The Adventures of Lee Robinson


Book Description

“This fascinating story depicts the very beginning of the Navy SEALs, as told through the experienced eyes of former U.S. Marine and American hero, Ed Robinette. A must-read for every war history enthusiast.” —Michael Ringering, Author of Six Bits “A thrilling and comical story of a young Marine named Lee Robinson and his friend Rodney Sweeny. Great action and adventure.” —Dr. James P. Howell The Adventures of Lee Robinson tells the tale of two young Marines who met in China before World War II and remained friends for the rest of their lives—and throughout all of their adventures. It also provides an insider’s look at the UDT, or the Underwater Demolition Team, which was the precursor to today’s Navy SEALs. With battle scenes, humor, romance, and exciting stories about WWII and the Korean War, this book has something for everyone!




Robinson Crusoe Readalong


Book Description




Directory of World Cinema: Australia and New Zealand 2


Book Description

Building on and bringing up to date the material presented in the first instalment of Directory of World Cinema: Australia and New Zealand, this volume continues the exploration of the cinema produced in Australia and New Zealand since the beginning of the twentieth century. Among the additions to this volume are in-depth treatments of the locations that feature prominently in the countries’ cinema. Essays by leading critics and film scholars consider the significance of the outback and the beach in films, which are evoked as a liminal space in Long Weekend and a symbol of death in Heaven’s Burning, among other films. Other contributions turn the spotlight on previously unexplored genres and key filmmakers, including Jane Campion, Rolf de Heer, Charles Chauvel and Gillian Armstrong. Accompanying the critical essays in this volume are more than one hundred and fifty new film reviews, complemented by film stills and significantly expanded references for further study. From The Piano to Crocodile Dundee, Directory of World Cinema: Australia and New Zealand 2 completes this comprehensive treatment of a consistently fascinating national cinema.




Chocolate Cities


Book Description

When you think of a map of the United States, what do you see? Now think of the Seattle that begot Jimi Hendrix. The Dallas that shaped Erykah Badu. The Holly Springs, Mississippi, that compelled Ida B. Wells to activism against lynching. The Birmingham where Martin Luther King, Jr., penned his most famous missive. Now how do you see the United States? Chocolate Cities offers a new cartography of the United States—a “Black Map” that more accurately reflects the lived experiences and the future of Black life in America. Drawing on cultural sources such as film, music, fiction, and plays, and on traditional resources like Census data, oral histories, ethnographies, and health and wealth data, the book offers a new perspective for analyzing, mapping, and understanding the ebbs and flows of the Black American experience—all in the cities, towns, neighborhoods, and communities that Black Americans have created and defended. Black maps are consequentially different from our current geographical understanding of race and place in America. And as the United States moves toward a majority minority society, Chocolate Cities provides a broad and necessary assessment of how racial and ethnic minorities make and change America’s social, economic, and political landscape.




The Cinema Book


Book Description

The Cinema Book is widely recognised as the ultimate guide to cinema. Authoritative and comprehensive, the third edition has been extensively revised, updated and expanded in response to developments in cinema and cinema studies. Lavishly illustrated in colour, this edition features a wealth of exciting new sections and in-depth case studies. Sections address Hollywood and other World cinema histories, key genres in both fiction and non-fiction film, issues such as stars, technology and authorship, and major theoretical approaches to understanding film.







