An American in Paris


Book Description

Paris, 1940: Walking through Montmartre that morning was like the eerie calm right before a storm. The roads were deserted. We carried on, arm in arm, and then finally, we saw them. Columns and columns of soldiers, spreading through the streets like a toxic grey vapour. 'You must write about this, ' he whispered to me. 'You must write about the day freedom left Paris.' As Nazi troops occupy the City of Lights, American journalist Florence is determined to do everything she can to save her adopted home and the man she loves. Florence had arrived in Paris in 1937 and on a beautiful summer's day, met and fell in love with Otto, a Jewish artist from Austria, who had fled persecution in his homeland. But as swastikas are draped along the city's wide boulevards, everything Otto was running from seems to have caught up with him. Both Florence and Otto begin lending their talents to the Resistance, working to sabotage the Germans right under their noses. Florence's society columns that, before the war were filled with tales of glamorous Parisian parties, now document life under occupation and hide coded messages for those fighting outside France for freedom. While Otto risks arrest in order to pin up the anti-Nazi posters he designs by candlelight in their tiny apartment. But with every passing day, things become more dangerous for Otto to remain in Paris. If Florence risks everything by accepting a secret mission, can she ensure his survival so that they can be reunited once the war is over? A sweeping wartime story that will capture your heart and never let it go. Fans of The Alice Network, The Lost Girls of Paris and My Name is Eva will be absolutely gripped from the very first page. Readers LOVE An American in Paris 'An enthralling story that puts readers in the middle of the chaos surrounding World War Two... Grabs readers from the beginning and won't let them go until they finish the last page... I loved absolutely everything about this novel and won't hesitate to claim it as my favourite historical fiction read of 2020.' Goodreads Reviewer, ⭐⭐⭐⭐⭐




The Greater Journey


Book Description

The #1 bestseller that tells the remarkable story of the generations of American artists, writers, and doctors who traveled to Paris, fell in love with the city and its people, and changed America through what they learned, told by America’s master historian, David McCullough. Not all pioneers went west. In The Greater Journey, David McCullough tells the enthralling, inspiring—and until now, untold—story of the adventurous American artists, writers, doctors, politicians, and others who set off for Paris in the years between 1830 and 1900, hungry to learn and to excel in their work. What they achieved would profoundly alter American history. Elizabeth Blackwell, the first female doctor in America, was one of this intrepid band. Another was Charles Sumner, whose encounters with black students at the Sorbonne inspired him to become the most powerful voice for abolition in the US Senate. Friends James Fenimore Cooper and Samuel F. B. Morse worked unrelentingly every day in Paris, Morse not only painting what would be his masterpiece, but also bringing home his momentous idea for the telegraph. Harriet Beecher Stowe traveled to Paris to escape the controversy generated by her book, Uncle Tom’s Cabin. Three of the greatest American artists ever—sculptor Augustus Saint-Gaudens, painters Mary Cassatt and John Singer Sargent—flourished in Paris, inspired by French masters. Almost forgotten today, the heroic American ambassador Elihu Washburne bravely remained at his post through the Franco-Prussian War, the long Siege of Paris, and the nightmare of the Commune. His vivid diary account of the starvation and suffering endured by the people of Paris is published here for the first time. Telling their stories with power and intimacy, McCullough brings us into the lives of remarkable men and women who, in Saint-Gaudens’ phrase, longed “to soar into the blue.”




Becoming Americans in Paris


Book Description

Americans often look back on Paris between the world wars as a charming escape from the enduring inequalities and reactionary politics of the United States. In this bold and original study, Brooke Blower shows that nothing could be further from the truth. She reveals the breadth of American activities in the capital, the lessons visitors drew from their stay, and the passionate responses they elicited from others. For many sojourners-not just for the most famous expatriate artists and writers- Paris served as an important crossroads, a place where Americans reimagined their position in the world and grappled with what it meant to be American in the new century, even as they came up against conflicting interpretations of American power by others. Interwar Paris may have been a capital of the arts, notorious for its pleasures, but it was also smoldering with radical and reactionary plots, suffused with noise, filth, and chaos, teeming with immigrants and refugees, communist rioters, fascism admirers, overzealous police, and obnoxious tourists. Sketching Americans' place in this evocative landscape, Blower shows how arrivals were drawn into the capital's battles, both wittingly and unwittingly. Americans in Paris found themselves on the front lines of an emerging culture of political engagements-a transatlantic matrix of causes and connections, which encompassed debates about "Americanization" and "anti-American" protests during the Sacco-Vanzetti affair as well as a host of other international incidents. Blower carefully depicts how these controversies and a backdrop of polarized European politics honed Americans' political stances and sense of national distinctiveness. A model of urban, transnational history, Becoming Americans in Paris offers a nuanced portrait of how Americans helped to shape the cultural politics of interwar Paris, and, at the same time, how Paris helped to shape modern American political culture.




