Texts on Type


Book Description

Presents more than fifty texts, familiar and rare, about the history, aesthetics, and practice of type design and typography. Includes essays by such leading type masters as Frederic W. Goudy, Hermann Zapf, and Paul Rand. [back cover].




Shaping Text


Book Description

Showing a wide range of examples from first-rate designers across the world, Shaping Text is a primer for graphic designers and typographers.




The Byzantine Text-Type & New Testament Textual Criticism


Book Description

Should the Byzantine text-type be considered valuable in determining the original text of the New Testament? Does it bear independent witness to ancient readings? Dr. Harry Sturz, in a book published in 1984, maintained that it should be valued and that it could help with finding older readings and thus contribute to our knowledge of and confidence in the text of the Greek New Testament. His position, that the Byzantine text-type should be weighed along with other witnesses to the ancient text, differs from those who dismiss Byzantine manuscripts, which were largely copied later, but also from those who hold that the Byzantine text has priority or even is determinative of what the final reading should be. He uses carefully laid out arguments and numerous specific examples in making his case. This book is divided into two parts. The first outlines the positions both for relying on the Byzantine text and for largely ignoring it. Part two examines the evidence and outlines an argument that neither side of this debate should win the field, but rather that the Byzantine text should be valued, but not made exclusive. Energion Publications is pleased to offer this reprint edition, reproducing the text of the old book exactly, and adding a preface by Dr. David Alan Black. We believe that Dr. Sturz’s arguments provide a strong case and are as relevant today as they were in 1984. We also believe that not just scholars but all believers should be made aware of discussions about the text of Scripture so that they can understand the arguments for the reliability of the text we have today. This book is primarily aimed at students of New Testament textual criticism and at scholars who are seeking to refine their art. The first section especially is accessible to any serious reader. While the second section does include Greek text and excellent references, the main argument is clear and accessible.




Tibetan Literary Genres, Texts, and Text Types


Book Description

The papers in Tibetan Literary Genres, Texts, and Text Types deepen our knowledge of Tibetan literature. They not only examine particular Tibetan genres and texts (pre-modern and contemporary), but also genre classification, transformation, and reception. Despite previous contributions, the systematic analysis of Tibetan textual genres is still a relatively undeveloped field, especially when compared with the sophisticated examinations of other literary traditions. The book is divided into four parts: textual typologies, blurred genre boundaries, specific texts and text types, and genres in transition to modernity. The introduction discusses previous classificatory approaches and concepts of textual linguistics. The text classes that receive individual attention can be summarised as songs and poetry, offering-ritual, hagiography, encyclopaedia, lexicographical texts, trickster narratives, and modern literature. Contributors include: Franz-Karl Ehrhard, Ruth Gamble, Lama Jabb, Roger R. Jackson, Giacomella Orofino, Jim Rheingans, Peter Schwieger, Ekaterina Sobkovyak, Victoria Sujata, and Peter Verhagen.




The Elements of Typographic Style


Book Description

The fourth edition, fully revised enlarged and reset in 2012, further updated in 2017. Version 4.3 of the 4th edition (2019) includes many updates; see title page verso for a list of pages.




What Are Nonfiction Genres?


Book Description

What are nonfiction genres? How is nonfiction different from other kinds of writing? Find out about nonfiction text features, such as the table of contents, the glossary, and the index. Then explore different genres, including historical nonfiction, biography, true adventure stories, how-to books, persuasive writing, and more!




Text Type and Texture


Book Description

Texture - the quality that makes a text 'hang together' as a text - is a key focus of investigation in discourse analysis. This volume provides a systematic overview of recent research on textual resources that are used to construct texture, and on the ways in which these resources are deployed differently in different text types. Theme is the major resource that is explored in the first part of the book. The opening papers set out the current understanding of Theme and explore aspects of the concept which remain controversial in the field. This is followed by an examination of thematic choices in a range of text types. Issues raised include the different kinds of meanings appearing in Theme which are particularly significant for each genre, the ways in which these relate to the broader socio-cultural context, and the ways in which thematic choices interact with other kinds of texturing. In the second part of the collection, the scope widens to include an examination of other resources, particularly the contribution to texture made by patterns of interpersonal choices, in Theme and more broadly across texts as a whole. The volume closes with an overview and illustration of a methodological approach by which our understanding of texturing can be further extended.




