The African American Male, Writing, and Difference


Book Description

Argues that African American literature must take into account the rich diversity of African American life and culture.




The African American Male, Writing, and Difference


Book Description

In this wide-ranging analysis, W. Lawrence Hogue argues that African American life and history is more diverse than even African American critics generally acknowledge. Focusing on literary representations of African American males in particular, Hogue examines works by James Weldon Johnson, William Melvin Kelley, Charles Wright, Nathan Heard, Clarence Major, James Earl Hardy, and Don Belton to see how they portray middle-class, Christian, subaltern, voodoo, urban, jazz/blues, postmodern, and gay African American cultures. Hogue shows that this polycentric perspective can move beyond a "racial uplift" approach to African American literature and history and help paint a clearer picture of the rich diversity of African American life and culture.




Representing Black Men


Book Description

Representing Black Men focuses on gender, race and representation in the literary and cultural work of black men.




Negotiating Difference


Book Description

Encamped within the limits of experience and "authenticity," critics today often stake out their positions according to race and ethnicity, sexuality and gender, and vigilantly guard the boundaries against any incursions into their privileged territory. In this book, Michael Awkward raids the borders of contemporary criticism to show how debilitating such "protectionist" stances can be and how much might be gained by crossing our cultural boundaries. From Spike Lee's She's Gotta Have It to Michael Jackson's physical transmutations, from Toni Morrison's Song of Solomon to August Wilson's Fences, from male scholars' investments in feminism to white scholars' in black texts—Awkward explores cultural moments that challenge the exclusive critical authority of race and gender. In each instance he confronts the question: What do artists, scholars, and others concerned with representations of Afro-American life make of the view that gender, race, and sexuality circumscribe their own and others' lives and narratives? Throughout he demonstrates the perils and merits of the sort of "boundary crossing" this book ultimately makes: a black male feminism. In pursuing a black male feminist criticism, Awkward's study acknowledges the complexities of interpretation in an age when a variety of powerful discourses have proliferated on the subject of racial, gendered, and sexual difference; at the same time, it identifies this proliferation as an opportunity to negotiate seemingly fixed cultural and critical positions.




Amazing Dreams


Book Description

“AMAZING DREAMS—A Writing Experience of a Young African-American Male” is a book about the changing life of a guy named Warren and several of his friends who go through life experiencing the challenges of moving from high school into adulthood as they enter into the college world, become students at a HBCU (Historical Black College and University), finding and dating women, seeking love, and having visions. The author throws you into the scene of how a voyage of true love transitions, the hardships of life and love through the eyes of an African American male, how the real world will make you or break you and finally making major life decisions. Can a young man find Love and attempt to be a Playa too? Warren tries to play the field on the local college campus with so many women and still find love with that special lady. Does he experience pain and lost or change and love? He is all set to be the best college student that he can be, but the love for the ladies keeps him going into all kinds of directions as the playa. With Annette, Diamond, Dionne, Maria, MarKetta, Tonya, Nailah, and Latoya (Lady Red) in and out of Warren’s life; one of these ladies finally captures his mind and heart as he finds the love he’s been seeking. Enter Warren’s world and his experiences on the college campus of NSU—Norfolk State University as he tries to balance his studies and finding Love. This book will keep you wanting to read more and more while capturing your full attention.




Writing Manhood in Black and Yellow


Book Description

This book is a comparative study of African American and Asian American representations of masculinity and race, focusing primarily on the major works of two influential figures, Ralph Ellison and Frank Chin.




Masculinities in Black and White


Book Description

Inverting the traditional focus of ethnic studies on blackness as the object of scrutiny, this book explores dominant forms of white masculinity as seen by African American authors placed alongside certain white writers. Author analyzes texts by Herman Melville, Ernest Hemingway, Martha Gellhorn, Frederick Douglass, and James Baldwin.




Contemporary Black Men's Fiction and Drama


Book Description

Demonstrating the extraordinary versatility of African-American men's writing since the 1970s, this forceful collection illustrates how African-American male novelists and playwrights have absorbed, challenged, and expanded the conventions of black American writing and, with it, black male identity. From the "John Henry Syndrome"--a definition of black masculinity based on brute strength or violence--to the submersion of black gay identity under equations of gay with white and black with straight, the African-American male in literature and drama has traditionally been characterized in ways that confine and silence him. Contemporary Black Men's Fiction and Drama identifies the forces that limit black male discourse, including traditions established by iconic African-American male authors such as James Baldwin, Richard Wright, and Ralph Ellison. This thoughtful volume also shows how contemporary black male authors use their narratives to put forward new ways of being and knowing that foster a more complete sense of self and more humane and open ways of communicating with and relating to others. In the work of Charles Johnson, Ernest Gaines, and August Wilson, contributors find paths toward broader, less rigid ideas of what black literature can be, what the connections among individual and communal resistance can be, and how black men can transcend the imprisoning models of hyper masculinity promoted by American culture. Seeking greater spiritual connection with the past, John Edgar Wideman returns to the folk rituals of his family, while Melvin Dixon and Brent Wade reclaim African roots and traditions. Ishmael Reed struggles with a contemporary cultural oppression that he sees as an insidious echo of slavery, while Clarence Major's experimental writing suggests how black men might reclaim their own voices in a culture that silences them. Taking in a wide range of critical, theoretical, cultural, gender, and sexual concerns, Contemporary Black Men's Fiction and Drama provides provocative new readings of a broad range of contemporary writers.




Black Manhood in James Baldwin, Ernest J. Gaines, and August Wilson


Book Description

Explores the novels, short stories, and plays of three African American writers to demonstrate how they challenged classic portrayals of black men in earlier literature. Discusses how the identity of black men changed from one equated with victimization, isolation, and patriarchy; to one of community, camaraderie, and intimacy.




We Want a Different Story


Book Description

This book is for black men and those who desire to love and know them better. "We Want A Different Story" is about identity formation amongst African American men and how historical, political and theological narratives shape identity. Stories influence both entire cultures and individuals.The good news is that the story that you inherit does not have to be the story that you accept and pass along to others. Since 1619, we have all been told a distorted story about black men in America. Yet many have chosen to take back the pen and write a better story.The value of a black man's life has become a mainstream conversation in the 21st century. We Want A Different Story engages this critical conversation with hopes of cultivating healing and empathy in our society. The stories, facts and solutions will assist readers from all backgrounds in deconstructing a false narrative of black inferiority. Terence June Gray, M.Div is a Pastor, Writer and Hip Hop Artist from Memphis, TN. He has served the youth of inner city Memphis and Dallas as an artist, pastor, case manager and mentor.