Terrible Sanity


Book Description

"Terrible Sanity is wondrous sanity. Pickering's essays are acetaminophen for hippish days. "Life doesn't have a neat beginning and a tidy end," Roger, a character in V. S. Naipaul's Half a Life, says. "Life is always going on." In this collection, Pickering depicts the joy and sadness of life's going on. He observes that great knowledge often brings small pleasure while the small knowledge that all people experience brings great pleasure. A dental hygienist tells him that every day patients greet her on the street and in stores. "Their faces are always unfamiliar, and I never recognize them," she says, "but if they opened their mouths wide, I'd know them immediately." For the record she also volunteers that in twenty years of tooth-scrubbing, she had only been bitten once"--




I Became Insane with Long Intervals of Horrible Sanity


Book Description

Buy Now! Perfect for any Edgar Allan Poe Lover to use to write, sketch and journal. Show your love for Poe with this classic Poe quote and simple and elegant design. This Edgar Allan Poe notebook is the perfect gift for any literary fan you know that has a unique sense of style. This journal measure 6x9 and has over 100 lines pages with dated header. Add it to your cart today.




Coming Undone


Book Description

'BREATHTAKING' Dolly Alderton, 'REMARKABLE' Marian Keyes, 'LIFE-CHANGING' Emma Jane Unsworth, 'COMPELLING' Amy Liptrot, 'EXTRAORDINARY' Sali Hughes To everyone else, Terri White appeared to be living the dream – living in New York City, with a top job editing a major magazine. In reality, she was struggling with the trauma of an abusive childhood and rapidly skidding towards a mental health crisis that would land her in a psychiatric ward. Coming Undone is Terri's story of her unravelling, and her precarious journey back from a life in pieces.




The Myth of Sanity


Book Description

Why does a gifted psychiatrist suddenly begin to torment his own beloved wife? How can a ninety-pound woman carry a massive air conditioner to the second floor of her home, install it in a window unassisted, and then not remember how it got there? Why would a brilliant feminist law student ask her fiancé to treat her like a helpless little girl? How can an ordinary, violence-fearing businessman once have been a gun-packing vigilante prowling the crime districts for a fight? A startling new study in human consciousness, The Myth of Sanity is a landmark book about forgotten trauma, dissociated mental states, and multiple personality in everyday life. In its groundbreaking analysis of childhood trauma and dissociation and their far-reaching implications in adult life, it reveals that moderate dissociation is a normal mental reaction to pain and that even the most extreme dissociative reaction-multiple personality-is more common than we think. Through astonishing stories of people whose lives have been shattered by trauma and then remade, The Myth of Sanity shows us how to recognize these altered mental states in friends and family, even in ourselves.




The Mask of Circe


Book Description

A psychiatrist travels to a world of magic and gods in this take on “Jason and the Argonauts” from the Hugo Award–nominated author of Earth’s Last Citadel. Jay Seward remembers a former life in a land of magic, gods, and goddesses—a time when he was Jason of Iolcus, sailing in the enchanted ship Argo to steal the Golden Fleece from the serpent-temples of Apollo. But one night the memories become startlingly real, as the Argo itself sails out of the spectral mists and a hauntingly beautiful voice calls: “Jason . . . come to me!” And suddenly he’s on the deck of the Argo, sailing into danger and magic . . . “A fantasy in the grand tradition of Merritt and the other giants.” —Arthur Leo Zagat, author of the Tomorrow series Praise for Henry Kuttner “One of the all-time major names in science fiction.” —The New York Times “A neglected master.” —Ray Bradbury, author of Fahrenheit 451 “Kuttner is magic.” —Joe R. Lansdale, author of The Thicket




