempted to establish commercial ties with American businessmen, as well as the development of the Rand School as one of the nation's first working-class oriented schools.




Extreme Domesticity


Book Description

Domesticity gets a bad rap. We associate it with stasis, bourgeois accumulation, banality, and conservative family values. Yet in Extreme Domesticity, Susan Fraiman reminds us that keeping house is just as likely to involve dislocation, economic insecurity, creative improvisation, and queered notions of family. Her book links terms often seen as antithetical: domestic knowledge coinciding with female masculinity, feminism, and divorce; domestic routines elaborated in the context of Victorian poverty, twentieth-century immigration, and new millennial homelessness. Far from being exclusively middle-class, domestic concerns are shown to be all the more urgent and ongoing when shelter is precarious. Fraiman's reformulation frees domesticity from associations with conformity and sentimentality. Ranging across periods and genres, and diversifying the archive of domestic depictions, Fraiman's readings include novels by Elizabeth Gaskell, Sandra Cisneros, Jamaica Kincaid, Leslie Feinberg, and Lois-Ann Yamanaka; Edith Wharton's classic decorating guide; popular women's magazines; and ethnographic studies of homeless subcultures. Recognizing the labor and know-how needed to produce the space we call "home," Extreme Domesticity vindicates domestic practices and appreciates their centrality to everyday life. At the same time, it remains well aware of domesticity's dark side. Neither a romance of artisanal housewifery nor an apology for conservative notions of home, Extreme Domesticity stresses the heterogeneity of households and probes the multiplicity of domestic meanings.




Tales of Liberation, Strategies of Containment


Book Description

First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.




French Divorce Fiction from the Revolution to the First World War


Book Description

"One of the primary social changes ushered in by the French Revolution was the legalization of divorce in 1792. Diluted by the Civil Code and suppressed by the Restoration, divorce was only fully established in France by the Loi Naquet of 1884. French Divorce Fiction from the Revolution to the First World War tracks the part played by novels in this conflict between the secular rights of individual citizens and the sanctity of the traditional family. Inspired by the sociologists Zygmunt Bauman and Anthony Giddens, White's account culminates in the first sustained analysis of the role of divorce in the refashioning of life narratives during the early decades of the Third Republic. As such, it redefines the relationships between canonical authors such as Maupassant and Colette, rediscovered women novelists like Marcelle Tinayre and Camille Pert, and long-neglected patriarchs such as Paul Bourget and Anatole France. Nicholas White teaches French in the University of Cambridge where he is a Fellow of Emmanuel College."




Writing Jazz


Book Description

This study examines how early writers of jazz criticism (such as Gilbert Seldes and Carl Van Vechten) and literature (F. Scott Fitzgerald and Langston Hughes)--as well as jazz performers and composers (such as Al Jolson, Sophie Tucker, and George Gershwin)--associated the music directly with questions about identity (racial, ethnic, national, gendered, and sexual) and with historical developments like industrialization. Going beyond the study of melody, harmony, and rhythm, this book's interdisciplinary approach takes seriously the cultural beliefs about jazz that inspired interracial contact, moralistic panic, bohemian slumming, visions of American democracy, and much more. Detailed textual analysis of fiction, nonfiction, film, and musical performance illustrates the complexity of these cultural beliefs in the 1920s and also shows their survival to the present day. In part, jazz absorbed the U.S. cultural imagination due to the nineteenth-century artistic search for music that would define the national character. To the chagrin of Anglo-Saxon nativists, jazz ascended as an exemplar of cultural hybridity and pluralism. The writers and entertainers studied in this volume--most of whom were minorities of Jewish Irish or African heritage--hailed the new social possibilities that they heard and felt in jazz. Yet most of them also qualified their enthusiasm by remaining wary of both the seductions of jazz's commercialization and the loss of ethnic identity in the melting pot.




After Intimacy


Book Description

Divorce is a conspicuous character trait of modernity, commonly portrayed in texts and on screen, with its moral and social rationalisation firmly rooted in Enlightenment and Romantic thought. The aim of this volume is to bring into focus this contemporary cultural fascination by assembling the variety of academic responses it has started to create. Bringing together the reflections of scholars from the UK and North America who have worked in this domain, this study offers for the first time a genuinely wide-ranging account of the depiction of divorce across the northern hemisphere in a number of media (fiction, journalism, film and television). It reaches historically from the intellectual and legal aftermath of the Enlightenment right up to the present day. As such, the collection shows both the roots of this apparently contemporary phenomenon in nineteenth-century literary practice and the very particular ways in which divorce characterises the different narrative media of modernity.




No Way of Knowing


Book Description

Examining "old media" treatment of crime legends: news reports, fictional film and television depictions, and "new media" interactive discussions: versions and discussions circulating in Internet newsgroups and via electronic mail lists, this text examines a social context vastly changed from the height of rumour research in the mid-20th century.




Hollywood and the Rise of Physical Culture


Book Description

Topics include: Clara Bow, Rudolph Valentino, Hollywood in the 1920s.