Ten Knights in a Bar Room


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Running Tracks


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Rob Deering has been listening to music his whole life, but it was only in his mid-thirties that – much to his surprise – he found himself falling in love with the hugely popular, nearly perfect, sometimes preposterous activity of running In this vividly conjured collection, Rob shares stories of when a run, a place and a tune come together in a life-defining moment. His adventures in running have spanned four continents, fifteen marathons and numberless miles of park and pavement, and the carefully chosen music streaming through his headphones has spurred him forward throughout. What makes the perfect running tune? Where can you find the best routes, even in an unfamiliar town? Why do people put themselves through marathons? In Running Tracks, Rob Deering shares his sometimes surprising answers to these questions, and explains how a hobby became an obsession that changed his life forever.




All's for the Best. by


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Timothy Shay Arthur (June 6, 1809 - March 6, 1885) - known as T. S. Arthur - was a popular 19th-century American author. He is most famous for his temperance novel Ten Nights in a Bar-Room and What I Saw There (1854), which helped demonize alcohol in the eyes of the American public. He was also the author of dozens of stories for Godey's Lady's Book, the most popular American monthly magazine in the antebellum era, and he published and edited his own Arthur's Home Magazine, a periodical in the Godey's model, for many years. Virtually forgotten now, Arthur did much to articulate and disseminate the values, beliefs, and habits that defined respectable, decorous middle-class life in antebellum America. Early years Born just outside Newburgh, New York, Arthur lived as a child in nearby Fort Montgomery, New York By 1820, Arthur's father, a miller, had relocated to Baltimore, Maryland, where Arthur briefly attended local schools. At age fourteen, Arthur apprenticed to a tailor, but poor eyesight and a general lack ofjfhdughfdnkjfdhidfhsnfwr dwugeuheuhuuitude for physical labor led him to seek other work. He then found employment with a wholesale merchandiser and later as an agent for an investment concern, a job that took him briefly to Louisville, Kentucky. Otherwise, he lived as a young adult in Baltimore. Smitten by literature, Arthur devoted as much time as he could to reading and fledgling attempts to write. By 1830, he had begun to appear in local literary magazines. That year he contributed poems under his own name and pseudonyms to a gift book called The Amethyst. Also during this time he participated in an informal literary coterie called the Seven Stars (the name drawn from that of the tavern in which they met), whose members also included Edgar Allan Poe.




Joe Gould's Secret


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The story of a notorious New York eccentric and the journalist who chronicled his life: “A little masterpiece of observation and storytelling” (Ian McEwan). Joseph Mitchell was a cornerstone of the New Yorker staff for decades, but his prolific career was shattered by an extraordinary case of writer’s block. For the final thirty-two years of his life, Mitchell published nothing. And the key to his silence may lie in his last major work: the biography of a supposed Harvard grad turned Greenwich Village tramp named Joe Gould. Gould was, in Mitchell’s words, “an odd and penniless and unemployable little man who came to this city in 1916 and ducked and dodged and held on as hard as he could for over thirty-five years.” As Mitchell learns more about Gould’s epic Oral History—a reputedly nine-million-word collection of philosophizing, wanderings, and hearsay—he eventually uncovers a secret that adds even more intrigue to the already unusual story of the local legend. Originally written as two separate pieces (“Professor Sea Gull” in 1942 and then “Joe Gould’s Secret” twenty-two years later), this magnum opus captures Mitchell at his peak. As the reader comes to understand Gould’s secret, Mitchell’s words become all the more haunting. This ebook features an illustrated biography of Joseph Mitchell including rare images from the author’s estate.




Room No. 10


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A YOUNG WOMAN IS DISCOVERED hanged in a room in a decrepit hotel, and Gothenburg’s Chief Inspector Erik Winter must try to figure out what happened. As Winter looks around, he realizes that he was in the same hotel room many years earlier, when it was the last known location of a woman who subsequently disappeared and was never found. The two women seem to have nothing in common except for this hotel room, but Winter suspects that there may be other connections. The young woman’s parents are bereft and unable to explain the puzzling contents of a note she left behind. Winter, however, senses that they are holding back some secret that might help him to find her murderer. As he pursues his hunch and digs into the old police report on the woman who disappeared—one of his first cases as a young detective—Winter becomes increasingly convinced that the two cases are somehow related. Room No. 10 is a first-rate thriller, suffused with the gray seaside beauty of Gothenburg and filled with the characters that Åke Edwardson’s readers have come to love: Winter, the veteran detective who veers between pessimism and optimism but never gives up; Bertil Ringmar, the methodical old-timer whose analytical mind keeps everyone focused; hotheaded Fredrik Halders, whose temper sometimes overwhelms his passion for justice; and Aneta Djanali, Halders’s girlfriend, an immigrant from Burkina Faso whose ability to talk to other women can open new leads. As compelling as they are dedicated, they are an unforgettable team determined to find a bizarre killer.




