The Anglo-African Who's Who and Biographical Sketch-Book


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The Anglo-African Who's Who and Biographical Sketch-Book


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.







The Anglo-African Who's who and Biographical Sketch-book 1907


Book Description

A reprint of Walter Wills' colonial reference book, containing the details of nearly 2,000 prominent men and women of Edwardian Africa. This astonishing work includes biographies of settlers, warriors, explorers, invaders, politicians and traditional leaders from every corner of the continent. Invaluable for genealogists, historians, military researchers and medal enthusiasts, it offers fascinating biographical sketches of colonial African celebrities - many of whom were known personally to the editor.







Louis Botha’s War


Book Description

A mere twelve years after fighting the British in the Anglo-Boer War, Louis Botha went to war again – this time on Britain’s side. As prime minister of the Union of South Africa at the outbreak of the Great War, Botha agreed to lead his country on a campaign against the Germans across the border in South-West Africa. But first he would have to deal with a revolt from fellow Afrikaners who would rather take up arms against him than side with the old enemy. Louis Botha’s War is the story of how a former Boer War general crushed a rebellion and rallied his country’s first united army to fight a better-equipped enemy in harsh conditions. It is a tale of thirsty men and horses trekking over miles of barren desert; German aviators flying above in rickety aeroplanes; the unusual presence of a prime minister’s wife on the field of battle; and a fabled gold-filled safe at the bottom of a lake. Adam Cruise recreates these fascinating events from journals, memoirs and documents, and describes how the remote battle sites look today. He also explores the effects of Botha’s campaign, which determined the relationship between South Africa and its northern protectorate until well into the twentieth century. This is an absorbing chronicle of the exploits of a remarkable man who has been strangely forgotten by history, but whom Winston Churchill described as the greatest general he had ever known.




The Imperial Aircraft Flotilla


Book Description

A great wave of fundraising ‘patriotic’ associations followed in the wake of Great Britain’s declaration of war on Germany on 4 August 1914, at home but also right across the empire. The most successful public campaign of all was launched in London at the beginning of 1915. Known as the Imperial Aircraft Flotilla, the scheme aimed to attract contributions towards aircraft production costs from throughout the British Empire. Any country, locality, or community that provided sufficient funds for an entire ‘aeroplane’ could have it named after them. It was promised that when the machine crashed or was shot down, the name would be transferred to a new one of the same type. Margaret Hall examines the Imperial Aircraft Flotilla as a facet of imperial history. She analyzes the fundraising efforts in Canada and Newfoundland; the Zanzibar Protectorate; Fiji, Mauritius, and the Caribbean; Hong Kong; the Malay states and Straits Settlements; West Africa, especially Gold Coast; Southern Rhodesia; Basutoland; Swaziland and the Union of South Africa; the Indian empire and Burma; (British subjects in) independent Abyssinia and Siam; in the Shanghai International Settlement, and the British community of Argentina; Australia; and New Zealand. This remarkable and detailed book discusses the propaganda and counter-subversion usages of the Imperial Aircraft Flotilla—and what the support for the imperial war effort reveals about contemporary national and regional identities and aspirations.




Royal tourists, colonial subjects and the making of a British world, 1860–1911


Book Description

This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This study examines the ritual space of nineteenth-century royal tours of empire and the diverse array of historical actors who participated in them. It suggests that the varied responses to the royal tours of the nineteenth century demonstrate how a multi-centred British imperial culture was forged in the empire and was constantly made and remade, appropriated and contested. In this context, subjects of empire provincialised the British Isles, centring the colonies in their political and cultural constructions of empire, Britishness, citizenship and loyalty.