The Anniversary Waltz


Book Description

At their sixtieth anniversary party, Adam Carlson asks his wife, Elizabeth, for their customary waltz. After the dance they gather the family and share their story--a story of love and courage overcoming adversity and thriving in the face of overwhelming odds. It’s the summer of 1946, and Adam has just returned from the war to his home in Reunion, Montana. At a town festival he meets Elizabeth Baxter, a young woman going steady with his former high school rival and now influential banker, Nathan Roberts. When Adam and Elizabeth share a waltz in a deserted pavilion one evening, their feelings begin to grow and they embark on a journey, and a dance, that will last a lifetime.




Anniversary Waltz


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THE STORY: Hawkins outlines, The springboard situation of ANNIVERSARY WALTZ sounds startling. It turns out to be outrageously funny. On their fifteenth anniversary, a happy husband makes one wine-inspired mistake. He announces to his in-laws the r




Anniversary Waltz


Book Description

Charlie Mannix, a 30 year police vet, delves into the psyche of what it is to be a police officer working at the street level. Anniversary Waltz examines how split second decisions officers regularly make have domino effects – how those decisions affect the lives of all involved. It explores the human frailty and occasional corruption that is present among the people who we hire to “serve and protect” our cities. It is a story of people with weaknesses exposed, police bureaucracy that fails those it employs, different strata of society functioning in their respective positions, and finally, of despair and redemption.Two additional short stories (“The Alarm” and “Wilma”) describe how the day to day uncertainty of street-level policing impacts officers on patrol. In each story we see the rush from abject boredom to those energized thought processes inherent in “routine” assignments, fueled by the human desire for safety and the adrenalin rush inspired by the multitude of things that can go wrong on any call. Charlie Mannix's shorts also offer a glimpse of the detritus of humanity – abandoned with no sense of hope – that officers encounter on daily and which they are expected to process and move on without becoming cynical or burnt out.They are stories of cops at the ground floor of society, doing what is expected of them and going unnoticed ... until we need them or they aggravate us with the nuisances like “undeserved” traffic tickets. They are stories of people doing a job for all of us ... that most of us desire not to do.




First Harp Book


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Harp




How to Fall


Book Description

Edith Pearlman manages to combine subtlety with extravagance, understatement with spectacle, drawing our focus to the eccentricities of those who would prefer to remain unnoticed. . . . Confronted with unexpected obstacles, these characters exchange the blurring comfort of routine with spontaneity and improvisation . . . . Full of vivid, intricate, nuanced portraits, confidently focused, restrained and yet spirited, saturated with a powerful imaginative sympathy, How to Fall is a remarkable collection by a remarkable writer.—From the Foreword by Joanna Scott How to Fall is a darkly humorous collection that welcomes the world’s immense variety with confidence. Spanning no fewer than four countries in sixty years, these sixteen stories flesh out the complexities of people who, at first glance, live ordinary, unremarkable lives. Widowers, old men, estranged spouses, young restaurant workers, career women and Jewish grandmothers are all at the center of Pearlman’s cool, studied observation. Each character is rendered with such unpredictable intricacy that they often astonish themselves just as much as the reader. Many of the stories either begin or wind their way back to one, mythical, two-by-three-mile Massachusetts town—Godolphin, a place that “called itself a town but was really a leafy wedge of Boston.” Edith Pearlman has published over 100 stories in national magazines, literary journals, anthologies and online publications. Her work has appeared in The Best American Short Stories, The O. Henry Prize collection, New Stories from the South: The Year’s Best and The Pushcart Prize collection. Her first collection of stories, Vaquita, won the Drue Heinz Prize for Literature, and her second, Love Among the Greats, won the Spokane Prize for Fiction. She now lives in Brookline, Massachusetts.




Partial Visions


Book Description

A pathbreaking study of political culture in the United States, Britain, and Canada, Partial Visions demonstrates how popular culture--expressed through television soap operas and comedies, civics and history textbooks, magazine advertisements, and corporate publications and recruitment leaflets--subtly deflects and suppresses democratic political action. Richard Merelman argues that political messages embedded in popular culture weaken the division between public and private and between society and the individual. These "partial visions" of democracy are idealized yet inequitable, revelatory yet distorted. As a result, issues that might galvanize useful group conflict do not emerge, and the full potential for public participation in a liberal democracy remains unrealized. Britain, Canada, and the United States share a liberal political culture but differ in their historical evolution and in the structure of their institutions. Each country, Merelman suggests, has developed a distinctive popular culture that shapes public opinion and stifles political debate in nationally specific ways. Different rhetorical devices and metaphors operate in each nation, he points out; in Britain, for example, the monarchy and party system serve as symbols of political reconciliation between the individual and the collectivity. Characterizing the United States as a culture of "institutionalized individualism" and Canada as a culture of emotionally tepid group conflict, Merelman finds Britain's culture of group-based political debate the most successful in encouraging democratic participation. Drawing on symbolic anthropology, poststructuralist literary theory, and positivistic analyses of attitudes and media influence, Merelman conducts a controlled comparison of media representations, political discourse, and public opinion, using rich, complex sets of quantitative and qualitative data . He concludes that culture is not reducible to institutional interests but is intelligible as a whole structure; furthermore, culture can and sometimes does change the contours of political conflict.




