Art of the Hellenistic Kingdoms


Book Description

This handsome newly designed addition to The Metropolitan Museum of Art’s symposia series furthers the study of one of the most influential but less known periods of Greek art and culture. It is based on papers given at a two-day scholarly symposium held in conjunction with the award-winning exhibition “Pergamon and the Hellenistic Kingdoms of the Ancient World,” on view at the Metropolitan in 2016. The twenty diverse essays exemplify the international scope of the Hellenistic arts, which cover the three centuries between the death of Alexander the Great in 323 B.C. and the suicide of Cleopatra in 30 B.C. Subjects range from twenty-first century approaches to museum displays of archaeological material to the circulation of artists and works of art throughout the Mediterranean and the influence of Hellenistic art and its legacy in the ancient Roman world. Among the topics discussed are aspects of royal self-presentation and important elements of iconography and style in coins, gems, mosaics, sculpture, vessels, and wall paintings, in mediums including bronze, faience, glass, marble, silver, and terracotta. Authored by a number of internationally renowned scholars, the essays in this volume highlight the holdings of the Metropolitan and markedly demonstrate the artistic innovations and technical mastery of Hellenistic artists, offering new insights into the vitality and complexity of Hellenistic art. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}




Excavations at Maresha Subterranean Complex 169


Book Description

Tel Maresha is located in the foothills of Israel's Judaean Mountains. It was established in the Iron Age II (circa 700 BCE) and is mentioned in the Hebrew Bible (Josh 15:44; I Chron. 2:42). But it was mainly a Hellenistic-period town - a major Idumean political and administrative center. One of the unique and fascinating aspects of Maresha is its subterranean city - hundreds of underground galleries and chambers filled to the gills with artifacts. This volume is a report of the excavations of one of these rich subterranean complexes - SC 169 - which contained a full corpus of Hellenistic pottery forms - both local and exotic altars, figurines, amulets, seals and seal impressions, hundreds of inscriptions in Greek and Aramaic, coins, jewelry and much more. These finds tell the story of an affluent cosmopolitan society comprised of Idumeans, Phoenicians, Greeks, and Jews, who lived together in a vibrant urban setting until the city was destroyed, probably by the Jewish Hasmonean kingdom in 104 BCE.




Khirbet Qumrân and Aïn Feshkha IV A


Book Description

Qumran Cave 11Q was discovered by Bedouin in 1956. In the cave, remains of around 30 Dead Sea Scrolls were found, a few of them in very good state of preservation (the Temple Scroll, the Psalm Scroll, the Paleo Leviticus Scroll, and the Targum Job Scroll). The cave was excavated by Roland de Vaux (École Biblique et Archéologique Française, Jerusalem) and Gerald L. Harding (Department of Antiquities of Jordan) in 1956; later by Joseph Patrich (University of Haifa) in 1988, and by Marcello Fidanzio and Dan Bahat (ISCAB FTL and Università della Svizzera Italiana) in 2017. Due to Roland de Vaux's premature death, the archaeology of Cave 11Q has never been published. This volume presents the final report on the 1956, 1988 and 2017 excavations at Cave 11Q. Next to discussing the physical characteristics and stratigraphy of the cave and offering a full analysis of non-textual finds, the volume for the first time presents many tiny manuscript fragments found in storerooms during recent work. These fragments, most of which were collected during 1956 excavation, have not been known until now. The volume, therefore, offers the final report of Cave 11Q excavations as well as the editio princeps of the new fragments, followed by a reevaluation of the entire set of texts found in this famous cave.




The Cesnola Collection of Cypriot Art: Terracotta Oil Lamps


Book Description

The fourth catalogue in a series that documents the renowned Cesnola Collection of Cypriot Art, this book focuses on the collection’s 453 terracotta oil lamps dating from the Classical, Hellenistic, Roman, and Early Byzantine periods. The rich iconography on many of these common, everyday objects provides a rare look into daily life on Cyprus in antiquity and highlights the island’s participation in Roman artistic and cultural production. Each lamp is illustrated, and the accompanying text addresses typology, decoration, and makers’ marks on each of these objects that provide new insights into art, craft, and trade in the ancient Mediterranean.







