The Art of Painting in Oil, and in Fresco
Author : Jean-François-Léonor Mérimée
Publisher :
Page : 436 pages
File Size : 39,49 MB
Release : 1839
Category : Mural painting and decoration
ISBN :
Author : Jean-François-Léonor Mérimée
Publisher :
Page : 436 pages
File Size : 39,49 MB
Release : 1839
Category : Mural painting and decoration
ISBN :
Author : Jean François Léonore MÉRIMÉE
Publisher :
Page : 432 pages
File Size : 37,46 MB
Release : 1839
Category :
ISBN :
Author : Douglas Guest
Publisher :
Page : 150 pages
File Size : 26,44 MB
Release : 1829
Category :
ISBN :
Author : Nicholas Eastaugh
Publisher : Routledge
Page : 508 pages
File Size : 11,4 MB
Release : 2007-03-30
Category : Antiques & Collectibles
ISBN : 1136373861
The Pigment Compendium Dictionary is a comprehensive information source for scientists, art historians, conservators and forensic specialists. Drawn together from extensive analystical research into the physical and chemical properties of pigments, this essential reference to pigment names and synonyms describes the inter-relationship of different names and terms. The Dictionary covers the field worldwide from pre-history to the present day, from rock art to interior decoration, from ethnography to contemporary art. Drawing on hundreds of hard-to-obtain documentary sources as well as modern scientific data each term is discussed in detail, giving both its context and composition.
Author : M. J. F. L. Mérimée
Publisher : Forgotten Books
Page : 422 pages
File Size : 39,4 MB
Release : 2017-12
Category : Art
ISBN : 9780265161746
Excerpt from The Art of Painting in Oil and in Fresco: Being a History of the Various Processes and Materials Employed The precepts which the author has collected, extended, and developed, with the judicious advice he has offered, are not so much intended to teach this art, as to lay before the artist, the proper mate rials for painting, and how to make pictures durable. A principal object has been to collect and carefully describe the numerous processes used in oil paint ing, from its earliest appearance to our own time. The result of this investigation shows that the older masters of the Venetian and Flemish schools, did not paint as modems do, with pure Oils, but that they tempered their colours with varnishes; to which must be attributed the state of preservation in which we find their pictures. M. Merimee describes the modes Of preparing the different varnishes that are proper to mix with the colours, and also those which are to be used over the picture when finished. He also communi cates the most exact ideas upon the colouring sub stances, their preparation, solidity or durableness. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author : Lance Mayer
Publisher : Getty Publications
Page : 316 pages
File Size : 36,24 MB
Release : 2013
Category : Art
ISBN : 1606061356
"How paintings were made--in the most literal sense--is an important but largely unknown aspect of the story of American art. This book, like the authors' previous volume on American painting techniques from the colonial period to 1860, is based on descriptions of the materials and methods that painters used, as found in artists' notebooks, painting manuals, magazines, suppliers' catalogues, letters, diaries, books, and interviews. In interpreting this evidence, the authors have made use of their experience as conservators who have treated many important American paintings."--Book jacket.
Author : Joyce Hill Stoner
Publisher : Routledge
Page : 917 pages
File Size : 16,36 MB
Release : 2013-02-15
Category : Antiques & Collectibles
ISBN : 1136000410
Conservation of Easel Paintings is the first comprehensive text on the history, philosophy, and methods of treatment of easel paintings that combines both theory with practice. With contributions from an international group of experts and interviews with important artists, this volume provides an all-encompassing guide to necessary background knowledge in technical art history, artists' materials, scientific methods of examination and documentation, with sections that present varying approaches and methods for treatment, including consolidation, lining, cleaning, retouching, and varnishing. The book concludes with a section featuring issues of preventive conservation, storage, shipping, exhibition, lighting, safety issues, and public outreach. Conservation of Easel Paintings is a crucial resource in the training of conservation students and will provide generations of practicing paintings conservators and interested art historians, curators, directors, collectors, dealers, artists, and students of art and art history with invaluable information and guidance.
Author : Hugh Chisholm
Publisher :
Page : 1056 pages
File Size : 23,67 MB
Release : 1926
Category : Encyclopedias and dictionaries
ISBN :
Author : Calcutta (India). Imperial library
Publisher :
Page : 384 pages
File Size : 25,19 MB
Release : 1904
Category : India
ISBN :
Author : Imperial Library, Calcutta
Publisher :
Page : 384 pages
File Size : 23,5 MB
Release : 1904
Category : India
ISBN :