The Apocalyptic & Post-Apocalyptic Collection


Book Description

This unique and meticulously edited collection of Stanley G. Weinbaum's greatest Sci-Fi works includes: The Black Flame_x000D_ Dawn of Flame_x000D_ The Adaptive Ultimate_x000D_ The Circle of Zero_x000D_ Pygmalion's Spectacles




Whispers of a Dying Flame: A Post Apocalyptic Collection


Book Description

Whispers of a Dying Flame is a compilation of post apocalyptic short stories that takes the reader through the established post apocalyptic wastelands, into science fiction and finally visits the dark realms of supernatural desolation.




The Apocalyptic Mannequin


Book Description

Doomsday is here and the earth is suffering with each breath she takes. Whether it’s from the nuclear meltdown, the wrath of the Four Horsemen, a war with technology, or a consequence of our relationship with the planet, humanity is left buried and hiding, our bones exposed, our hearts beating somewhere in our freshly slit throats. This is a collection that strips away civilization and throws readers into the lives of its survivors. The poems inside are undelivered letters, tear-soaked whispers, and unanswered prayers. They are every worry you’ve had when your electricity went out, and every pit that grew in your stomach watching the news at night. They are tragedy and trauma, but they are also grief and fear, fear of who—or what—lives inside us once everything is taken away. These pages hold the teeth of monsters against the faded photographs of family and friends, and here, Wytovich is both plague doctor and midwife, both judge and jury, forever searching through severed limbs and exposed wires as she straddles the line evaluating what’s moral versus what’s necessary to survive. What’s clear though, is that the world is burning and we don’t remember who we are. So tell me: who will you become when it’s over? "Reading this collection is like dancing through Doomsday, intoxicated by the destructive, decadent truth of desire in our very mortality." --Saba Syed Razvi, author of Heliophobia and In the Crocodile Gardens "Vivid, each word a weight on your tongue, these poems taste of metal and ash with a hint of spice, smoke. She reminds us the lucky ones die first, and those who remain must face the horrors of a world painted in blisters and fear." --Todd Keisling, author of Ugly Little Things and Devil's Creek "Set in a post-apocalyptic world that at times seems all too near, Wytovich's poems conjure up frighteningly beautiful and uncomfortably prescient imagery." --Claire C. Holland, author of I Am Not Your Final Girl "A surreal journey through an apocalyptic wasteland, a world that is terrifyingly reminiscent of our own even as the blare of evacuation alarms drowns out the sizzle of acid rain, smiling mannequins bear witness to a hundred thousand deaths, and "the forest floor grows femurs in the light of a skeletal moon."--Christa Carmen, author of Something Borrowed, Something Blood-Soaked "Like a doomsday clock fast-forwarding to its final self-destruction, Wytovich's poetry will give you whiplash as you flip through page after page. The writing here is ugly yet beautiful. It reads like a disease greedily eating up vital organs. The apocalypse has arrived and it couldn't be more intoxicating!" --Max Booth III, author of Carnivorous Lunar Activities




The Left Behind: Apocalypse Collection: Apocalypse Dawn / Apocalypse Crucible / Apocalypse Burning / Apocalypse Unleashed


Book Description

This collection bundles all 4 of Mel Odom’s blockbuster Left Behind: Apocalypse novels into one e-book for a great value! #1 Apocalypse Dawn From the decks of U.S. Navy carriers patrolling the Mediterranean to Fort Benning, Georgia, and the dusty sands of the Turkish-Syrian border, this suspense thriller runs side by side with the phenomenal series that has sold more than 50 million copies. Characters and situations are added to those from the Left Behind series to raise the tension to a fever pitch. With technical accuracy from the same people who create best-selling military thrillers, this series will satisfy the fans of the Left Behind series who are looking for more. #2 Apocalypse Crucible Danger and personal crisis on land, sea, and air combine with a level of spiritual warfare that is unparalleled in a Christian book. Crucible is a page-turning thriller that runs side by side with the phenomenal Left Behind series. The world is exploding in confusion and terror following the disappearances in book one. Meanwhile, Army Rangers and Marine Special Forces are struggling to keep the peace, while fighting spiritual battles of their own in the sands of Turkey and back home. #3 Apocalypse Burning First Sergeant Samuel Adams “Goose” Gander is on the front lines, fighting a battle against superior forces. Goose’s wife, Megan, is fighting for her freedom in a court case where all the facts seem stacked against her. Meanwhile, Chaplain Delroy Harte believes that the Rapture may have happened but can’t be sure until he has dealt with the demons of his past. #4 Apocalypse Unleashed In this a much-anticipated conclusion to the Apocalypse series, First Sergeant “Goose” Gander of the United States Army Rangers is in over his head, and he knows it. Trapped by the Rapture in the carnage of Middle Eastern war, far from his wife and kid back home, he’s living every day on the edge, afraid each moment might be his last, terrified that he’ll never see the people he loves again. The war on the Syrian/Turkish border is heating up, and the opposition armies and the local warlords are skirmishing for power in a no-man’s land filled with innocent victims that Goose hopes to protect. Goose soon discovers elements within his own forces, fearful of his leadership, are determined to bring him down. With everybody gunning for him, Goose is going to need a miracle to pull off his mission. Even as he struggles to believe in the God of miracles, Goose is about to discover the power of redemption and the bulwark of pure faith. And as the Hand of God closes over him and he accepts salvation, Goose Gander will finally find the peace he seeks, even as the war-torn land around him explodes in violence.




