The Film Daily Year Book of Motion Pictures
Author :
Publisher :
Page : 1296 pages
File Size : 32,16 MB
Release : 1938
Category : Motion picture industry
ISBN :
Author :
Publisher :
Page : 1296 pages
File Size : 32,16 MB
Release : 1938
Category : Motion picture industry
ISBN :
Author : Larry L. Duetsch
Publisher : Routledge
Page : 557 pages
File Size : 35,36 MB
Release : 2019-07-23
Category : Business & Economics
ISBN : 1315290715
Featuring new chapters on casino gambling and the nursing home industry, and updated throughout, the new edition of this highly readable text analyzes well-defined industries from commodities and manufacturing to distribution and services, showing how firms compete with one another. Each study gives appropriate attention to government policies that have influenced competitive conditions in the industry, and the material is presented without the use of calculus so that anyone with some background in economic principles can benefit from it. The book provides balance in regard to the mix of industries dealt with, and also in the varying perspectives of the contributors.
Author :
Publisher :
Page : 1224 pages
File Size : 35,93 MB
Release : 1955
Category : Motion pictures
ISBN :
Author :
Publisher :
Page : 1136 pages
File Size : 48,57 MB
Release : 1970
Category : Motion picture industry
ISBN :
Author : David Bordwell
Publisher : Routledge
Page : 791 pages
File Size : 30,21 MB
Release : 2003-09-02
Category : History
ISBN : 1134988095
Acclaimed for its breakthrough approach and its combination of theoretical analysis and empirical evidence, this is the standard work on the classical Hollywood cinema style of film-making from the silent era to the 1960s.
Author : Thomas Doherty
Publisher : Temple University Press
Page : 280 pages
File Size : 13,14 MB
Release : 2010-06-04
Category : History
ISBN : 1592137873
The classic book on teenagers and their films, thoroughly revised and expanded.
Author : Jon Cowans
Publisher : JHU Press
Page : 448 pages
File Size : 33,75 MB
Release : 2015-05-15
Category : History
ISBN : 1421416417
Cover -- Contents -- Acknowledgments -- Introduction -- PART I: THE PERSISTENCE OF EMPIRE: COLONIALIST FILMS IN THE DECOLONIZATION ERA -- 1 The White Woman's Burden -- 2 Heroes of Empire -- 3 Westerns -- PART II: COMING TO TERMS: CONFRONTING INSURGENCY AND DECOLONIZATION -- 4 The British Empire and Decolonization -- 5 The French Empire and Decolonization -- 6 Americans in Postwar Asia -- PART III: DANGEROUS LIAISONS: INTERRACIAL COUPLES IN FILMS -- 7 Miscegenation in Westerns -- 8 Romance across the Pacific -- 9 Black-White Couples and Internal Decolonization -- Conclusion -- Appendix A: Attitudes toward Indians and U.S. Conquest in Westerns -- Appendix B: Outcomes of Interracial Romance in Miscegenation Films -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Z.
Author : Guy Barefoot
Publisher : Bloomsbury Publishing USA
Page : 183 pages
File Size : 38,86 MB
Release : 2023-11-16
Category : Performing Arts
ISBN : 1501365916
The Drive-In meaningfully contributes to the complex picture of outdoor cinema that has been central to American culture and to a history of US cinema based on diverse viewing experiences rather than a select number of films. Drive-in cinemas flourished in 1950s America, in some summer weeks to the extent that there were more cinemagoers outdoors than indoors. Often associated with teenagers interested in the drive-in as a 'passion pit' or a venue for exploitation films, accounts of the 1950s American drive-in tend to emphasise their popularity with families with young children, downplaying the importance of a film programme apparently limited to old, low-budget or independent films and characterising drive-in operators as industry outsiders. They retain a hold on the popular imagination. The Drive-In identifies the mix of generations in the drive-in audience as well as accounts that articulate individual experiences, from the drive-in as a dating venue to a segregated space. Through detailed analysis of the film industry trade press, local newspapers and a range of other primary sources including archival records on cinemas and cinema circuits in Arkansas, California, New York State and Texas, this book examines how drive-ins were integrated into local communities and the film industry and reveals the importance and range of drive-in programmes that were often close to that of their indoor neighbours.