FROM SPOKEN WORDS TO SACRED TEXTS


Book Description

FROM SPOKEN WORDS TO SACRED TEXTS is an introduction-intermediate level coverage of the text of the New Testament. Andrews begins by introducing the reader to New Testament textual studies by presenting all the essential, foundational details necessary to understand New Testament textual criticism. With Andrews' clear and comprehensive approach to New Testament textual studies, FROM SPOKEN WORDS TO SACRED TEXTS, will remain popular for beginning and intermediate students for decades to come. This source on how the New Testament came down us will become the standard book for courses in biblical studies, as well as the history of Christianity. FROM SPOKEN WORDS TO SACRED TEXTS is assured of becoming a reliable, clear-cut resource for generations of Bible students to come. The Greek New Testament was copied and recopied by hand for 1,500 years. Regardless of those scribes who had worked very hard to be faithful in their copying, errors crept into the text. How can we be confident that what we have today is the Word of God? FROM SPOKEN WORDS TO SACRED TEXTS introduces its readers to New Testament textual studies of the Greek New Testament. Herein the reader will find plain language as Edward D. Andrews gives the reader an in-depth view of the history of the New Testament. We will discover how the New Testament books were transmitted. The intentional and unintentional scribal errors that crept into the text for some 1,500 years of corruption by copyists, followed by over 400 years of restoration work by textual scholars who gave their entire lives to give us today a restored New Testament text. In this book, the reader will gain an appreciation for the vast work that has been carried out in preserving the text of the New Testament and finding renewed confidence in its reliability. Andrews' work on FROM SPOKEN WORDS TO SACRED TEXTS was carried out with an apologetical mindset to assist Christians in their defense of God's Word.




Influence of Text Type on Word Order of Old Germanic Languages


Book Description

The book examines the word order of two Old Germanic languages, Old English and Old High German, using a corpus containing samples of three text types: poetry, original prose and translated prose. Thanks to this methodology, it is possible to compare word order patterns in Old English and Old High German, eliminating differences which may be due to stylistic or technical reasons (rhythm, rhyme, Latin influences), as well as to see to what extent text type determines word order and to check whether this phenomenon is universal (triggering similar behaviour in both analysed languages). The book also disproves the hypothesis of the West Germanic syntax, presenting data which show that the word order of the two languages started to diversify already during the Old English/High German period, i. e. before the 11th century AD.




The Typographic Medium


Book Description

An innovative examination of typography as a medium of communication rather than part of print or digital media. Typography is everywhere and yet widely unnoticed. When we read type, we fail to see type. In this book, Kate Brideau considers typography not as part of "print media" or "digital media" but as a medium of communication itself, able to transcend the life and death of particular technologies. Examining the contradiction between typographic form (often overlooked) and function (often overpowering), Brideau argues that typography is made up not of letters but of shapes, and that shape is existentially and technologically central to the typographic medium. After considering what constitutes typographic form, Brideau turns to typographic function and how it relates to form. Examining typography's role in both the neurological and psychological aspects of reading, she argues that typography's functions exceed reading; typographic forms communicate, but that communication is not limited to the content they carry. To understand to what extent the design and operations of the typographic medium affect the way we perceive information, Brideau warns, we must understand the medium's own operational logic, embodied in the full diversity of typographic forms. Brideau discusses a range of topics--from intellectual property protection for typefaces to Renaissance and Enlightenment ideal letterforms--and draws on a wide variety of theoretical work, including phenomenological ideas about comprehension, German media archaeology, and the media and communication theories of Vilém Flusser and others. Hand-drawn illustrations of typographic forms accompany the text.