Book Description

Br>A wealth of ideas and works from top ceramists who have taught at the prestigious Penland School of Crafts make this book an indispensable resource. These ten talented artists, well known and respected for the particular techniques they have mastered, demonstrate their methods in a series of instructive photographs. They also discuss their interest and affinity with different influences and methods, and present work by other artists whose work they admire. Stunning art, innovative techniques, and thoughtful personal essays illustrate the breadth of contemporary ceramic practice for both artists and collectors. Ten of the finest ceramists in the field-all of whom have taught at Penland School of Crafts in North Carolina-here offer master classes in a clay technique for which they are well known. Photographs and insightful commentary capture the skilled, innovative, and sometimes surprising ways they work and think. Youll learn as much about their materials and processes as you do about their influences and aspirations. Clara "Kitty" Couch creates one of her signature large, coil-built terra cotta pots, showing how form and process mature together. Angelica Pozo makes tiles with her own template method, then shows how to build up a relief surface and add vitreous glaze painting to it. Michael Sherrill demonstrates techniques he uses to extrude and carve porcelain forms that become components of his ceramic sculpture. Tom Spleth illustrates mold making, from carving the original plaster form to building the molds to realizing a finished slip-cast porcelain assemblage. Linda Arbuckle demonstrated with her majolica brushwork technique how she marries functional form and decorative surface. Nick Joerling alters his wheel-thrown vessels with straightforward cutting and reshaping methods. Cynthia Bringle shares how she joins wheel-thrown sections to make very large vessels. Joe Bova creates a joined pair of realistic relief sculptures of human forms from clay slabs. Sergei Isopov builds a figurative slab sculpture, then demonstrates his techniques for detailed narrative underglaze illustration. Mary Barringer marks and unifies clay surfaces with rich slip and textural surface treatments on functional forms. Also, a gallery of complementary work from other artists provides additional inspiration. Content: Introduction by Jean W. McLaughlin, Director of Penland School of Crafts The Artists Clara "Kitty" Couch Technique: Coil-Building Vessels "Contemplative Coilings" Hands On About the Artist Gallery of Invited Artists Angelica Pozo Technique: Making & Decorating Tiles "Tile Making: One Approach, Plus a Recipe for Potato Salad" Hands On About the Artist Gallery of Invited Artists Michael Sherrill Technique: Carving Extrusions "A Maker of Things" Hands On About the Artist Gallery of Invited Artists Tom Spleth Technique: Mold Making & Slip Casting "Slip Casting, or Romancing the Plaster" Hands On About the Artist Gallery of Invited Artists Linda Arbuckle Technique: Majolica "Shamelessly Decorative" Hands On About the Artist Gallery of Invited Artists Nick Joerling Technique: Altering Wheel-Thrown Forms "The Altered Pot" Hands On About the Artist Gallery of Invited Artists Cynthia Bringle Technique: Throwing a Large Vessel "The Large (and Small) of Turning and Burning" Hands On About the Artist Gallery of Invited Artists Joe Bova Technique: Slab Relief "Under the Skin" Hands On About the Artist Gallery of Invited Artists Sergei Isupov Technique: Slab Building & Underglaze Painting "A Life in the Studio" Hands On About the Artist Gallery of Invited Artists Mary Barringer Technique: Slips & Surfaces "The Well-Built Surface" Hands On About the Artist Gallery of Invited Artists A Short History of Penland School of Crafts Acknowledgments Contributing Photographers Contributing Artists Index.