John Huston as Adaptor


Book Description

Argues that understanding Huston’s film adaptations of literary works is essential to understanding his oeuvre as a filmmaker. John Huston as Adaptor makes the case that adaptation is the salient element in Huston’s identity as a filmmaker and that his early and deep attraction to the experience of reading informed his approach to film adaptation. Thirty-four of Huston’s thirty-seven films were adaptations of literary texts, and they stand as serious interpretations of literary works that could only be made by an astute reader of literature. Indeed, Huston asserted that a film director should be above all else a reader and that reading itself should be the intellectual and emotional basis for filmmaking. The seventeen essays in this volume not only address Huston as an adaptor, but also offer an approach to adaptation studies that has been largely overlooked. How an adaptor reads, the works to which he is drawn, and how his literary interpretations can be brought to the screen without relegating film to a subservient role are some of the issues addressed by the contributors. An introductory chapter identifies Huston as the quintessential Hollywood adaptor and argues that his skill at adaptation is the mark of his authorial signature. The chapters that follow focus on fifteen of Huston’s most important films, including The Maltese Falcon (1941), The Treasure of the Sierra Madre (1948), The African Queen (1951), The Night of the Iguana (1964), Under the Volcano (1984), and The Dead (1987), and are divided into three areas: aesthetics and textuality; history and social context; and theory and psychoanalysis. By offering a more comprehensive account of the centrality of adaptation to Huston’s films, John Huston as Adaptor offers a greater understanding of Huston as a filmmaker.




Dinner Party


Book Description

A remarkable Irish family saga about the messiness of modern family life—a major debut from a blazing new talent that’s already an international sensation “Sarah Gilmartin gives us terrific, complex characters and strong themes, in prose that is charged with insight.” —Anne Enright “The search is off -- here is our next read. Here is an expert writer.” —Meg Mason A riveting, beautifully written, and poignant coming-of-age story about the heartrending complications of sibling relationships and the trauma of family secrets, perfect for fans of Kate Atkinson, Maggie O’Farrell, and Anne Enright. Kate has taught herself to be careful, to be meticulous. To mark the anniversary of a death in the family, she plans a dinner party - from the fancy table settings to the perfect Baked Alaska waiting in the freezer. Yet by the end of the night, old tensions have flared, the guests have fled, and Kate is spinning out of control. But all we have is ourselves, her father once said, all we have is family. Set between the 1990s and the present day, from a farmhouse in Carlow to Trinity College, Dublin, Dinner Party is a dark, sharply observed debut told with sharp, elegant humour that thrillingly unravels into family secrets and tragedy.




The Red Confessor


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The Reason for the Darkness of the Night


Book Description

Finalist for the Los Angeles Times Book Prize | Finalist for the 2022 Edgar Award Winner of the 2021 Quinn Award An innovative biography of Edgar Allan Poe—highlighting his fascination and feuds with science. Decade after decade, Edgar Allan Poe remains one of the most popular American writers. He is beloved around the world for his pioneering detective fiction, tales of horror, and haunting, atmospheric verse. But what if there was another side to the man who wrote “The Raven” and “The Fall of the House of Usher”? In The Reason for the Darkness of the Night, John Tresch offers a bold new biography of a writer whose short, tortured life continues to fascinate. Shining a spotlight on an era when the lines separating entertainment, speculation, and scientific inquiry were blurred, Tresch reveals Poe’s obsession with science and lifelong ambition to advance and question human knowledge. Even as he composed dazzling works of fiction, he remained an avid and often combative commentator on new discoveries, publishing and hustling in literary scenes that also hosted the era’s most prominent scientists, semi-scientists, and pseudo-intellectual rogues. As one newspaper put it, “Mr. Poe is not merely a man of science—not merely a poet—not merely a man of letters. He is all combined; and perhaps he is something more.” Taking us through his early training in mathematics and engineering at West Point and the tumultuous years that followed, Tresch shows that Poe lived, thought, and suffered surrounded by science—and that many of his most renowned and imaginative works can best be understood in its company. He cast doubt on perceived certainties even as he hungered for knowledge, and at the end of his life delivered a mind-bending lecture on the origins of the universe that would win the admiration of twentieth-century physicists. Pursuing extraordinary conjectures and a unique aesthetic vision, he remained a figure of explosive contradiction: he gleefully exposed the hoaxes of the era’s scientific fraudsters even as he perpetrated hoaxes himself. Tracing Poe’s hard and brilliant journey, The Reason for the Darkness of the Night is an essential new portrait of a writer whose life is synonymous with mystery and imagination—and an entertaining, erudite tour of the world of American science just as it was beginning to come into its own.