Te Deum, Opus 103


Book Description

Also known as Te Deum Laudamus, "Ambrosian Hymn," or "A Song of the Church," Dvorak's Op. 103 setting for soprano and bass soloists, chorus and orchestra is presented here in choral score format. The choral parts and soloists' lines are above the piano part which is an orchestra reduction. The text is in Latin. Titles: * Coro No. 1 * Coro No. 2 * Coro No. 3 * Coro No. 4







Te Deum, Op. 103: Satb Divisi with Sb Soli (Orch.) (Latin Language Edition)


Book Description

Also known as Te Deum Laudamus, "Ambrosian Hymn," or "A Song of the Church," Dvorak's Op. 103 setting for soprano and bass soloists, chorus and orchestra is presented here in choral score format. The choral parts and soloists' lines are above the piano part which is an orchestra reduction. The text is in Latin and the score is 33 pages. Includes: Coro No. 1 * Coro No. 2 * Coro No. 3 * Coro No. 4.




Te Deum, op.103


Book Description




Te Deum, op. 103


Book Description




Choral-Orchestral Repertoire


Book Description

Choral-Orchestral Repertoire: A Conductor’s Guide, Omnibus Edition offers an expansive compilation of choral-orchestral works from 1600 to the present. Synthesizing Jonathan D. Green’s earlier six volumes on this repertoire, this edition updates and adds to the over 750 oratorios, cantatas, choral symphonies, masses, secular works for large and small ensembles, and numerous settings of liturgical and biblical texts for a wide variety of vocal and instrumental combinations. Each entry includes a brief biographical sketch of the composer, approximate duration, text sources, performing forces, available editions, and locations of manuscript materials, as well as descriptive commentary, a discography, and a bibliography. Unique to this edition are practitioner’s evaluations of the performance issues presented in each score. These include the range, tessitura, and nature of each solo role and a determination of the difficulty of the choral and orchestral portions of each composition. There is also a description of the specific challenges, staffing, and rehearsal expectations related to the performance of each work. Choral-Orchestral Repertoire is an essential resource for conductors and students of conducting as they search for repertoire appropriate to their needs and the abilities of their ensembles.




Deux Gymnopedies, Orchestral setting


Book Description

This is a newly-engraved critical edition of Claude Debussy's superb orchestration of two of the Gymnopedies by his friend Erik Satie. Debussy used the two outer movements of the original three pieces in reverse order, so that Satie's No. 3 became No. 1 while No. 1 became No. 2. Satie was virtually unknown as a composer at the time of the 1897 Paris premiere of the orchestral setting, which did much to advance his reputation in the early years of the twentieth century. The piano originals are now even more renowned than Debussy's orchestration, which remains a fixture in the orchestral repertoire. The 2004 edition is now made available in a convenient and affordable study score which is sure to be appreciated by musicians, students and fans of both composers everywhere.




Roses from the South, Op.388


Book Description

One of Johann Strauss II's most enduring sets of waltzes, Roses from the South was arranged by the composer from themes taken from his 1880 operetta, The Queen's Lace Handkerchief. This new, convenient sized study score is a reduced-sized reissue of the outstanding new edition prepared by Clark McAlister that was first published by now-defunct publisher E.F. Kalmus in 2007. Fortunately, Dr. McAlister was able to retain his copyrights so Serenissima is proud to be the exclusive publisher of his many outstanding works. The matching large conductor score and orchestra parts are also available from Serenissima Music.




Dvořák


Book Description

Accessible and affordable illustrated biography




The Seven Last Words of Christ


Book Description

Dubois' oratorio was given its premiere on Good Friday (April 19), 1867 at glise de la Madeleine in Paris under the composer's direction. Although first published in 1886 by Georges Hartmann of Paris, the vocal score presented here is a digitally enhanced reprint of the one first produced in 1899 by G. Schirmer of New York, with an English translation beneath the original Latin text by Theodore Baker (1851-1934). This score has been carefully reviewed, with measure numbers and rehearsal letters added. It is now completely compatible with the widely available full score and orchestral parts issued by Edwin F. Kalmus. The large (A4) size makes it particularly easy to read for choruses both at both professional and community levels. IMSLP page All Music Guide