Texas Lithographs


Book Description

A stunning and comprehensive collection of lithographs from 1818 to 1900 Texas.




Texas Lithographs


Book Description

Westward expansion in the United States was deeply intertwined with the technological revolutions of the nineteenth century, from telegraphy to railroads. Among the most important of these, if often forgotten, was the lithograph. Before photography became a dominant medium, lithography—and later, chromolithography—enabled inexpensive reproduction of color illustrations, transforming journalism and marketing and nurturing, for the first time, a global visual culture. One of the great subjects of the lithography boom was an emerging Euro-American colony in the Americas: Texas. The most complete collection of its kind—and quite possibly the most complete visual record of nineteenth-century Texas, period—Texas Lithographs is a gateway to the history of the Lone Star State in its most formative period. Ron Tyler assembles works from 1818 to 1900, many created by outsiders and newcomers promoting investment and settlement in Texas. Whether they depict the early French colony of Champ d’Asile, the Republic of Texas, and the war with Mexico, or urban growth, frontier exploration, and the key figures of a nascent Euro-American empire, the images collected here reflect an Eden of opportunity—a fairy-tale dream that remains foundational to Texans’ sense of self and to the world’s sense of Texas.




A Life on Paper


Book Description

John Thomas Biggers (1924-2001) was a major African American artist who inspired countless others through his teaching, murals, paintings, and drawings. Based on interviewes during the last thirteen years of his life, this title features selected representative works of John.




Texas Lithographs


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Engraved Prints of Texas


Book Description

A collection of illustrated black-and-white engravings depicting the history of Texas from 1554 to 1900 presented chronologically and featuring a brief introduction to the historical background of each era.




Prints and Printmakers of Texas


Book Description

This eclectic collection pulls together some of the best presentations made at the North American Print Conference held in Austin, Texas. Focusing on the printing arts in Texas, this group of leading scholars and authorities covered a wide range of subjects from early lithography and photography in Texas to today's armadillo posters and T-shirts. The high arts and popular culture alike are treated in this broad overview of prints and printmaking on the Texas frontier and in its urban centers. Contributors: * R. Pearce-Moses, "From Niépce to Now: Thirty Million Photographs in Texas" * R. Cox, "Dust Bowl Realism: Texas Printmakers and the FSA Photographers of the Great Depression" * F. Carraro, "Jerry Bywaters: A Texas Printmaker" * D. Farmer, "The Printmakers Guild and Women Printmakers in Texas, 1939-1965" * P. H. Brink, "The Galveston That Was: Requiem or Inspiration?" * N. Jacobson, "Armadillos, Peccadilloes, and the Maverick Posterists of Austin, Texas" * J. H. Fox, "TexStyle Art: The Evolution of Quality Silkscreened Imagery upon T-Shirts in Austin, Texas, 1968-1988" * K. B. Ragsdale, "W. D. Smithers: Pictorial Chronicler of the Big Bend Country of Texas" * B. Huseman, "The Beginnings of Lithography in Texas" * K. J. Adams, "Texas Impressions: Graphic Arts and the Republic of Texas, 1836-1845" * J. P. McGuire and D. Haynes, "William DeRyee, Carl G. von Iwonski, and Homeography, a Printing Process" * C. Brandimarte, "Immaterial Girls: Prints of Pageantry and Dance, 1900-1936" * R. Flukinger, "The Panoramic Photography of E. O. Goldbeck"




Magazine of Art


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12 from Texas


Book Description




River of Contrasts


Book Description

Writer and artist Margie Crisp has traveled the length of Texas’ Colorado River, which rises in Dawson County, south of Lubbock, and flows 860 miles southeast across the state to its mouth on the Gulf of Mexico at Matagorda Bay. Echoing the truth of Heraclitus’s ancient dictum, the river’s character changes dramatically from its dusty headwaters on the High Plains to its meandering presence on the coastal prairie. The Colorado is the longest river with both its source and its mouth in Texas, and its water, from beginning to end, provides for the state’s agricultural, municipal, and recreational needs. As Crisp notes, the Colorado River is perhaps most frequently associated with its middle reaches in the Hill Country, where it has been dammed to create the six reservoirs known as the Highland Lakes. Following Crisp as she explores the river, sometimes with her fisherman husband, readers meet the river’s denizens—animal, plant, and human—and learn something about the natural history, the politics, and those who influence the fate of the river and the water it carries. Those who live intimately with the natural landscape inevitably formulate emotional responses to their surroundings, and the people living on or near the Colorado River are no exception. Crisp’s own loving tribute to the river and its inhabitants is enhanced by the exquisite art she has created for this book. Her photographs and maps round out the useful and beautiful accompaniments to this thoughtful portrait of one of Texas’ most beloved rivers. Former first lady Laura Bush unveils this year's Texas Book Festival poster designed by artist Margie Crisp, author of River of Contrasts: The Texas Colorado. The poster features cliff swallows flying over the Colorado River. Photo by Grant Miller To learn more about The Meadows Center for Water and the Environment, sponsors of this book's series, please click here.