The Almost Daily Emos


Book Description

In the spirit of Internet slanguage, e-mails from Mother Barbara Crafton, known affectionately as "Mo." Crafton, are called "eMos." This collection of e-mail meditations has the immediacy of the Internet and a depth of theological thought that leave Crafton readers wanting more. She says of her eMos, "I am interested in the possibilities of electronic communication in the service of the life of faith, and have found the eMos to be a winner in keeping people thinking and communicating about the things of God in terms of a common experience of a brief theological reflection."




From the Geranium Farm


Book Description

This is a sequel to Crafton's popular "almost daily" and "mostly reverent" email meditations which have become a regular ritual for an increasing number of listserv readers around the country and the world. The Geranium Farm is the magical place where author Barbara Crafton lives, writes, watches birds, and obsessively tends her garden. It's a place brimming with life and life's lessons. Each of her emails takes a slice of everyday life, pares it of all humdrumness, then splices its rejuvenated everydayness into holiness. You'll find yourself experiencing the extraordinary ordinary . . . everything in God and God in everything.




Embracing Forgiveness - Participant Workbook


Book Description

Join popular speaker and author Barbara Crafton as she explores forgiveness in this small group program. Like other programs, it features two components, purchased separately: (1) A DVD with five 10-15 minute presentations, followed by a video of the guest lecturer interacting with a small group as they discuss the issues, and (2) a participant workbook containing all the material needed by class participants as well as for the facilitator. It is a 5- to 10-week study for adults and young adults. "Barbara Cawthorne Crafton, begins the study Embracing Forgiveness, with clarity that eases the guilt often associated with the lack of forgiveness by saying what it isn’t. It is not a job or task; it is not a conditional act to earn God’s love. It is, Crafton believes, a spiritual gift given freely by a God who simply wants to connect with us. Over the course of the study, she shows how forgiveness can remove the tumor of anger from our hearts to become a means of grace that gives us back our humanity. Crafton’s thoughtful insight allows participants to weigh the transforming power of forgiveness in their own lives." —Dorothy Linthicum, Instructor/Program Coordinator, Center for the Ministry of Teaching, Alexandria, VA "With wisdom, wit, and theological depth Barbara Cawthorne Crafton explores the perennial topic of forgiveness from the perspective of gift rather than duty. Along the way, she exposes patterns of resistance and popular understandings that undermine our ability to receive and share the gift with others. Her informal and accessible style, together with the questions and responses of those taking part in the video recorded sessions, open the way for groups, aided by the accompanying workbook, to expand the exploration with their own insights and reflections. This study is both timely and urgently needed in a world in which judgment again and again trumps forgiveness, and Christ’s work of reconciliation is held at bay." —Frank T Griswold, 25th Presiding Bishop of the Episcopal Church




Unlikely Allies in the Academy


Book Description

A CHOICE Outstanding Academic Title 2012! Unlikely Allies in the Academy brings the voices of women of Color and White women together for much-overdue conversations about race. These well-known contributors use narrative to expose their stories, which are at times messy and always candid. However, the contributors work through the discomfort, confusion, and frustration in order to have honest conversations about race and racism. The narratives from Chicanas, Indigenous, Asian American, African American, and White women academicians explore our past, present, and future, what separates us, and how to communicate honestly in an effort to become allies. Chapters discuss the need to interrupt and disrupt the norms of interaction and engagement by allowing for the messiness of discomfort in frank discussion. The dialogues model how to engage in difficult dialogues about race and begin to illuminate the unspoken misunderstandings about how White women and women of Color engage one another. This valuable book offers strategies, ideas, and the hope for moving toward true alliances in the academy and to improve race relations. This important resource is for Higher Education administrators, faculty, and scholars grappling with the intersectionality of race and gender as they work to understand, study, and create more inclusive climates.




