Tartuffe by Moliere, Translated from the French by Harold Dixon


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Tartuffe by Moliere: a new rhymed verse translation by Harold DixonTartuffe is the story of a religious hypocrite who worms his way into a middle class household in 17th century France. It has a cast of 13 characters, 8 men, 5 women (1 man, 1 woman in non-speaking roles). It is the most popular of Moliere's plays. This version is a modern, American English translation of the French classic. Like the original, it is entirely in rhymed couplets, but you will find that this version is fresh and accessible for modern audiences while keeping the spirit of the original.This translation has been performed at the University of Arizona and at the University of Redlands, CA, where it was enthusiastically received.After reviewing the manuscript, Shepard Sobel, artistic director of the acclaimed Pearl Theatre Company in New York City, wrote: “Your text is an extraordinary accomplishment. Whenever we take on Moliere and other rhymed coupleters, we struggle over the difficult choice of opting for speakability or for authenticity. Hats off to you for managing both. I have some sense of what a feat that is.”More praise for this translation:“…pitch-perfect…[a] limber verse translation of the French original. For once, here is a Moliere free of Briticisms and archaic turns of phrase. True, Dixon does pepper the dialog with modern colloquialisms—'rat race,' walk the walk,' 'horny husbands,' usually for the sake of an arresting rhyme—but none of this ever seems out of character.” (Tucson, AZ Weekly)Dixon's “rhymed translation is quite actable and occasionally vernacular-sharp.” (Los Angeles Times)Dixon's translation “of the text into rhymed couplets is always smooth, often brilliant.” (Redlands, CA Daily Facts)Dixon's “achievement is rather monumental…since the entire comedy is in rhymed couplets…Dixon's accomplishment is to be highly commended, as the speech flowed easily, comedy was unimpaired and even a few modern idioms inserted.” (Loma Linda, CA Bulletin)




Academy and Literature


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The Spectator


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Catalog of Copyright Entries


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Twentieth Century Actor Training


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THE SECOND EDITION OF THIS TITLE, ENTITLED ACTOR TRAINING, IS NOW AVAILABLE. Actor training is arguably the central phenomenon of twentieth century theatre making. Here for the first time, the theories, training exercises and productions of fourteen directors are analysed in a single volume, each one written by a leading expert. The practitioners included are: * Stella Adler * Bertolt Brecht * Joseph Chaikin * Jacques Copeau * Joan Littlewood * Vsevelod Meyerhold * Konstantin Stanislavsky * Eugenio Barba * Peter Brook * Michael Chekhov * Jerzy Grotowski * Sanford Meisner * Wlodimierz Staniewski * Lee Strasbourg Each chapter provides a unique account of specific training exercises and an analysis of their relationship to the practitioners theoretical and aesthetic concerns. The collection examines the relationship between actor training and production and considers how directly the actor training relates to performance. With detailed accounts of the principles, exercises and their application to many of the landmark productions of the past hundred years, this book will be invaluable to students, teachers, practitioners, and academics alike.




Radio Times


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A Book of Prefaces


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