Terrors of the Flesh


Book Description

The horror and psychological denial of our mortality, along with the corruptibility of our flesh, are persistent themes in drama. Body horror films have intensified these themes in increasingly graphic terms. The aesthetic of body horror has its origins in the ideas of the Marquis de Sade and the existential philosophies of Arthur Schopenhauer and Friedrich Nietzsche, all of whom demonstrated that we have just cause to be anxious about our physical reality and its existence in the world. This book examines the relationship between these writers and the various manifestations of body horror in film. The most characteristic examples of this genre are those directed by David Cronenberg, but body horror as a whole includes many variations on the theme by other figures, whose work is charted here through eight categories: copulation, generation, digestion, mutilation, infection, mutation, disintegration and extinction.




The Body Horror Book


Book Description

Drawing from horror visionaries such as Clive Barker, David Cronenberg, and Mark Powell, including introspective analysis of films such as 'Tusk,' 'The Fly,' 'Hellraiser,' and 'Eat,' The Body Horror Book is a non-fiction exploration of the monstrous aspect of the human form.By exploring the literary trope of the carnival and the grotesque, and how the state of cultural and political affairs dictate the monsters created within fiction and film, The body Horror Book is designed to educate, terrify, intrigue, and beguile, if you dare to enter the rabbit hole...."Insightful and downright entertaining, e Body Horror Book pierces the tenuous membrane between fiction and reality, exposing the fears we all have in common ... the horrors inflicted on the human body."- Bob Pastorella, reviewer at www.thisishorror.co.uk"If you only have time to read one book... make sure it's this book."- Brendon Meynell, President. Australasian Horror Writers Association Inc."Fascinating and accessible, the Body Horror Book is a strikingly diverse exploration of horror that is interested not simply in getting under your skin, but also in finding out just what you've got hiding under there."- William Tea, Ginger Nuts Of Horror '...a solid and thought-provoking production.'- Tabula Rassa Mag




Athanasius (Foundations of Theological Exegesis and Christian Spirituality)


Book Description

This volume by a respected theologian offers fresh consideration of the work of famous fourth-century church father Athanasius, giving specific attention to his use of Scripture, his deployment of metaphysical categories, and the intersection between the two. Peter Leithart not only introduces Athanasius and his biblical theology but also puts Athanasius into dialogue with contemporary theologians. This volume launches the series Foundations of Theological Exegesis and Christian Spirituality. Edited by Hans Boersma and Matthew Levering, the series critically recovers patristic exegesis and interpretation for contemporary theology and spirituality. Each volume covers a specific church father and illuminates the exegesis that undergirds the Nicene tradition. The series contributes to the growing area of theological interpretation and will appeal to both evangelical and Catholic readers.




The Flesh Eaters


Book Description

Cannibalistic cave dwellers. Huge, terrifying clans roaming the moors, seeking out human flesh to rend and consume. It sounds like the horrors of prehistoric savages, but it falls well within recorded history of civilized men. The first half of the fifteenth century saw savagery and fear that erased the line between man and beast. Just eight miles east of the modern city of Edinburgh, Sawney Bean and his murderous family prowled the Scottish coasts, robbing travelers and consuming their victims. “Stick… stock… stuck. You’ve run out of luck. Kill... kill… kill. We eat our fill,” they chant as they descend upon their prey. There’s little the community can do but be hunted. This horrifying tale of nightmare-inducing monsters--inspired by true events--comes into stark reality in THE FLESH EATERS, an imaginative novel by Edgar Award winning author L.A. Morse. Beware, any readers faint of heart. It’s those soft hearts that are the tenderest meat.




Zombie Terrors


Book Description

In over 15 flesh-eating tales that shock and horrify, Asylum Press presents a giant flesh-rotting collection of all-new zombie tales, featuring an international cast of artistic talent. Stories include: Spawn artist Simon Kudranski's The Barber, a tale of the undead and the Mob; Creature Converts, in which a cat lady's feline friends develop a taste for the flesh; and Feast, in which a gangster's taste for a delicacy becomes his end.




In the Flesh


Book Description

Terrifying and forbidding, subversive and insightful, Clive Barker's groundbreaking stories revolutionized the worlds of horrific and fantastical fiction and established Barker's dominance over the otherworldly and the all-too-real. Here, as two businessmen encounter beautiful and seductive women and an earnest young woman researches a city slum, Barker maps the boundless vistas of the unfettered imagination -- only to uncover a profound sense of terror and overwhelming dread.




The South Never Plays Itself


Book Description

Since Birth of a Nation became the first Hollywood blockbuster in 1915, movies have struggled to reckon with the American South—as both a place and an idea, a reality and a romance, a lived experience and a bitter legacy. Nearly every major American filmmaker, actor, and screenwriter has worked on a film about the South, from Gone with the Wind to 12 Years a Slave, from Deliveranceto Forrest Gump. In The South Never Plays Itself, author and film critic Ben Beard explores the history of the Deep South on screen, beginning with silent cinema and ending in the streaming era, from President Wilson to President Trump, from musical to comedy to horror to crime to melodrama. Beard’s idiosyncratic narrative—part cultural history, part film criticism, part memoir—journeys through genres and eras, issues and regions, smash blockbusters and microbudget indies to explore America’s past and troubled present, seen through Hollywood’s distorting lens. Opinionated, obsessive, sweeping, often combative, sometimes funny—a wild narrative tumble into culture both high and low—Beard attempts to answer the haunting question: what do movies know about the South that we don’t?




The Flesh Market


Book Description

"Doon the wynds an' up the streets,Where revenants sought souls tae eat,The Butcher called for twitching meatAn' Burke an' Hare did answer."-anon.1827. A year after the Cadaver Riots tore the heart from Edinburgh. Fear still chokes the Old Town, for though the revenants were driven back with shot and steel they yet lurk in the city's shadowed closes. When night falls, they strike.In dissecting rooms anatomists slice twitching flesh as they dream of cures and glory. For the greatest among them, Robert Knox, there is no price that cannot be met in the quest for knowledge. Behind closed doors he trades in walking death, dealing with devils to keep the flesh market supplied...Set amidst the slums of 19th Century Edinburgh and the ivory towers of its academia, The Flesh Market is an almost true story of murder, mad science, obsession, and the restless dead."The setting is absorbing and vivid, the period fascinating and the distant echoes of this factual case are compelling in themselves, but it is the characters who bring this story to life. For a tale so concerned with death, it's bursting with human vitality." - J.J. Marsh, Bookmuse (bookmuse.co.uk)




Dylan Thomas


Book Description




Terrors of Uncertainty (Routledge Revivals)


Book Description

From Frankenstein and Dracula to Psycho and The Chainsaw Massacre, horror fiction has provided our culture with some of its most enduring themes and narratives. Considering horror fiction both as a genre and as a social phenomenon, Joseph Grixti provides a theoretical and historical framework for reconsidering horror and the cultural apparatus that surrounds it. First published in 1989, this book looks at shifts in the genre’s meaning – its fascination with excess, its commentaries on the categories and boundaries of culture – and at interpretations of horror from psychology, psychoanalysis, sociology, cultural and media studies. Terrors of Uncertainty brings together a provocative range of perspectives from across the disciplines, which combine to raise important questions about the relationship between fiction and society, and the way in which we use fiction to resolve or evade our fears of uncertainty.