Evelyn and the Polka King


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Catalog of Copyright Entries


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Lunch Poems


Book Description

Celebrate the 50th Anniversary of Frank O'Hara's Lunch Poems Lunch Poems, first published in 1964 by City Lights Books as number nineteen in the Pocket Poets series, is widely considered to be Frank O'Hara's freshest and most accomplished collection of poetry. Edited by the poet in collaboration with Lawrence Ferlinghetti and Donald Allen, who had published O'Hara's poems in his monumental The New American Poetry in 1960, it contains some of the poet's best known works including "The Day Lady Died," "Ave Maria" and "Poem" Lana Turner has collapsed ]. This new limited 50th anniversary edition contains a preface by John Ashbery and an editor's note by City Lights publisher Lawrence Ferlinghetti, along with facsimile reproductions of a selection of previously unpublished correspondence between Ferlinghetti and O'Hara that shed new light on the preparation of Lunch. "Frank O'Hara's Lunch Poems, the little black dress of American poetry books, redolent of cocktails and cigarettes and theater tickets and phonograph records, turns 50 this year. It seems barely to have aged . . . This is a book worth imbibing again, especially if you live in Manhattan, but really if you're awake and curious anywhere. O'Hara speaks directly across the decades to our hopes and fears and especially our delights; his lines are as intimate as a telephone call. Few books of his era show less age."--Dwight Garner, The New York Times "City Lights' new reissue of the slim volume includes a clutch of correspondence between O'Hara and Lawrence Ferlinghetti . . . in which the two poets hash out the details of the book's publication: which poems to consider, their order, the dedication, and even the title. 'Do you still like the title Lunch Poems?' O'Hara asks Ferlinghetti. 'I wonder if it doesn't sound too much like an echo of Reality Sandwiches or Meat Science Essays.' 'What the hell, ' Ferlinghetti replies, 'so we'll have to change the name of City Lights to Lunch Counter Press.'"--Nicole Rudick, The Paris Review "Frank O'Hara's famed collection was first published in 1964, and, to mark the fiftieth anniversary, City Lights is printing a special edition."--The New Yorker "The volume has never gone out of print, in part because O'Hara expresses himself in the same way modern Americans do: Like many of us, he tries to overcome the absurdity and loneliness of modern life by addressing an audience of anonymous others."--Micah Mattix, The Atlantic "I hope that everyone will delight in the new edition of Frank's Lunch Poems. The correspondence between Lawrence and Frank is great. Frank was just 33 when he wrote to Lawrence in 1959 and 38 when LUNCH POEMS was published The fact that City Lights kept Frank's LUNCH POEMS in print all these years has been extraordinary, wonderful and a constant comfort. Hurray for independent publishers and independent bookstores. Many thanks always to Lawrence Ferlinghetti and everyone at City Lights."--Maureen O'Hara, sister of Frank O'Hara "Frank O'Hara's Lunch Poems--which has just been reissued in a 50th anniversary hardcover edition--recalls a world of pop art, political and cultural upheaval and (in its own way) a surprising innocence."--David Ulin, Los Angeles Times




Generally Speaking


Book Description

Behind me stretch four generations of military lives. This book is for the most part, the story of my life as the daughter of a two star general and the wife of a three star general. It recounts the fascinating lands I was either fortunate enough to reside in or visit and as an adult I went into these civilizations and continents with fire in my belly to capture the cultures, the landscape and the people with my two Nikons hanging off my neck. Even after retirement it was hard to shed my peripatetic life style so I went to China, Bali, Kuala Lumpur and Singapore. It's a story about doing the best you can with the cards you are dealt, about making your way through difficult moments and supporting your children and your husband and keeping it all together. The military is not an easy life but it is a good one. And I do not hesitate to recount some of the more wretched events. For the most part it has been a charmed life. I write about unique incidents: having a gun fired at my car on an early morning trip to the airport in Bangkok. Of a shoot-out in a Pamplona, Spain square and of being reunited with a childhood friend in Oslo, Norway - then a young prince - and at the time of the visit the Crown Prince and now the King. During our two year Italian Odyssey we received a letter from the Countess Chinigo of Ravello for a dinner at her villa above the Amalfi Coast. We did not answer. But on the second effort, we did and thus visited her numerous times in her little gem of a villa. I was a lucky, lucky woman.