The Undivine Comedy


Book Description

Accepting Dante's prophetic truth claims on their own terms, Teodolinda Barolini proposes a "detheologized" reading as a global new approach to the Divine Comedy. Not aimed at excising theological concerns from Dante, this approach instead attempts to break out of the hermeneutic guidelines that Dante structured into his poem and that have resulted in theologized readings whose outcomes have been overdetermined by the poet. By detheologizing, the reader can emerge from this poet's hall of mirrors and discover the narrative techniques that enabled Dante to forge a true fiction. Foregrounding the formal exigencies that Dante masked as ideology, Barolini moves from the problems of beginning to those of closure, focusing always on the narrative journey. Her investigation--which treats such topics as the visionary and the poet, the One and the many, narrative and time--reveals some of the transgressive paths trodden by a master of mimesis, some of the ways in which Dante's poetic adventuring is indeed, according to his own lights, Ulyssean.




Lectura Dantis


Book Description

This new critical volume contains commentary on the 'Purgatorio' by 33 international scholars, each of whom presents to the nonspecialist reader one of the cantos of the transitional middle cantica of Dante's unique Christian epic.




Reviewing Dante's Theology


Book Description

The two volumes of Reviewing Dante's Theology bring together work by a range of internationally prominent Dante scholars to assess current research on Dante's theology and to suggest future directions for research. Volume 1 considers some of the key theological influences on Dante. The contributors discuss what 'doctrine' might have meant for Dante and consider the poet's engagement with key theological figures and currents in his time including: Christian Aristotelian and scholastic thought, including that of Thomas Aquinas; Augustine; Plato and Platonic thought; Gregory the Great; and notions of beatific vision. Each essay offers an overview of its topic and opens up new avenues for future study. Together they capture the energy of current research in the field, test the limits of our current knowledge and set the future study of Dante's theology on firm ground.




The Purgatory of Dante Alighieri


Book Description

Dante's version of Purgatory is extraordinarily detailed and, in some key respects, strikingly original. First, he imagines Purgatory as being divided up into seven terraces, each one corresponding to a vice (in the order that Dante sees them: Pride, Envy, Wrath, Sloth, Avarice and Prodigality, Gluttony and Lust).




The Vision of Hell


Book Description




Purgatorio


Book Description

Jean Hollander, an accomplished poet, and Robert Hollander, a renowned scholar and master teacher, whose joint translation of the Inferno was acclaimed as a new standard in English, bring their respective gifts to Purgatorio in an arresting and clear verse translation. Featuring the original Italian text opposite the translation, their edition offers an extensive and accessible introduction as well as generous historical and interpretive commentaries that draw on centuries of scholarship and Robert Hollander’s own decades of teaching and reasearch. In the second book of Dante’s epic poem The Divine Comedy, Dante has left hell and begins the ascent of the mount of purgatory. Just as hell had its circles, purgatory, situated at the threshold of heaven, has its terraces, each representing one of the seven mortal sins. With Virgil again as his guide, Dante climbs the mountain; the poet shows us, on its slopes, those whose lives were variously governed by pride, envy, wrath, sloth, avarice, gluttony, and lust. As he witnesses the penance required on each successive terrace, Dante often feels the smart of his own sins. His reward will be a walk through the garden of Eden, perhaps the most remarkable invention in the history of literature.




The Purgatorio


Book Description

In The Purgatorio, Dante describes his journey to the renunciation of sin, accepting his suffering in preparation for his coming into the presence of God. This brilliant translation of Dante?s canticle crystallizes the great poet?s immortal conception of the aspiring soul.