Terror in Black and White 2


Book Description

This book contains 101 ranked reviews of horror and horror-adjacent black-and-white movies. The ranking is established by the sum of 8 ratings: stars, gimmick, rewatchability, creepiness, story, creativity, acting & quality. Each article contains a rating, a synopsis, and a short review.




Horror Comics in Black and White


Book Description

In 1954, the comic book industry instituted the Comics Code, a set of self-regulatory guidelines imposed to placate public concern over gory and horrific comic book content, effectively banning genuine horror comics. Because the Code applied only to color comics, many artists and writers turned to black and white to circumvent the Code's narrow confines. With the 1964 Creepy #1 from Warren Publishing, black-and-white horror comics experienced a revival continuing into the early 21st century, an important step in the maturation of the horror genre within the comics field as a whole. This generously illustrated work offers a comprehensive history and retrospective of the black-and-white horror comics that flourished on the newsstands from 1964 to 2004. With a catalog of original magazines, complete credits and insightful analysis, it highlights an important but overlooked period in the history of comics.




Tales of Terror from the Black Ship


Book Description

A follow up to Uncle Montague's Tales of Terror, this is another creepy middle grade story collection with a chilling frame. This time, the stories are all tales of the sea: pirates and plagues and storms a plenty...




White Terror


Book Description

What kinds of terror lurk beneath the surface of White respectability? Many of the top-grossing US horror films between 2008 and 2016 relied heavily on themes of White, patriarchal fear and fragility: outsiders disrupting the sanctity of the almost always White family, evil forces or transgressive ideas transforming loved ones, and children dying when White women eschew traditional maternal roles. Horror film has a long history of radical, political commentary, and Russell Meeuf reveals how racial resentments represented specifically in horror films produced during the Obama era gave rise to the Trump presidency and the Make America Great Again movement. Featuring films such as The Conjuring and Don't Breathe, White Terror explores how motifs of home invasion, exorcism, possession, and hauntings mirror cultural debates around White masculinity, class, religion, socioeconomics, and more. In the vein of Jordan Peele, White Terror exposes how White mainstream fear affects the horror film industry, which in turn cashes in on that fear and draws voters to candidates like Trump.




an other


Book Description

In an other, Sharon Patricia Holland offers a new theorization of the human animal/divide by shifting focus from distinction toward relation in ways that acknowledge that humans are also animals. Holland centers ethical commitments over ontological concerns to spotlight those moments when Black people ethically relate with animals. Drawing on writers and thinkers ranging from Hortense Spillers, Sara Ahmed, Toni Morrison, and C. E. Morgan to Jane Bennett, Jacques Derrida, and Donna Haraway, Holland decenters the human in Black feminist thought to interrogate blackness, insurgence, flesh, and femaleness. She examines MOVE’s incarnation as an animal liberation group; uses sovereignty in Morrison’s A Mercy to understand blackness, indigeneity, and the animal; analyzes Charles Burnett’s films as commentaries on the place of animals in Black life; and shows how equestrian novels address Black and animal life in ways that rehearse the practices of the slavocracy. By focusing on doing rather than being, Holland demonstrates that Black life is not solely likened to animal life; it is relational and world-forming with animal lives.




The Figure of the Monster in Global Theatre


Book Description

Bringing together international perspectives on the figure of the “monster” in performance, this edited collection builds on discussions in the fields of posthumanism, bioethics, and performance studies. The collection aims to redefine “monstrosity” to describe the cultural processes by which certain identities or bodies are configured to be threateningly deviant, whether by race, gender, sexuality, nationality, immigration status, or physical or psychological extraordinariness. The book explores themes of race, white supremacy, and migration with the aim of investigating how the figure of the monster has been used to explore representations of race and identity. To these, we add discussions on gender, queer identities, and how the figure of the “monster” has been used to explore the gendered body to finally understand how monstrosity intersects with contemporary issues of technology and the natural world. Navigating the fields of disability studies, performance-centered monster studies, and representation in performance, editors Michael M. Chemers and Analola Santana have brought together perspectives on the figure of the “monster” from across a variety of fields that intersect with performance studies. This book is essential reading for Theatre and Performance students of all levels as well as scholars. It will also be an enlightening text for those interested in monstrosity and Cultural Studies more broadly.







Black Cultivation


Book Description

Thank You! Dear white people, I beg! Some ignorant blacks pass time being resentful racist, preaching hate/error, and calling one another niggas and bitches. But there are many of us blacks who want nothing at all to do with that crowd, that despicably uses slavery as a pretext for their horrible behavior. On behalf of all the black people worldwide, interested in moving forward by voluntarily undergoing mandatory training to guide our mental, moral, etc, development to make black people fit for a peaceful productive working and social environment, absent of non productive contemptuous strife about the past and false heartedness. Thank you for freeing us from slavery and for allowing us to enjoy the privileges of citizenship that we have been given. We have all neglected your struggle for far too long, it is time we listen with undivided attention. I have heard the cries of whites, their rights, jobs, and liberties are being taken away. Am proposing a federation of common working class people (all races of man), let us set aside our petty squabbling forever and stand side by side in solidarity to take back all of the rights, jobs, and liberties that are being taken away. And then together we use this federation to modernize black Africa and all the defeated nations around the world. Luke 19:26 To those who use well what they have been given, even more will be given. But from those who do nothing, what little they have will be taken away.







A Turkish and English Lexicon


Book Description