The Night Counter


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"An immigrant-ethnic cocktail laced with political oppression, but before shaking, [Alia Yunis] adds Scheherazade, the fabled storyteller who kept herself alive by distracting her tyrannical husband for a thousand and one nights." --Carolyn See, Washington Post After 85 years, Fatima knows that she is dying because for the last 991 days she has been visited by the immortal storyteller from The Arabian Nights, Scheherazade. Just as Scheherazade spun magical stories for 1,001 nights to save her own life, Fatima has spent each night telling Scheherazade her life stories. But with only nine days left before her death, Fatima has a few loose ends to tie up. She must find a wife for her openly gay grandson, teach Arabic (and birth control) to her 17-year-old great-granddaughter, make amends with her estranged husband, and decide which of her troublesome children should inherit her family's home in Lebanon--a house she herself has not seen in nearly 70 years. Fatima’s children are spread far apart and are wrapped up in their own chaotic lives seemingly disinterested in their mother and their inheritances. But as she weaves stories of her husband, children, and grandchildren, Fatima brings together a family that is both capricious and steadfast, affectionate and also smothering, connected yet terribly alone. Taken all together, they present a striking and surprising tapestry of modern Arab American life. Shifting between America and Lebanon over the last hundred years, Alia Yunis crafts a bewitching debut novel imbued with great humanity, imagination, family drama and a touch of magic realism. Be prepared to feel utterly charmed.




Vassa in the Night


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“A dark, thoroughly modern fairy tale crackling with wit and magical mayhem.” —Leigh Bardugo, New York Times bestselling author of Shadow and Bone “An enchantingly twisted modern fairy tale, perfect for those who prefer Grimm to Disney. Inventive, darkly magical, and beautifully written, it will stay with me for a long time.” — Kendare Blake, New York Times bestselling author of Three Dark Crowns Vassa in the Night is a powerful and haunting modern retelling of the Russian folktale “Vassilissa the Beautiful” for teen fans of urban fantasy, fairy tales, magic, and horror who enjoy books by Leigh Bardugo, Kendare Blake, Catherynne Valente, and V. E. Schwab. In the enchanted kingdom of Brooklyn, the fashionable people put on cute shoes, go to parties in warehouses, drink on rooftops at sunset, and tell themselves they’ve arrived. A whole lot of Brooklyn is like that now—but not Vassa’s working-class neighborhood. In Vassa’s neighborhood, where she lives with her stepmother and bickering stepsisters, one might stumble onto magic, but stumbling out again could become an issue. Babs Yagg, the owner of the local convenience store, has a policy of beheading shoplifters—and sometimes innocent shoppers as well. So when Vassa’s stepsister sends her out for light bulbs in the middle of night, she knows it could easily become a suicide mission. But Vassa has a bit of luck hidden in her pocket, a gift from her dead mother. Erg is a tough-talking wooden doll with sticky fingers, a bottomless stomach, and a ferocious cunning. With Erg’s help, Vassa just might be able to break the witch’s curse and free her Brooklyn neighborhood. But Babs won’t be playing fair.... At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.




Ten Nights in a Bar-Room and What I Saw


Book Description

Originally published in 1854, Ten Nights in a Bar-Room was the most important American temperance novel, rivaling Uncle Tom's Cabin for popularity in its time. It satisfied the appetite for the sensational and the lurid, yet at the same time was endorsed by all the clergy.




Ten Nights in a Barroom


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This rare combination of music and nonsense leaves the audience asking for more. All of the well remembered scenes are intact: Little Mary as she pleads with her fallen father in the bar, the evils of alcohol claiming the owner of the saloon, Little Mary's death scene and the regeneration of drunkard Joe Morgan. New suspense is added as Goldie Hills, a saloon singer with a heart of gold, is tied to a mooring post by villainous Harvey Green and sings "I Am More to Be Pitied Than Censured" as the water rises. In keeping with the period, olio numbers are suggested to be perform between scenes. Chorus songs and dances are worked into the plot with over twenty numbers in all suggested. To be authentic, the scenery is all painted on backdrops and the production problems are minimal. -- Publisher's description.