Tapestries


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Tapestries


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Excerpt from Tapestries: Their Origin, History, and Renaissance Among those to whom I am especially indebted for assistance in the preparation of this book are the Metropolitan Museum of Art, and its President, Mr. J. Pierpont Morgan, whose gifts and loans have done so much to make the Museum the centre of tapestry interest on this side of the Atlantic. Mr. William Clifford of the Library of the Metropolitan Museum, who has assembled there the best collection of tapestry books in the United States, and whose advice and suggestions have been invaluable. The Hon. Robert McCormick, American Ambassador to France, and Mr. Spencer Eddy, Secretary of the American Legation at St. Petersburg, for introductions given me to the occasion of my visit to Europe in 1906. Mr. Jules Guiffrey, Administrator of the Gobelins. Many museums and individuals and dealers for photographs or permission to illustrate. Among the individuals: Mr. George Blumenthal, the Duke of Devonshire, Lord Anglesey, Lord Fortescue, Mrs. A. Von Zedlitz, Mr. Philip Hiss, Mrs. Oscar Berg, Miss Ada Thurston, Mrs. Nicholas Longworth. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.













TAPESTRIES


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1066


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For more than 900 years the Bayeux Tapestry has preserved one of history's greatest dramas: the Norman Conquest of England, culminating in the death of King Harold at the Battle of Hastings in 1066. Historians have held for centuries that the majestic tapestry trumpets the glory of William the Conqueror and the victorious Normans. But is this true? In 1066, a brilliant piece of historical detective work, Andrew Bridgeford reveals a very different story that reinterprets and recasts the most decisive year in English history. Reading the tapestry as if it were a written text, Bridgeford discovers a wealth of new information subversively and ingeniously encoded in the threads, which appears to undermine the Norman point of view while presenting a secret tale undetected for centuries-an account of the final years of Anglo-Saxon England quite different from the Norman version. Bridgeford brings alive the turbulent 11th century in western Europe, a world of ambitious warrior bishops, court dwarfs, ruthless knights, and powerful women. 1066 offers readers a rare surprise-a book that reconsiders a long-accepted masterpiece, and sheds new light on a pivotal chapter of English history.







TAPESTRIES THEIR ORIGIN HIST &


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