That Which We Are


Book Description




What’s In a Name? That Which We Call Capital Controls


Book Description

This paper investigates why controls on capital inflows have a bad name, and evoke such visceral opposition, by tracing how capital controls have been used and perceived, since the late nineteenth century. While advanced countries often employed capital controls to tame speculative inflows during the last century, we conjecture that several factors undermined their subsequent use as prudential tools. First, it appears that inflow controls became inextricably linked with outflow controls. The latter have typically been more pervasive, more stringent, and more linked to autocratic regimes, failed macroeconomic policies, and financial crisis—inflow controls are thus damned by this “guilt by association.” Second, capital account restrictions often tend to be associated with current account restrictions. As countries aspired to achieve greater trade integration, capital controls came to be viewed as incompatible with free trade. Third, as policy activism of the 1970s gave way to the free market ideology of the 1980s and 1990s, the use of capital controls, even on inflows and for prudential purposes, fell into disrepute.




The Charge of the Light Brigade and Other Poems


Book Description

Treasury of verse by the great Victorian poet, including the long narrative poem, Enoch Arden, plus "The Lady of Shalott," "The Charge of the Light Brigade," selections from The Princess, "Maud" and "The Brook," more.




When You Are Old


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Beautiful early writings by one of the 20th century’s greatest poets on the 150th anniversary of his birth A Penguin Classic The poems, prose, and drama gathered in When You Are Old present a fresh portrait of the Nobel Prize–winning writer as a younger man: the 1890s aesthete who dressed as a dandy, collected Irish folklore, dabbled in magic, and wrote heartrending poems for his beloved, the beautiful, elusive Irish revolutionary Maud Gonne. Included here are such celebrated, lyrical poems as “The Lake Isle of Innisfree” and “He Wishes for the Cloths of Heaven,” as well as Yeats’s imaginative retellings of Irish fairytales—including his first major poem, “The Wanderings of Oisin,” based on a Celtic fable—and his critical writings, which offer a fascinating window onto his artistic theories. Through these enchanting works, readers will encounter Yeats as the mystical, lovelorn bard and Irish nationalist popular during his own lifetime. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.