Emo Reality


Book Description

Lina had the idyllic childhood—until descending into mental chaos. Caught in a chaotic world of her own making, Lina resorts to recording her teenage thoughts to make sense of her anguish. She shares the details of her life obsessively with her sister and her friends, in millions of words eventually found by their father. Lost in the dark, Lina navigates the childhood evidence later found in her archives. But will her research open a pathway to love—or help her continue down the path of blame, false memories, and spite? The past and present events are Lina’s direct experience through her eyes and words, faithfully condensed by her father. The future events—Lina’s therapy and mature reflections—were projected by the author and a senior psychologist with access to the source material. Love her or hate her, through Lina's own heart-wrenching language the reader steps into her broken inner world to experience firsthand the emotions, depression, obsessions, irrationality, and ruthlessness of teenage borderline personality disorder. Emo Reality shines a light into the dark corners of adolescent mental illness, proving this disorder is not just a phase and demonstrating its ravages not just upon an individual, but also upon a whole family. ★★★★★ “An unusual book about mental health and family dynamics, strangely compelling, like peeking into a diary. Some readers will bounce off the language, but those who connect will see how mental struggle can affect a family in ripples and crashing waves.”—Amelia J. ★★★★★ “As a mental health therapist I found the mental health representation to be accurate and insightful. A great job of crafting an interesting narrative based on lived experience, and ending with valuable information.”—Stephanie L. ★★★★★ “This book brought me to tears as Lina recounts episodes of hallucinations and misremembering. More than a case study, this is a harrowing exploration of a life living with mental illness.”—Alicia C. ★★★★★ “The reader feels the visceral emotions Lina experiences and the anger, desperation, and isolation she endures. This book is a significant entry into books about mental health and brings the enormity of the psychiatric situation to bear upon the reader.”—Betsy B.







The Gallup Poll


Book Description

This work is the only complete compilation of polls taken by the Gallup Organization, the world's most reliable and widely quoted research firm, in calendar year 2013. It is an invaluable tool for ascertaining the pulse of American public opinion as it evolves over the course of a given year, and—over time—documents changing public perceptions of crucial political, economic, and societal issues. It is a necessity for any social science research.




Everybody Hurts


Book Description

What is emo? For starters it's a form of melodic, confessional, or EMOtional punk rock. But emo is more than a genre of music–it's the defining counterculture movement of the '00s. EVERYBODY HURTS is a reference book for emo, tracing its angsty roots all the way from Shakespeare to Holden Caufield to today's most popular bands. There's nothing new about that perfect chocolate and peanut butter combination––teenagers and angst. What is new is that emo is the first cultural movement born on the internet. With the development of early social networking sites like Make Out Club (whose mission is to unite "like–minded nerds, loners, indie rockers, record collectors, video gamers, hardcore kids, and artists through friendship, music, and sometimes even love") outcast teens had a place to find each other and share their pain, their opinions, and above all, their music–which wasn't available for sale at the local record store. Authors Leslie Simon and Trevor Kelley lead the reader through the world of emo including its ideology, music, and fashion, as well as its influences on film, television, and literature. With a healthy dose of snark and sarcasm, EVERYBODY HURTS uses diagrams, illustrations, timelines, and step–by–step instructions to help the reader successfully achieve the ultimate emo lifestyle. Or, alternately, teach him to spot an emo kid across the mall in order to mock him mercilessly.







Emo


Book Description

For many, the word “emo” calls to mind angsty teenagers, shaggy black haircuts, and skinny jeans. A popular music phenomenon in the early 2000s, emo is short for “emotional hardcore,” and refers to both a music genre and a youth scene notable for its androgynous style. Judith May Fathallah pushes beyond the stereotypes and social stigma to explore how online fandom has shaped the definition of emo, with significant implications both for millennial constructs of gender and for contemporary fan studies. First laying out the debate over what emo is, Fathallah walks superfans and newcomers through the culture surrounding thegenre’s major bands, including the emo holy trinity: My Chemical Romance, Fall Out Boy, and Panic! At the Disco. Next she examines fans’ main mode of participation in the emo subculture—online communities such as LiveJournal, Tumblr, MySpace, and band websites. Taking a hard look at the gender politics that dominated those spaces, she unearths a subculture that simultaneously defines itself by its sensitivity and resistance to traditional forms of masculinity, yet ruthlessly enforces homophobic and sexist standards. Fathallah demonstrates fandom’s key role in defining emo as a concept and genre after 2001, with probing insight into its implications for gender constructions through popular music.