The Art of Oratorical Composition
Author : Charles Coppens
Publisher :
Page : 318 pages
File Size : 42,67 MB
Release : 1885
Category : Elocution
ISBN :
Author : Charles Coppens
Publisher :
Page : 318 pages
File Size : 42,67 MB
Release : 1885
Category : Elocution
ISBN :
Author : Charles Coppens
Publisher :
Page : 320 pages
File Size : 47,84 MB
Release : 1885
Category : Elocution
ISBN :
Author : Charles Coppens
Publisher :
Page : 303 pages
File Size : 42,93 MB
Release : 1888
Category : English language
ISBN :
Author :
Publisher :
Page : 572 pages
File Size : 14,58 MB
Release : 1888
Category : English language
ISBN :
Author : Delaumosne
Publisher :
Page : 392 pages
File Size : 20,97 MB
Release : 1884
Category : Delsarte system
ISBN :
Author : abbé Delaumosne
Publisher :
Page : 334 pages
File Size : 21,80 MB
Release : 1884
Category : Delsarte system
ISBN :
Author : John Hall Hindmarsh
Publisher :
Page : 468 pages
File Size : 14,84 MB
Release : 1862
Category :
ISBN :
Author : Mary Lucile Welty
Publisher :
Page : 148 pages
File Size : 25,56 MB
Release : 1900
Category :
ISBN :
Author : Tahera Qutbuddin
Publisher : BRILL
Page : 659 pages
File Size : 48,95 MB
Release : 2019-06-07
Category : Religion
ISBN : 9004395806
Winner of the 2021 Sheikh Zayed Book Award (category: Arab Culture in Other Languages) Browse a preview of Arabic Oration: Art and Fuction. In Arabic Oration: Art and Function, a narrative richly infused with illustrative texts and original translations, Tahera Qutbuddin presents a comprehensive theory of this preeminent genre in its foundational oral period, 7th-8th centuries AD. With speeches and sermons attributed to the Prophet Muḥammad, ʿAlī, other political and military leaders, and a number of prominent women, she assesses types of orations and themes, preservation and provenance, structure and style, orator-audience authority dynamics, and, with the shift from an oral to a highly literate culture, oration’s influence on the medieval chancery epistle. Probing the genre’s echoes in the contemporary Muslim world, she offers sensitive tools with which to decode speeches by mosque-imams and political leaders today.
Author : Charles Coppens
Publisher : Forgotten Books
Page : 309 pages
File Size : 45,74 MB
Release : 2015-06-13
Category : Language Arts & Disciplines
ISBN : 9781330288986
Excerpt from The Art of Oratorical Composition, Based Upon the Precepts and Models of the Old Masters In this treatise on oratorical composition it has been the author's aim to present the student with the wisest precepts of the most authoritative writers. Among the ancients Aristotle, Cicero, and Quintilian are his principal guides; among modern works he has freely consulted the Ars Dicendi of Rev. Jos. Kleutgen, S. J.; the Guide du Jeune Littérateur of Rev. Jos. Broeckaert, S. J.; the Grammar of Eloquence of Rev. M. Barry, and the Sacred Eloquence of Rev. Thomas J. Potter, both of All-Hallows', Dublin; the Lectures on Eloquence and Oratory delivered by our great American statesman, John Quincy Adams, when Boylston professor in Harvard University; the Lectures on Rhetoric and Belles-Lettres of Rev. Hugh Blair, D.D., of Edinburgh University; besides a multitude of treatises, reviews, etc., which have furnished abundant matter. In general the author has preferred to let others speak in his stead whenever it could well be done. He has endeavored to illustrate the precepts by numerous extracts from the best productions of ancient and modern orators. The entire treatise is the growth of many years of teaching. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.