Terracotta Ovens of My Childhood


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Goodbye, Transylvania


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Rare memoir of a foreigner serving with the Germans on the Eastern Front.




East of Indus


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My Journey


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This is the first English translation of Olga Adamova-Sliozberg’s mesmerizing My Journey​, which was not officially published in Russia until 2002. It is among the best known of Gulag memoirs and was one of the first to become widely available in underground samizdat circulation. Alexander Solzhenitsyn relied heavily upon it when writing Gulag Archipelago, and it remains the best account of the daily life of women in the Soviet prison camps. Arrested along with her husband (who, she would much later learn, was shot the next day) in the great purges of the thirties, Adamova-Sliozberg decided to record her Gulag experiences a year after her arrest, and she “wrote them down in her head” (paper and pencils were not available to prisoners) every night for years. When she returned to Moscow after the war in 1946, she composed the memoir on paper for the first time and then buried it in the garden of the family dacha. After her re-arrest and seven more years of banishment to Kazakhstan, she returned to the dacha to dig up the buried memoir, but could not find it. She sat down and wrote it all over again. In her later years she also added a collection of stories about her family. Concluding on a hopeful note—Adamova-Sliozberg’s record is cleared, she re-marries a fellow former-prisoner, and she is reunited with her children—this story is a stunning account of perseverance in the face of injustice and unimaginable hardship. This vital primary source continues to fascinate anyone interesting in the tumultuous history of Russia and the Soviet Union in the twentieth century.




The Crane


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In The Crane, the renowned Syro-Lebanese author and sociologist Halim Barakat creates a narrator who looks back wistfully on a childhood in a small village of Syria, with the image of flying cranes and in particular one wounded bird as a continuing symbol of his emotions toward the past and its impact upon his life. The narrator then travels to the United States, and, with his wife, goes through the experiences of American college life in the 1960s. He describes his participation in the political protests during that fraught decade, and goes on to depict his later life in the American capital of Washington DC and its surroundings. The link between narrator and author is clearly a close one, and yet the careful way in which the narrative's sequence is constructed allows the reader to invoke the world of the imagination in interpreting this nostalgic account of a Middle Eastern childhood and its international aftermath.




Sometimes There Is a Void


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Chronicles the author's life as an artist, family man, and teacher against a backdrop of political turbulence in South Africa, providing coverage of such topics as his childhood exile, his three marriages, and the literature that inspired his achievements.




I Saw Ramallah


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WINNER OF THE NAGUIB MAHFOUZ MEDAL FOR LITERATURE A fierce and moving work and an unparalleled rendering of the human aspects of the Palestinian predicament. Barred from his homeland after 1967’s Six-Day War, the poet Mourid Barghouti spent thirty years in exile—shuttling among the world’s cities, yet secure in none of them; separated from his family for years at a time; never certain whether he was a visitor, a refugee, a citizen, or a guest. As he returns home for the first time since the Israeli occupation, Barghouti crosses a wooden bridge over the Jordan River into Ramallah and is unable to recognize the city of his youth. Sifting through memories of the old Palestine as they come up against what he now encounters in this mere “idea of Palestine,” he discovers what it means to be deprived not only of a homeland but of “the habitual place and status of a person.” A tour de force of memory and reflection, lamentation and resilience, I Saw Ramallah is a deeply humane book, essential to any balanced understanding of today’s Middle East.




Being There, Being Here


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Arabic is unconditionally the national language of Palestinians, but for many it is no longer their mother-tongue. More than a century after the early waves of immigration to the Americas, and more than seven decades after the Nakba of 48, generations of Palestinians have grown up in a variety of different contexts within Israel-Palestine and the world at large. This ongoing scattered state has led to the proliferation of Palestinian culture as it is simultaneously growing in multiple directions, depending on geographical, political, and lingual contextualization. The Palestinian story no longer exists exclusively in Arabic. A new generation of Palestinian and Palestinian-descended writers and artists from both Latin and North America, Scandinavia, and Europe at large, as well as Israel-Palestine are bringing stories of their heritage and the Palestinian nation into a variety of languages such Spanish, Italian, English, Danish, and Hebrew—among so many other languages. Being There, Being Here is the product of an eight-year long journey in which Maurice Ebileeni explores how the Palestinian homeland is being imagined in multiple languages from a variety of positions both locally and globally. The book poses unsettling questions about this current situation and also looks to the future to speculate about how a Palestinian nation might still house the notion of home for an increasingly diverse Palestinian population.




Under the Walnut Trees


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I was eleven years old. I could drive a tractor, I could milk a cow and I could drench a sheep but I had never been to a shop on my own and purchased anything. Well, that's how things turn out if you grow up in Deepest Devon and your only mode of transport is a 1930s Fordson spade-lug tractor.




Nights of Blue paperback


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A riveting tale of Clarissa, a mystical church and the life of another Clarissa. Experience Clarissa's life in the days of classes. You in one but your true love in another. Lies, deceit and ultimate betrayal are the curse of a lovely woman trying to live the life she's always dreamt. The impact and hurt of those around her and the turn of events that seals the fate of both Clarissas forever.