The Story About the Story Vol. II


Book Description

The essays in The Story About the Story Vol. II chart a trajectory that digs deep into the past and aims toward a future in which literature can play a new and more profound role in how we think, read, live, and write. In the second volume of The Story About the Story, editor J. C. Hallman continues to argue for an alternative to the staid five-paragraph-essay writing that has inoculated so many against the effects of good books. Writers have long approached writing about reading from an intensely personal perspective, incorporating their pasts and their passions into their process of interpretation. Never before collected in a single volume, the many essays Hallman has compiled build on the idea of a "creative criticism," and offers new possibilities for how to write about reading. The Story About the Story Vol. II documents not only an identifiable trend in writing about books that can and should be emulated, it also offers lessons from a remarkable range of celebrated authors that amount to an invaluable course on both how to write and how to read well. Whether they discuss a staple of the canon (Thomas Mann on Leo Tolstoy), the merits of a contemporary (Vivian Gornick on Grace Paley), a pillar of genre-writing (Jane Tompkins on Louis L’Amour), or, arguably, the funniest man on the planet (David Shields on Bill Murray), these essays are by turns poignant, smart, suggestive, intellectual, humorous, sassy, scathing, laudatory, wistful, and hopeful—and above all deeply engaged in a process of careful reading. The essays in The Story About the Story Vol. II chart a trajectory that digs deep into the past and aims toward a future in which literature can play a new and more profound role in how we think, read, live, and write.




Reef Madness


Book Description

It's a tale that doesn't seem like it would be a winner; an improbable proposition of a ten-mile reef of gold in the middle of the continent, a cabal of scheming investors, a farrago of poor planning and preposterous publicity, the fiasco of the prematurely celebrated triumph of technology over unforgiving terrain, a dead prospector - and no gold. The Central Australian Gold Exploration Company had it all, and Lasseter's Last Ride was in the stores before the final chapter of the real-life debacle had closed. It was a runaway success. Angus and Robertson sold three million copies of Ion Idriess' sixty-some books before he died in 1979. But in 1931, as he was working on what would be Lasseter's Last Ride, he was looking for an angle. In filling the gaps between the few facts with detailed descriptions of lands and people he had never seen, he found it - and promoted it - in Magic and Mystery. Idriess' fictional account of the last months of the life of Harold Bell Lasseter gave birth to a legend that has repeated in dozens of books, films, poems, podcasts, websites and exhibitions, is memorialised in the names of a highway and a casino, and has spawned searches and scams that continue nearly a century later. Idriess was probably surprised at its success and chose not to tamper with a winning formula when inconvenient material soon emerged. To do that he had to control the evidence and continued to insist on his narrative's unimpeachable adherence to fact. Reef Madness exposes how Idriess confected his first successful book and why the story of a failed prospector became a quintessentially Australian myth.




Australian National Cinema


Book Description

Tom O'Regan's book is the first of its kind on Australian post-war cinema. It takes as its starting point Bazin's question 'What is cinema?'and asks what the construct of a 'national' cinema means. It looks at the broader concept from a different angle, taking film beyond the confines of 'art' into the broader cultural world. O'Regan's analysis situates Australian cinema in its historical and cultural perspective producing a valuable insight into the issues that have been raised by film policy, the cinema market place and public discourse on film production strategies. Since 1970 Australian film has enjoyed a revival. This book contains detailed critiques of the key films of this period and uses them to illustrate the recent theories on the international and Australian cinema industries. Its conclusions on the nature of the nation's cinema and the discourses within it are relevant within a far wider context; film as a global phenomenon.




Boogie Man


Book Description

Acclaimed writer Charles Shaar Murray's Boogie Man is the authorized and authoritative biography of an extraordinary musician. Murray was given unparalleled access to Hooker, and he lets the man from Clarksdale, Mississippi, tell his own story. "Everything you read on album covers is not true, and every album reads different," he told Murray. Murray helps Hooker set the record straight, disentangling the myths and legends from truths so rock-ribbed that we understand, as if for the first time, why they have provided the source for a lifetime of unforgettable sound. Murray weaves together Hooker's life and music to reveal their indissoluble bonds. Yet Boogie Man is far more than merely an accomplished and brilliant biography of one man; it gives an account of an entire art form. Grounded in a time and place in American culture, the blues are universal, and in the hands of the greatest practitioners its power resides in the miracle of using despair to transcend it. "The preacher's mantle," Murray tells us, "passes to the bluesman." This bluesman traveled a hard road out of the American South, from obscurity to adulation and back-and back again. John Lee Hooker has seen it all and sung it all, and his music is both a living legacy and an American treasure. Here is the book that does him and his music full justice.