Apocalypse TV


Book Description

The end of the world may be upon us, but it certainly is taking its sweet time playing out. The walkers on The Walking Dead have been "walking" for nearly a decade. There are now dozens of apocalyptic television shows and we use the "end times" to describe everything from domestic politics and international conflict, to the weather and our views of the future. This collection of new essays asks what it means to live in a world inundated with representations of the apocalypse. Focusing on such series as The Walking Dead, The Strain, Battlestar Galactica, Doomsday Preppers, Westworld, The Handmaid's Tale, they explore how the serialization of the end of the world allows for a closer examination of the disintegration of humanity--while it happens. Do these shows prepare us for what is to come? Do they spur us to action? Might they even be causing the apocalypse?




Apocalypse Weird


Book Description

A post-apocalyptic road trip dodging zombies. The aftermath of a nuclear holocaust, generations later. An alien spore that infects the young first. In the post-apocalyptic future, anything goes, and only the strong survive.




Post-Apocalyptic Patriarchy


Book Description

Twenty-first century American television series such as Revolution, Falling Skies, The Last Ship and The Walking Dead have depicted a variety of doomsday scenarios--nuclear cataclysm, rogue artificial intelligence, pandemic, alien invasion or zombie uprising. These scenarios speak to longstanding societal anxieties and contemporary calamities like 9/11 or the avian flu epidemic. Questions about post-apocalyptic television abound: whose voices are represented? What tomorrows are they most afraid of? What does this tell us about the world we live in today? The author analyzes these speculative futures in terms of gender, race and sexuality, revealing the fears and ambitions of a patriarchy in flux, as exemplified by the "return" to a mythical American frontier where the white male hero fights for survival, protects his family and crafts a new world order based on the old.




American Cities in Post-Apocalyptic Science Fiction


Book Description

Visions of the American city in post-apocalyptic ruin permeate literary and popular fiction, across print, visual, audio and digital media. American Cities in Post-Apocalyptic Science Fiction explores the prevalence of these representations in American culture, drawing from a wide range of primary and critical works from the early-twentieth century to today. Beginning with science fiction in literary magazines, before taking in radio dramas, film, video games and expansive transmedia franchises, Robert Yeates argues that post-apocalyptic representations of the American city are uniquely suited for explorations of contemporary urban issues. Examining how the post-apocalyptic American city has been repeatedly adapted and repurposed to new and developing media over the last century, this book reveals that the content and form of such texts work together to create vivid and immersive fictional spaces in ways that would otherwise not be possible. Chapters present media-specific analyses of these texts, situating them within their historical contexts and the broader history of representations of urban ruins in American fiction. Original in its scope and cross-media approach, American Cities in Post-Apocalyptic Science Fiction both illuminates little-studied texts and provides provocative new readings of familiar works such as Blade Runner and The Walking Dead, placing them within the larger historical context of imaginings of the American city in ruins.




Imagining the End


Book Description

Imagining the End provides students and general readers with contextualized examples of how the apocalypse has been imagined across all mediums of American popular culture. Detailed entries analyze the development, influence, and enjoyment of end-times narratives. Imagining the End provides a contextual overview and individual description and analysis of the wide range of depictions of the end of the world that have appeared in American popular culture. American writers, filmmakers, television producers, and game developers inundated the culture with hundreds of imagined apocalyptic scenarios, influenced by the Biblical Book of Revelation, the advent of the end of the second millennium (2000 CE), or predictions of catastrophic events such as nuclear war, climate change, and the spread of AIDS. From being "raptured" to surviving the zombie apocalypse, readers and viewers have been left with an almost endless sequence of disasters to experience. Imagining the End examines this phenomenon and provides a context for understanding, and perhaps appreciating, the end of the world. This title is composed of alphabetized entries covering all topics related to the end times, covering popular culture mediums such as comic books, literature, films, and music.




The Post-Apocalyptic Novel in the Twenty-First Century


Book Description

Since the beginning of the twenty-first century, major Anglophone authors have flocked to a literary form once considered lowbrow 'genre fiction': the post-apocalyptic novel. Calling on her broad knowledge of the history of apocalyptic literature, Hicks examines the most influential post-apocalyptic novels written since the beginning of the new millennium, including works by Margaret Atwood, David Mitchell, Cormac McCarthy, Jeanette Winterson, Colson Whitehead, and Paolo Bacigalupi. Situating her careful readings in relationship to the scholarship of a wide range of historians, theorists, and literary critics, she argues that these texts use the post-apocalyptic form to reevaluate modernity in the context of the new century's political, economic, and ecological challenges. In the immediate wake of disaster, the characters in these novels desperately scavenge the scraps of the modern world. But what happens to modernity beyond these first moments of salvage? In a period when postmodernism no longer defines cultural production, Hicks convincingly demonstrates that these writers employ conventions of post-apocalyptic genre fiction to reengage with key features of modernity, from historical thinking and the institution of nationhood to rationality and the practices of literacy itself.