Adirondack Vernacular


Book Description

Henry M. Beach was a prolific and accomplished upstate New York photographer who documented the North Country during the first quarter of the twentieth century. Although much less known and celebrated, Beach's work is as important to the twentieth-century Adirondacks as Seneca Ray Stoddard's is to the nineteenth century. Illustrated with over 250 examples of his work including ten panoramic foldouts, this book covers the range of Beach's subject matter. Robert Bogdan's lively and accessible approach to the photographer's work encourages the reader to explore the North Country's people and places through Beach's photography and life. Although Beach's postcard pictures and other photographs were taken to sell in bulk to hotel managers, tourist shop owners, and other retail merchants, they are not just mass-produced, stylized, pretty pictures. Beside the bubbling brooks and shady woodland paths are factory boomtowns and paper mills belching pollution. As the rails brought increasing numbers of middle-class tourists to the Adirondacks, the wealthy created their own exclusive wilderness playground. Beach photographed dandy visitors at play as well as manual laborers sweating in the forest, logging camps, factories, mines, and construction sites. Images of "great camps" sit next to modest abodes, small stores, and family-owned resorts. Pictures of trains in scenic surroundings give way to mangled wrecks after tragic railroad accidents. In addition to standard view cards, he produced montages and advertisement postcards serious visual commentary as well as lighthearted picture play. Beach's best works stir the heart and provoke the imagination, and his whimsical, down-to-earth approach to photography produced images that are a treat to the eye.




In the Adirondacks


Book Description

An immersive journey into the past, present, and future of a region many consider the Northeast’s wilderness backyard. Out of all the rural areas of the United States, including those in the West, which are bigger and propped up by more pervasive myths about adventure and nation and wilderness and freedom, the Adirondacks has accumulated a well-known identity beyond its boundaries. Untouched, unspoiled, it is defined by what we haven’t done to it. Combining author Matt Dallos’s personal observations with his thorough research of primary and secondary documents, In the Adirondacks rambles through the region to understand its significance within American culture and what lessons it might offer us for how we think about the environment. In vivid prose, Dallos digs through the region’s past and present to excavate a series of compelling stories and places: a moose named Harold, a hot dog mogul’s rustic mansion, an ecological restoration on an alpine summit, a hermit who demanded a helicopter ride, and a millionaire who dressed up as a Native American to rob a stagecoach. Along the way, Dallos listens to locals and tourists, visits wilderness areas and souvenir shops, and digs through archives in museums and libraries. In the Adirondacks blends lively history and immersive travel writing to explore the Adirondacks that captivated Dallos’s childhood imagination while presenting a compelling and entertaining story about America’s largest park outside of Alaska. The result is an inquisitive journey through the region’s bogs and lakes and boreal forests and the lives of residents and tourists. Dallos turned toward the region to understand why he couldn’t shake it from his mind. What he learned is that he’s not the only one. In the Adirondacks explores the history and future of the most complicated, contested park in North America, raising important questions about the role of environmental preservation and the great outdoors in American history and culture.




Boats and Boating in the Adirondacks


Book Description

Adirondack history is a tale written o~ the water. In the Adirondacks, people have traveled, conducted warfare, hunted and fished, gone to church, proposed marriage, and driven logs in, on, from, or by water. Without boats, small and large, Adirondack history—social, recreational, commercial, and environmental—would be an affair entirely different from what we have come to know. In this lavishly illustrated account, Hallie E. Bond presents a history of these boats—canoes, sailboats, power launches, outboards, and the indigenous guideboat—that figure prominently in the overall history of the Adirondacks. The pre-contact Indians paddled dugout and bark canoes; in the seventeenth and eighteenth centuries these craft were joined by skiffs and bateaux. Between 1820 and World War II, a distinctive tradition of boat building developed, culminating in the famous Adirondack guideboat. As the nineteenth century progressed, a variety of small, fresh water, musclepowered boats was produced in the Adirondacks—an assemblage matched by only a few places in the country. There were the canoes and the men that made them famous—John Henry Rushton and Nessmuk—and the guideboats and their builders—H. Dwight Grant and Willard Hanmer. In the early twentieth century, the development of the internal combustion engine irrevocably changed not only boat use and design, but life and leisure in the Adirondacks. Bond skillfully captures the whole panorama of boats and boating in the Adirondacks, from early dugouts and bateaux to the highpowered inboards that won Gold Cup races on Lake George and the Kevlar pack canoes of today. Drawing on her experience as an historian and Curator of Collections and Boats at the Adirondack Museum, Bond places events and trends of the region in the context of national and international history and describes the significant contribution of the Adirondacks in the early twentieth-century development of recreation and travel in America. Boats and Boating in the Adirondacks also includes a descriptive catalog of boats from the museum's own collection with nearly two hundred illustrations in addition to those in the narrative, a list of boatbuilders active in the North Country before 1975, and a valuable glossary of terms.




