Textiles from Borneo


Book Description

The textile art from northern Borneo, made by the Iban, Kantu, Ketungau, and Mualang tribes, is highly distinctive and extraordinarily rich. In this remarkable book, more than 150 full-page brilliant color photographs of textiles from one of the world’s outstanding private collections shed new light on this timeless tradition. The works are ceremonial textiles used in rites of passage—birth, marriage, death—dyed with natural colors and woven in traditional ikat techniques; many have never been published before. Clothing worn during those ceremonies is also represented. As unmistakable as it is colorful, this Southeast Asian textile tradition remains influential for contemporary textile artists and designers.




Borneo Ikat Textiles


Book Description

Among the numerous ethnic groups on the island of Borneo, one group in particular-the Iban of the Malaysian state of Sarawak-stands out for their spectacular heritage of handwoven textiles. Over the past forty years, their richly decorated ikat textiles have been the subject of intense collecting activity and numerous publications. The textiles of the Iban-related groups of West Kalimantan in Indonesian Borneo, however, have not received the same kind of attention, as most textiles that have come into museum and private collections lack provenance and very little is known about the weavers that produced them. Based on the author's fieldwork in Sarawak and West Kalimantan, this book provides an authoritative view of the style variations made by the Bugau, Banjur, Mualang, Kantu', Desa, Demam, Senangan, Sebaru', and Ketungau Sesat peoples, as well as by the Balau Iban. Dr Traude Gavin's research is timely since many of these field examples have likely been sold or lost to decay since the research was carried out. Well-meaning attempts to revive weaving traditions regrettably have resulted in the 'scrambling' of styles that formerly were a mark of these ethnic groups. The core of the book comprises field notes and over 200 illustrations of textiles, linking field specimens to selected examples in museum and private collections. Complex issues of ethnic labels, ancestry, and identity are discussed and placed in historical perspective from pre-colonial times to the present. This book may be used as a tool for curators, collectors, and those interested in the weaving traditions of Borneo, with which to identify the ethnic background of the weavers who created the specimens in their collections. The book corrects misleading terminology that has appeared in recent publications illustrating West Kalimantan textiles and gives a more in-depth and rounded perspective of the textiles made by these little-known groups. This is a scholarly, timely, and vital book that will expand our view of this once vibrant and diverse weaving tradition. This book is produced by the Tracing Patterns Foundation in collaboration with Traude Gavin. The proceeds from its sale will support the non-profit's mission of advancing traditional textile arts scholarships.




Iban Ritual Textiles


Book Description




The Women's Warpath


Book Description




Iban Or Sea Dayak Fabrics and Their Patterns


Book Description

This 1936 memoir was the first investigation into and illustration of the beautiful and intimate patterns of Iban textiles. Haddon began his study of these native fabrics and garments with the collection in the Sarawak museum, Kuching. His own collection is now in the Cambridge Museum of Archaeology and Ethnology.







Textiles of Indonesia


Book Description

Drawn from one of the world's leading textile collections, this magnificently presented array of traditional weavings from the Indonesian archipelago provides a unique window into the region's cultures, rites, and history. Gathered over the course of four decades, the Thomas Murray collection of Indonesian textiles is one of the most important privately owned collections of its type in the world. The objects comprise ritual clothing and ceremonial cloths that tell us much about the traditions of pre-Islamic Indonesian cultures, as well as about the influences of regional trade with China, India, the Arab world, and Europe. As with the earlier volume, Textiles of Japan (Prestel, 2018), the book focuses on some of the finest cloths to come out of the archipelago, presenting each object with impeccable photographs, colors, patterns, and intricate details. Geographically arranged, this volume pays particular attention to textiles from the Batak and the Lampung region of Sumatra, the Dayak of Borneo, and the Toraja of Sulawesi, as well as rare textiles from Sumba, Timor and other islands. Readers will learn about the intricate and highly developed traditions of dyeing, weaving, and beading techniques that have been practiced for centuries, resulting in a breathtaking collection of motifs, patterns, dyes, and adornments. Original texts by leading international experts draw on the latest research to offer historical context, unspool the mysteries behind ancient iconography, and provide new insights into dating and provenance. At once opulent and scholarly, this book arrives at a moment of growing interest in Southeast Asian culture and carries the imprimatur of one of the art world's leading collectors. Full List of Contributors: Lorraine Aragon, Joanna Barrkman, Chris Buckley, Kristal Hale, Valerie Hector, Janet Alison Hoskins, Itie van Hout, Eric Kjellgren, Fiona Kerlogue, Brigitte Khan Majlis, Robyn Maxwell, Thomas Murray, and Sandra Sardjono.




Patterned Splendour


Book Description

There exist numerous free-standing figurative sculptures produced in Java between the eighth and fifteenth centuries whose dress display detailed textile patterns. This surviving body of sculpture, carved in stone and cast in metal, varying in both size and condition, remains in archaeological sites and museums in Indonesia and worldwide. The equatorial climate of Java has precluded any textiles from this period surviving. Therefore this book argues the textiles represented on these sculptures offer a unique insight into the patterned splendour of the textiles in circulation during this period. This volume contributes to our knowledge of the textiles in circulation at that time by including the first comprehensive record of this body of sculpture, together with the textile patterns classified into a typology of styles within each chapter.




Textiles of Southeast Asia


Book Description

Textiles provide a visual history of a country's culture and crafting traditions in a way few other things can accomplish. In Textiles of Southeast Asia, Dr. Robyn Maxwell provides the definitive work on Southeast Asian textiles. Traditional textiles are one of the most widely collected and important categories of Southeast Asian art. Using an extensive range of locally produced raw materials and an astonishing array of techniques--including applique, weaving, batik and embroidery--the textiles of Southeast Asia are astonishing in their versatility and originality. Textiles are used to fashion everything from everyday clothing to sacred and ceremonial costumes, shrouds and wrapping cloths, hangings, banners and ritual regalia--all of which are represented and explained in Textiles of Southeast Asia. This authoritative text focuses on the changing relationship between indigenous Southeast Asian traditions and the outside influences continuing to be brought to the area, which change the nature of the region's textile traditions. This book considers the various ways Southeast Asian textile artisans reacted over the centuries to the steady stream of new and powerful ideas and raw materials arriving from India, China, the Islamic world and Europe. A detailed and definitive resource, Textiles of Southeast Asia is a welcome addition to the field of textiles.




Iban Art


Book Description

"The author describes the ikat, sungkit, pilih, and other forms of Iban weaving, the sculptures, the tattooing, metal forging, and other art of the Iban in the context of their oral sagas, stories, poetry, and love songs. He shows how art was used as a pre-literate scholastic aptitude test to ensure intelligent Iban married other intelligent Iban to increase the likelihood that their children were intelligent and were more likely to prosper. Women also chose men on the basis of their prowess at war to ensure the household, physically, was secure. That meant heads and headhunting. The book shows how weaving and headhunting came to be ritualized, the one encouraging the other, so that sexual selection was bound into the Iban's holy trinity of taking heads, growing rice, and birth or regeneration." --Publisher.