Talking to Brick Walls


Book Description

'I've been talking to brick walls' says Lacan, meaning: 'Neither to you, nor to the Big Other. I'm speaking by myself. And this is precisely what interests you. It's up to you to interpret me.' These brick walls are those of the chapel at Sainte-Anne hospital. Getting back in touch with his younger years as a junior doctor, Lacan amuses himself, improvises, and lets himself go. The intention is a polemical one: the best of his pupils, captivated by the idea that analysis evacuates all prior knowledge, have been raising the banner of non-knowledge, borrowed from Bataille. No, says Lacan, psychoanalysis proceeds from a supposed knowledge, that of the unconscious. One gains access to it by the path of truth (the analysand ventures to say what comes to mind, frankly and with no frills) when it comes to an end in jouissance (the analyst interprets what the analysand says in terms of libido). However, two further paths bar access to this one: ignorance (to devote oneself to it with passion is always to consolidate established knowledge), and power (the passion for might obliterates what is revealed by parapraxes). Psychoanalysis teaches the virtues of powerlessness: this, at least, respects the real. A wise lesson for an era, this era of ours, that has seen bureaucracy, arm in arm with science, dreaming of changing humankind in its deepest reaches - through propaganda, through direct manipulation of the brain, through biotechnology, and even through social engineering. Admittedly things were no better before, but tomorrow they could be far worse. Jacques-Alain Miller




Talking to Brick Walls


Book Description




How to Stop Talking to Brick Walls


Book Description







Bricks & Mortals


Book Description

We don't just look at buildings: their facades, beautiful or ugly, conceal the spaces we inhabit. We are born, work, love and die in architecture. We buy and sell it, rent it and squat in it, create and destroy it. These aspects of buildings – economic, erotic, political and psychological – are crucial if we are to understand architecture properly. And because architecture moulds us just as much as we mould it, understanding architecture helps us to understand our lives and our world. Through ten great buildings across the world Tom Wilkinson reveals the powerful and intimate relationship between society and architecture and asks: can architecture change our lives for the better? THE TEN BUILDINGS: The Tower of Babel, Babylon (c. 650 BC), The Golden House, Rome (AD 64-68), Djinguereber Mosque, Timbuktu (1327), Palazzo Rucellai, Florence (1450), The Garden of Perfect Brightness, Beijing (1709-1860), Festival Theatre, Bayreuth, Germany (1876), Highland Park Car Factory, Detroit (1909-1910), E.1027, Cap Martin (1926-29), Finsbury Health Centre, London (1938), Footbridge, Rio de Janeiro, London (2010)




Psychoanalysis and the New Rhetoric


Book Description

Psychoanalysis and the New Rhetoric: Freud, Burke, Lacan, and Philosophy's Other Scenes is an innovative work that places the fields of psychoanalysis and rhetoric in dynamic resonance with one another. The book operates according to a compelling interdisciplinary conceit: Adleman provocatively explores the psychoanalytic aspects of rhetoric and Vanderwees probes the rhetorical dimensions of psychoanalytic practice. This thoroughly researched text takes a closer look at the "missed encounter" between rhetoric and psychoanalysis. The first section of the book explores the massive, but underappreciated, influence of Freudian psychoanalysis on Kenneth Burke’s "new rhetoric." The book’s second section undertakes sustained investigations into the rhetorical dimensions of psychoanalytic concepts such as transference, free association, and listening. Psychoanalysis and the New Rhetoric then culminates in a more comprehensive discussion of Lacanian psychoanalysis in the context of Kenneth Burke’s new rhetoric. The book therefore serves as an invaluable aperture to the fields of psychoanalysis and rhetoric, including their much overlooked disciplinary entanglement. Psychoanalysis and the New Rhetoric will be of great interest to scholars of psychoanalytic studies, rhetoric, language studies, semiotics, media studies, and communication studies.




The Last Lecture


Book Description

The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.




The Rats in the Walls


Book Description

In "The Rats in the Walls" by H.P. Lovecraft, a man restores his ancestral estate in England, only to be haunted by mysterious noises within the walls. As he investigates, he uncovers horrifying secrets about his family's dark past and the ancient horrors lurking beneath the mansion.




A Beautiful Anarchy


Book Description




You Say to Brick


Book Description

Born in Estonia 1901 and brought to America in 1906, the architect Louis Kahn grew up in poverty in Philadelphia. By the time of his mysterious death in 1974, he was widely recognized as one of the greatest architects of his era. Yet this enormous reputation was based on only a handful of masterpieces, all built during the last fifteen years of his life. Wendy Lesser’s You Say to Brick: The Life of Louis Kahn is a major exploration of the architect’s life and work. Kahn, perhaps more than any other twentieth-century American architect, was a “public” architect. Rather than focusing on corporate commissions, he devoted himself to designing research facilities, government centers, museums, libraries, and other structures that would serve the public good. But this warm, captivating person, beloved by students and admired by colleagues, was also a secretive man hiding under a series of masks. Kahn himself, however, is not the only complex subject that comes vividly to life in these pages. His signature achievements—like the Salk Institute in La Jolla, the National Assembly Building of Bangladesh, and the Indian Institute of Management in Ahmedabad—can at first seem as enigmatic and beguiling as the man who designed them. In attempts to describe these structures, we are often forced to speak in contradictions and paradoxes: structures that seem at once unmistakably modern and ancient; enormous built spaces that offer a sense of intimate containment; designs in which light itself seems tangible, a raw material as tactile as travertine or Kahn’s beloved concrete. This is where Lesser’s talents as one of our most original and gifted cultural critics come into play. Interspersed throughout her account of Kahn’s life and career are exhilarating “in situ” descriptions of what it feels like to move through his built structures. Drawing on extensive original research, lengthy interviews with his children, his colleagues, and his students, and travel to the far-flung sites of his career-defining buildings, Lesser has written a landmark biography of this elusive genius, revealing the mind behind some of the twentieth century’s most celebrated architecture.