Author : Ross Melnick
Publisher : Motorbooks
Page : 236 pages
File Size : 36,87 MB
Release : 2004
Category : Motion picture theaters
ISBN : 0760314926
More than 100 years after the first movie delighted audiences, movie theaters remain the last great community centers and one of the few amusements any family can afford. While countless books have been devoted to films and their stars, none have attempted a truly definitive history of those magical venues that have transported moviegoers since the beginning of the last century. In this stunningly illustrated book, film industry insiders Ross Melnick and Andreas Fuchs take readers from the nickelodeon to the megaplex and show how changes in moviemaking and political, social, and technological forces (e.g., war, depression, the baby boom, the VCR) have influenced the way we see movies.Archival photographs from archives like the Academy of Motion Picture Arts and Sciences and movie theater ephemera (postcards, period ads, matchbooks, and even a "barf bag") sourced from private collections complement Melnick's informative and engaging history. Also included throughout the book are Fuchs' profiles detailing 25 classic movie theaters that have been restored and renovated and which continue to operate today. Each of these two-page spreads is illustrated with marvelous modern photographs, many taken by top architectural photographers. The result is a fabulous look at one way in which Americans continue to come together as a nation. A timeline throughout places the developments described in a broader historical context."We've had a number of beautiful books about the great movie palaces, and even some individual volumes that pay tribute to surviving theaters around the country. This is the first book I can recall that focuses on the survivors, from coast to coast, and puts them into historical context. Sumptuously produced in an oversized format, on heavy coated paper stock, this beautiful book offers a lively history of movie theaters in America , an impressive array of photos and memorabilia, and a heartening survey of the landmarks in our midst, from the majestic Fox Tucson Theatre in Tucson, Arizona to the charming jewel-box that is the Avon in Stamford, Connecticut. I don't know why, but I never tire of gazing at black & white photos of marquees from the past; they evoke the era of moviemaking (and moviegoing) I care about the most, and this book is packed with them. Cinema Treasures is indeed a treasure, and a perfect gift item for the holiday season. - Leonard Maltin"Humble or grandiose, stand-alone or strung together, movie theaters are places where dreams are born. Once upon a time, they were treated with the respect they deserve. In their heyday, historian Ross Melnick and exhibitor Andreas Fuchs write in Cinema Treasures, openings of new motion-picture pleasure palaces that would have dazzled Kubla Khan 'received enormous attention in newspapers around the country. On top of the publicity they generated, their debuts were treated like the gala openings of new operas or exhibits, with critics weighing in on everything from the interior and exterior design to the orchestra.' Handsomely produced and extensively illustrated, Cinema Treasures is detailed without being dull and thoroughly at home with this often neglected subject matter. Its title would have you believe it is a celebration of the golden age of movie theaters. But this book is something completely different: an examination of the history of movie exhibition, which the authors accurately call 'a vastly under-researched topic.'" - Los Angeles Times
Author : Michele Hilmes
Publisher : University of Illinois Press
Page : 236 pages
File Size : 27,87 MB
Release : 2023-02-03
Category : Language Arts & Disciplines
ISBN : 0252054938
"Michele Hilmes has produced an excellent introduction to a most important subject. This is an invaluable work for both scholars and students that places film, radio, and television within the context of the national culture experience." --- American Historical Review "Hilmes is one of the few historians of broadcasting to move beyond a political economy of the media. . . . Her work should serve as a model for future histories of broadcasting." --- Journal of Communication "All media historians will find this work a critical addition to their bookshelves." --- American Journalism "A major addition to media history literature." --- Journalism History