Thank Your Lucky Stars: The 60's Pop Show Featuring The Kinks, The Beatles And The Rolling Stones


Book Description

Fully revised and expanded, this history of the influential 1960's pop show contains a wealth of facts, information and trivia on ABC's Lucky Stars, a weekly pop show that ran from 1961 to 1966. The Beatles, the Kinks and the Rolling Stones were among the many hundreds of artists that travelled up the M1 to the Alpha studios in Birmingham to appear on the show. Chapters in the book deal with the history of the show, an analysis of the surviving episodes, a detailed look at a rare surviving script, a discussion of the crew, books and records, the artists who appeared from 1961 to 1966 and the songs they performed and the Australian version of the show. Fully illustrated throughout, there are many references to how the show was reported in the U.K. press. Original host and television and radio legend Pete Murray has very kindly written the foreword: Pete says: "Thank Your Lucky Stars was a pleasant and easy programme to work on. We were given plenty of freedom to play whichever songs we wanted. The big difference between Thank Your Lucky Stars and Top of the Pops – Lucky Stars was not driven by the charts - we had the complete freedom to play whatever we wanted. I remember meeting The Springfields on the show, and I really enjoyed working with them – what a lovely group of people, really friendly! Thank Your Lucky Stars was a great sixties tv show that has been sadly neglected in the archives in recent years. I am delighted that Kevin Mulrennan has brought out this long overdue book. I’d like to say that not just on behalf of myself, but also on behalf all the others who worked on that lovely show. Pete Murray, Thank Your Lucky Stars presenter, and original host of Top of the Pops. Thank Your Lucky Stars was unique in that it straddled the pre and post Beatles era of British pop music. There are brief biographies of all the artists appearing on the show, as well as the guest Disc Jockeys. In addition to the main hosts (Pete Murray, Keith Fordyce, Brian Matthew and Jim Dale) I have discovered that John Benson, Martin Locke, Simon Dee and Don Moss introduced the show too. Fans and performers alike recall their memories of this super show.. Hopefully this book will raise the profile of this forgotten gem of 1960's British television and you'll be thanking your lucky stars you bought it.




Music Is Rapid Transportation


Book Description

A truly alternative look at music lists, not one that merely includes the obvious but shows the connections of popular music to the avant garde, the obscure, the experimental, the quirky, and the adventurous, this edition leads the curious reader towards new musical experiences hitherto unknown to them.




Once Upon a Time in the Sixties


Book Description

The King's Road, Chelsea; the trendy models and hip photographers; the ad men; the road to St. Tropez; the hippy trail from Kathmandu. And let's not forget what the sixties is really famous for - free love! Read to refresh your own memory or just learn about this amazing time in pop history.




The British Invasion


Book Description




Rock


Book Description

A ROUGH GUIDE to rock music which spans the past forty years. Entries on more than 1,000 bands have been written by 120 fans rather than music journalists, providing fresh angles on the music. Essential biographical details are given, as are recommendations for the best recordings available.




Beatlefan


Book Description




Ready Steady Go!: The Weekend Starts Here: The Definitive Story of the Show That Changed Pop TV


Book Description

The London-based Ready, Steady, Go! began broadcasting in August of 1963 and, within a matter of weeks, became an essential television ritual for the newly confident British teenager. It set trends and became the barometer for popular culture by attracting and presenting anyone who was anyone in popular music: The Beatles, The Rolling Stones, The Who, The Kinks, The Animals, Marvin Gaye, The Supremes, Otis Redding, and many more. RSG! also provided the first small screen exposure for then-unknowns such as Rod Stewart, Marc Bolan, David Bowie, Donovan, and Jimi Hendrix. Ready, Steady, Go! ran for three and a half years, setting a blueprint for music presentation and production on television that resonated over the following decades and can still be felt today. Featured in this lavishly illustrated and definitive history of the show are hundreds of color and black and white images--the bulk of them previously unpublished--as well as exclusive essays by Mick Jagger, Pete Townshend, Ray Davies, Eric Burdon, Donovan, Andrew Oldham, Lulu, and others. Also included is a detailed guide to all 173 episodes--with complete artist appearances and the songs they performed--as well as forewords from the show's original editor Vicki Wickham and acclaimed director Michael Lindsay-Hogg. This is the first full documentation of the show that went from quintessential Swinging London accessory to its current status as the most legendary popular music program of all time.




Thank Your Lucky Stars


Book Description

A history of the influential 1960's pop show.This book contains a wealth of facts, information and trivia on ABC's Lucky Stars, a weekly pop show that ran from 1961 to 1966.The Beatles, the Kinks and the Rolling Stones were among the many hundreds of artists that travelled up the M1 to the ATV studios in Birmingham to appear on the show.The book has a chapter on fans' memories of the show.Where possible song titles have been added, as well as recording dates.




Rock Movers & Shakers


Book Description

This includes the chronologies of all the major artists, bands, singers, players, movers and shakers in contemporary popular music.




Please Please Me


Book Description

The Beatles, the Rolling Stones, the Kinks, the Who, and numerous other groups put Britain at the center of the modern musical map. Please Please Me offers an insider's view of the British pop-music recording industry during the seminal period of 1956 to 1968, based on personal recollections, contemporary accounts, and all relevant data that situate this scene in the economic, political, and social context of postwar Britain. Author Gordon Thompson weaves issues of class, age, professional status, gender, and ethnicity into his narrative, beginning with the rise of British beat groups and the emergence of teenagers as consumers in postwar Britain, and moving into the competition between performers and the recording industry for control over the music. He interviews musicians, songwriters, music directors, and producers and engineers who worked with the best-known performers of the era. Drawing his interpretation of the processes at work during this musical revolution into a wider context, Thompson unravels the musical change and innovation of the time with an eye on understanding what traces individuals leave in the musical and recording process.