Contested Terrain


Book Description

This work shows how expectations about land use, combined with interactions with nature have defined the Adirondacks. Outlining the disputes for the control of the land, the author introduces the key players from the residents, landholders, to preservationists and developers.




Crimes against Nature


Book Description

Crimes against Nature reveals the hidden history behind three of the nation's first parklands: the Adirondacks, Yellowstone, and the Grand Canyon. Focusing on conservation's impact on local inhabitants, Karl Jacoby traces the effect of criminalizing such traditional practices as hunting, fishing, foraging, and timber cutting in the newly created parks. Jacoby reassesses the nature of these "crimes" and provides a rich portrait of rural people and their relationship with the natural world in the late nineteenth and early twentieth centuries.




The Rise of the American Conservation Movement


Book Description

In this sweeping social history Dorceta E. Taylor examines the emergence and rise of the multifaceted U.S. conservation movement from the mid-nineteenth to the early twentieth century. She shows how race, class, and gender influenced every aspect of the movement, including the establishment of parks; campaigns to protect wild game, birds, and fish; forest conservation; outdoor recreation; and the movement's links to nineteenth-century ideologies. Initially led by white urban elites—whose early efforts discriminated against the lower class and were often tied up with slavery and the appropriation of Native lands—the movement benefited from contributions to policy making, knowledge about the environment, and activism by the poor and working class, people of color, women, and Native Americans. Far-ranging and nuanced, The Rise of the American Conservation Movement comprehensively documents the movement's competing motivations, conflicts, problematic practices, and achievements in new ways.




The Great Forest of the Adirondacks


Book Description

"An unprecedented and brilliant combination of economic, political, and natural history." --Bill McKibben, author of The End of Nature




Wild by Design


Book Description

An environmental historian delves into the history, science, and philosophy of a paradoxical pursuit: the century-old quest to design natural places and create wild species. Environmental restoration is a global pursuit and a major political concern. Governments, nonprofits, private corporations, and other institutions spend billions of dollars each year to remove invasive species, build wetlands, and reintroduce species driven from their habitats. But restoration has not always been so intensively practiced. It began as the pastime of a few wildflower enthusiasts and the first practitioners of the new scientific discipline of ecology. Restoration has been a touchstone of US environmentalism since the beginning of the twentieth century. Diverging from popular ideas about preservation, which romanticized nature as an Eden to be left untouched by human hands, and conservation, the managed use of natural resources, restoration emerged as a “third way.” Restorationists grappled with the deepest puzzles of human care for life on earth: How to intervene in nature for nature’s own sake? What are the natural baselines that humans should aim to restore? Is it possible to design nature without destroying wildness? Laura J. Martin shows how, over time, amateur and professional ecologists, interest groups, and government agencies coalesced around a mode of environmental management that sought to respect the world-making, and even the decision-making, of other species. At the same time, restoration science reshaped material environments in ways that powerfully influenced what we understand the wild to be. In Wild by Design, restoration’s past provides vital knowledge for climate change policy. But Martin also offers something more—a meditation on what it means to be wild and a call for ecological restoration that is socially just.




Adirondack Lakes


Book Description

The lakes of the Adirondack region are explored in this superb collection of masterful images, most of which are previously unpublished. The photographs in Adirondack Lakes were taken by well-known and lesser-known photographers of the region, including Seneca Ray Stoddard, George W. Baldwin, H. T. Hull, Katherine E. McClellan, William Kollecker, William L. Distin, and Henry M. Beach. Dating from 1858 to 1948, they are clear, focused, visually engaging, and historically significant. They show the men and women who developed the Adirondacks, from monied entrepreneurs to manual laborers, from hoteliers to roadside attendants, from vacationers to year-round residents-a cast of characters reflecting nearly a century of Adirondack activity.