The Social Archaeology of the Levant


Book Description

The volume offers a comprehensive introduction to the archaeology of the southern Levant (modern day Israel, Palestine and Jordan) from the Paleolithic period to the Islamic era, presenting the past with chronological changes from hunter-gatherers to empires. Written by an international team of scholars in the fields of archaeology, epigraphy, and bioanthropology, the volume presents central debates around a range of archaeological issues, including gender, ritual, the creation of alphabets and early writing, biblical periods, archaeometallurgy, looting, and maritime trade. Collectively, the essays also engage diverse theoretical approaches to demonstrate the multi-vocal nature of studying the past. Significantly, The Social Archaeology of the Levant updates and contextualizes major shifts in archaeological interpretation.




Passionate Curiosities


Book Description

Passionate Curiosities explores the collections held in the University of Michigan's Kelsey Museum of Archaeology through the lens of the people whose intellectual interests, financial backing, and social networks brought artifacts to Ann Arbor from the 1880s to the 1990s. Through purchases and expeditions, these individuals shaped the Museum's internationally recognized antiquities from the ancient civilizations of Greece, Rome, North Africa, Egypt, and the Near East, extensive photographic documentation of these regions from the early 1900s, and significant assemblages of early Christian and Islamic visual culture. An intriguing array of personalities--from archaeologists, missionaries, and diplomats to industrialists, bankrollers, and inventors--weave through these pages. They include Ernst Herzfeld, the eminent Orientalist who helped forge antiquities legislation in Iran; Luigi Cesnola, the rapacious harvester of Cypriot sites; Esther Van Deman, the pioneering feminist and scholar of Roman construction techniques; and Samuel Goudsmit, the renowned nuclear physicist and avid Egyptologist. World-famous dealers who established standards in antiquities connoisseurship likewise populate these sagas. Readers will encounter Edgar J. Banks, a swashbuckling purveyor of Mesopotamian antiquities and entrepreneur of biblical documentary films; Maurice Nahman, the "lion of Cairo"; and the colorful members of the Tano dealer dynasty in Egypt. This copiously illustrated book will interest general readers as well as scholars curious about the holdings of the Kelsey, early collectors and dealers, and the history of museums.




The Temple Complex at Horvat Omrit


Book Description

This report from the Omrit temple excavations presents artifacts (e.g., ceramics, frescoes, coins, etc.) recovered in the excavations of the Roman period sanctuary in northern Israel, and discusses the stratigraphy, building phases, and dating of the complex.




Dolmens in the Levant


Book Description

When Western explorers first encountered dolmens in the Levant, they thought they had discovered the origins of a megalithic phenomenon that spread as far as the Atlantic coast. Although European dolmens are now considered an unrelated tradition, many researchers continue to approach dolmens in the Levant as part of a trans-regional phenomenon that spanned the Taurus mountains to the Arabian peninsula. By tightly defining the term 'dolmen' itself, this book brings these mysterious monuments into sharper focus. Drawing on historical, archaeological and geological sources, it is shown that dolmens in the Levant mostly concentrate in the eastern escarpment of the Jordan Rift Valley, and in the Galilean hills. They cluster near proto-urban settlements of the Early Bronze I period (3700–3000 BCE) in particular geological zones suitable for the extraction of megalithic slabs. Rather than approaching dolmens as a regional phenomenon, this book considers dolmens as part of a local burial tradition whose tomb forms varied depending on geological constraints. Dolmens in the Levant is essential for anyone interested in the rise of civilisations in the ancient Middle East, and particularly those who have wondered at the origins of these enigmatic burial monuments that dominate the landscape.




The Art of Hellenistic Palestine


Book Description

The art of the Hellenistic age (here taken as 332 BC to 37 BCE) in Palestine demonstrates the extent to which a province could be integrated into the rich, established culture of the Hellenistic world. Its study here examines the art itself, and specifically the themes, types, iconography, and style of local productions. The study can be instructive on the ethnic texture of Palestine, its regional differences, its widely practiced religion and cults, and its culture in general. Likewise, it may supplement both historical research on the period, which appears to have reached a dead end of sorts, and archaeological inquiry, the results of which have been partial or insufficient. It can help address whether the art was incorporated into the Hellenistic koine, the manner in which it utilized local and foreign elements, and the question of how the culture of the period left a mark so profound that it can be traced until the end of the Byzantine period.