An American in Paris


Book Description

The artist records the light, art, and beautiful people in his favorite city, and includes sketches worked at "his" table at Fouquet's during his 1991 and 1992 visits




Me Talk Pretty One Day


Book Description

A new collection from David Sedaris is cause for jubilation. His recent move to Paris has inspired hilarious pieces, including Me Talk Pretty One Day, about his attempts to learn French. His family is another inspiration. You Cant Kill the Rooster is a portrait of his brother who talks incessant hip-hop slang to his bewildered father. And no one hones a finer fury in response to such modern annoyances as restaurant meals presented in ludicrous towers and cashiers with 6-inch fingernails. Compared by The New Yorker to Twain and Hawthorne, Sedaris has become one of our best-loved authors. Sedaris is an amazing reader whose appearances draw hundreds, and his performancesincluding a jaw-dropping impression of Billie Holiday singing I wish I were an Oscar Meyer weinerare unforgettable. Sedariss essays on living in Paris are some of the funniest hes ever written. At last, someone even meaner than the French! The sort of blithely sophisticated, loopy humour that might have resulted if Dorothy Parker and James Thurber had had a love child. Entertainment Weekly on Barrel Fever Sidesplitting Not one of the essays in this new collection failed to crack me up; frequently I was helpless. The New York Times Book Review on Naked




Eiffel's Tower


Book Description

The story of the world-famous monument and the extraordinary world’s fair that introduced it, by the author of Conquering Gotham and Urban Forests In this first general history of the Eiffel Tower in English, Jill Jonnes-acclaimed author of Conquering Gotham-offers an eye- opening look not only at the construction of one of the modern world's most iconic structures, but also the epochal event that surrounded its arrival as a wonder of the world. In this marvelously entertaining portrait of Belle Époque France, fear and loathing over Eiffel's brash design share the spotlight with the celebrities that made the 1889 Exposition Universelle an event to remember-including Buffalo Bill and his sharpshooter Annie Oakley, Thomas Edison, and artists Whistler, Gauguin, and van Gogh. Eiffel's Tower is a richly textured portrait of an era at the dawn of modernity, reveling in the limitless promise of the future.




Americans in Paris


Book Description

"This book presents for the first time a comprehensive overview of the seminal early work of a century of American architects--including Richard Morris Hunt, H. H. Richardson, Raymond Hood, and Charles Follen McKim--who studied at the prestigious and influential École des Beaux-Arts, Paris, before going on to design and build many of this nation's most important buildings and monuments."--Cover, page [4].




An American (Homeless) in Paris


Book Description

Before a post-divorce road trip Chris Ames had been ensconced in French domesticity, with a wife, two children, and a regular job. Returning to Paris after that trip, he became an American vagabond and seeker who, lacking sufficient means and motivation to pay the rent and invest again in permanence, opted for homelessness. He soon found an unexpected place to pitch his tent--an abandoned golf course. Ames recounts a full year spent living there, with little baggage, through snow and heat, while commuting to his job as an English teacher in the city. Developing his urban-survivor skills, he rekindles relationships, starts others, offers glimpses of Parisian society--homeless and not--and ruminates on direction and the lack thereof. Ames circles serious questions, rarely losing a sense of irony, bewilderment, or amusement, especially at his circumstances, with their inherent discomforts, risks, and not-so-reassuring self-revelation. As readers see him stumble into renewed social bonds, his skewed searching and unconventional existence will engage and sometimes befuddle them. "I'm not saying become homeless, but do understand it opens many doors, and helps us appreciate the doors we can close."--from the introduction Winner of the Nonfiction Award in the Utah Division of Arts and Museums Original Writing Competition




Americans in Paris, 1860-1900


Book Description

John White Alexander, Cecilia Beaux, James Carroll Beckwich, Frank Weston Benson, Nelson Norris Bickford, John Leslie Breck, Dennis Miller Bunker, Mary Stevenson Cassatt, Jefferson David Chalfant, William Merritt Chase, Charles Courtney Curran, Thomas Eakins, Mary Fairchild, Elizabeth Jane Gardner, Abbott Fuller Graves, Ellen Day Hale, Frederick Childe Hassam, Winslow Homer, Thomas Hovenden, William Morris Hunt, Anna Elizabeth Klumpke, Willard Leroy Metcalf, Hermann Dudley Murphy, Elizabeth Nourse, Charles Sprague Pearce, Maurice Brazil Prendergast, Theodore Robinson, John Singer Sargent, Julius LeBlanc Stewart, Henry Ossawa Tanner, Edmund Charles Tarbell, John Henry Twachtman, Harry van der Weyden, Frederic Porter Vinton, Robert Vonnoh, Julian Alden Weir, James Abbott McNeill Whistler.




Paris, I Love You but You're Bringing Me Down


Book Description

A fresh, exhilarating take on one of the world's most popular topics—Paris, the City of Light!—by an acclaimed novelist Rosecrans Baldwin A self-described Francophile since the age of nine, Rosecrans Baldwin had always dreamed of living in France. So when an offer presented itself to work at a Parisian ad agency, he couldn't turn it down—even though he had no experience in advertising, and even though he hardly spoke French. But the Paris that Rosecrans and his wife, Rachel, arrived in wasn't the romantic city he remembered, and over the next eighteen months, his dogged American optimism was put to the test: at work (where he wrote booklets on breastfeeding), at home (in the hub of a massive construction project), and at every confusing dinner party in between. A hilarious and refreshingly honest look at one of our most beloved cities, Paris, I Love You but You're Bringing Me Down is the story of a young man whose preconceptions are usurped by the oddities of a vigorous, nervy metropolis—which is just what he needs to fall in love with Paris a second time.