The Art of Tahiti


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Artistic Heritage in a Changing Pacific


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“The great value of [this work] is the uniformly high quality of papers and their revelation of contemporary trends in Oceanic art research.” —Ethnoarts




The New Arcadia


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SINCE BEING “DISCOVERED ” IN 1767, Tahiti has faced a profound cultural upheaval. From the start, she has been branded with the irresistible dual myth of the Noble Savage’s harmonious Arcadian life and of the vahine’s amorous favours freely granted. People (navigators, missionaries, whalers, slavers) and events (deadly epidemics, atomic testing, and now tourism), all have contributed over time to creating the modern Tahitian quandary: trying to recover an idealized past and losing the benefits of modern life, or continuing as a cog in the French administrative system and losing her soul. Based on historical records, sailors’ journals, Ma’ohi epic poetry, European paintings, folkloric events, the film industry, and novels by modern Tahitian writers, this book follows the passage from Otaheite’s paradisal way of life, through the disastrous encounter with European civilization, ending with French Polynesia’s modern prospects. Most remarkable of all is the enduring Ma’ohi culture’s survival into the twenty-first century.




Historical Dictionary of Polynesia


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The term Polynesia refers to a cultural and geographical area in the Pacific Ocean, bound by what is commonly referred to as the Polynesian Triangle, which consists of Hawai'i in the north, New Zealand in the southwest, and Easter Island in the southeast. Thousands of islands are scattered throughout this area, most of which are currently included in one of the modern island states of American Samoa, Cook Islands, French Polynesia, Hawai'i, New Zealand, Samoa, Tonga, Tokelau, Tuvalu, and Wallis and Futuna. The third edition of the Historical Dictionary of Polynesia greatly expands on the previous editions through a chronology, an introductory essay, an expansive bibliography, and over 400 cross-referenced dictionary entries on significant persons, events, places, organizations, and other aspects of Polynesian history from the earliest times to the present. Appendixes of the major islands and atolls within Polynesia, the rulers and administrators of the 13 major island states, and basic demographic information of those states are also included.




The Ancestress Hypothesis


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In our society it has long been believed that art serves very little social purpose. Evolutionary anthropologists, however, are examining a potential role for art in human evolution. Kathryn Coe looks to the visual arts of traditional societies for clues. Because they are passed down from previous generations, traditional art forms such as body decoration, funeral ornaments, and ancestral paintings offer ways to promote social relationships among kin and codescendants of a common ancestor. Mothers used art forms to anchor themselves and their kin to the father and his kin, and to promote the survival and reproductive success of kin and descendants. Individuals who abided by this strategy, accompanied by its strict codes of cooperation, left more distant descendants than did individuals who did not. Over time, given this reproductive success, large numbers of individuals would be identified as codescendants of a common ancestor and would cooperate as if they were close kin. These cooperative codescendants were more likely to survive and leave descendants. With each new generation these clans propagated not only their genes but also their behavioral strategy, the replication or presence of "art." The book concludes by examining the changing characteristics of visual art -- including a higher value on creativity, competition, and cost -- when traditional constraints on social behavior disappear. Book jacket.




The Art Forms of Polynesia


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Art of Polynesia


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