The Art of the Plasterer


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Barbara Hepworth, the Plasters


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Discusses Hepworth's work and the museum designed to display it.




Plaster Monuments


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We are taught to believe in originals. In art and architecture in particular, original objects vouch for authenticity, value, and truth, and require our protection and preservation. The nineteenth century, however, saw this issue differently. In a culture of reproduction, plaster casts of building fragments and architectural features were sold throughout Europe and America and proudly displayed in leading museums. The first comprehensive history of these full-scale replicas, Plaster Monuments examines how they were produced, marketed, sold, and displayed, and how their significance can be understood today. Plaster Monuments unsettles conventional thinking about copies and originals. As Mari Lending shows, the casts were used to restore wholeness to buildings that in reality lay in ruin, or to isolate specific features of monuments to illustrate what was typical of a particular building, style, or era. Arranged in galleries and published in exhibition catalogues, these often enormous objects were staged to suggest the sweep of history, synthesizing structures from vastly different regions and time periods into coherent narratives. While architectural plaster casts fell out of fashion after World War I, Lending brings the story into the twentieth century, showing how Paul Rudolph incorporated historical casts into the design for the Yale Art and Architecture building, completed in 1963. Drawing from a broad archive of models, exhibitions, catalogues, and writings from architects, explorers, archaeologists, curators, novelists, and artists, Plaster Monuments tells the fascinating story of a premodernist aesthetic and presents a new way of thinking about history’s artifacts.




Essential Natural Plasters


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A veritable cookbook of natural plaster recipes and techniques for beautiful, durable finishes Natural plasters made of clay, lime, and other materials mixed with sand are beautiful building finishes. Fun to work with, low-impact, and allowing infinite creativity, they are high performance and provide proven, centuries-long durability. Yet until now there's been no resource that has pulled together the best North American plaster recipes and how-to into one place. Essential Natural Plasters covers it all: Sourcing and selecting materials, including site-soils Clay, lime, and gypsum plasters as well as fibers and amendments Interior and exterior use and specialty plasters such as tadelakt for bathrooms Preparing substrates, from straw bales and cob to lath and Sheetrock How to set up a safe, efficient worksite Mixing, testing, tinting, repairing, and applying plasters Coveted recipes from leading plasterers in Ontario, Vermont, New Mexico, France, and New Zealand. Richly illustrated and deeply researched, Essential Natural Plasters is the must-have resource for owner-builders and professionals alike.




The Natural Plaster Book


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For builders of natural homes (straw bale, cob, adobe, rammed earth, and other natural materials), this unique step-by-step guide takes the confusion out of choosing, mixing, and applying natural plasters. From principles to practicalities, and with every stage of the process illustrated, The Natural Plasters Book details the entire process of plastering with earth, lime, and gypsum for a long-lasting and durable finish. Starting with an overview and history of the natural building movement, the book handles a wide variety of topics including earthen plaster versus cement stucco, tools and techniques of the trade, plaster recipes, and pigmenting plaster or painting walls with natural paints. First-time builders will appreciate tips on common mistakes (and how to avoid them) discussed at each stage of the plastering process. Special focus is paid to the importance of planning and designing for earthen plasters- before building begins. The only comprehensive guide available on natural plasters, this book is written for the growing number of people who have decided to build their own natural homes as well as for professionals. Heavily illustrated with practical drawings and photographs, it also includes an extensive resource guide listing books, magazines, videos, builders, and suppliers.




Plastering: Plain and Decorative


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The first edition of this important book was originally published in 1897, but it is still viewed by most traditional plasterers as the plastering 'bible'. Now available in this facsimile edition this impressive volume presents a comprehensive coverage of traditional plasterwork, including everything from plain lime plastering through to hand modelling and cast plasterwork. Written by William Millar, who had practical first hand experience of using these methods, the book provides a fascinating and unique record of a craftsman's intimate knowledge of these traditional materials and techniques. This, the only detailed work currently available on this subject contains: a vital record of craft skills being practised 100 years ago; fully illustrated examples of decorative ceilings and other features; and in depth instructions for making casts and moulds.




Plaster Casts


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This volume originates from an international conference (Oxford University, 2007). Texts address plaster casts and related themes from antiquity to the present day, and from Egypt to America, Mexico and New Zealand. They are of interest to classical archaeologists, art historians, the history of collecting, curators, conservators, collectors and artists. Articles explore the functions, status and reception of plaster casts in artists’ workshops and in private and public collections, as well as hands-on issues, such as the making, trading, display and conservation of plaster casts. Case-studies on artists’ use of material and technique include ancient Roman copyists, Renaissance sculptors and painters, Dutch 17th-century workshops, Canova, Boccioni and others. A second theme is the role of plaster casts in the history of collecting from the Renaissance to the present day. Several papers address the dissemination of visual ideas, models and ideals through the medium. Papers on modern and contemporary art illuminate the changing uses and semantic values of plaster casts in this period. Amongst the types of casts discussed are artists’ models and final works as well as casts after antiquities, including sculpture, architecture and gems (dactyliothecae). The volume demonstrates the richness of the field, both in terms of the material itself and modern scholarship concerned with it. Conceived as a handbook for students, academics, curators and collectors, the text will form a standard work on the role of plaster casts in the history of Western sculpture.




Manuel Neri


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This engaging publication examines the prodigious body of work of American sculptor Manuel Neri (b. 1930) through the unique perspective of one of Neri's former students. A near-contemporary of other notable California-based artists Richard Diebenkorn and Wayne Thiebaud, Neri is best known for his large-scale figurative sculptures that combine classical figuration with the dynamic mark-making of Abstract Expressionism. The book traces the compelling yet often contradictory thematic arcs of Neri's powerful work and his greater impact on the field of sculpture. At the heart of the publication are Jock Reynolds's personal reflections on Neri and his legacy as a teacher, adding insight and intimacy to the scholarly understanding of the artist. Photographs of Neri in his studio, archival images, and installation photos of the related exhibition at the Yale University Art Gallery round out the book. With its blend of art history and personal reflection, this unique book offers valuable insight into an important, understudied California artist. Distributed for the Yale University Art Gallery Exhibition Schedule: Yale University Art Gallery (03/02/18-07/08/18)




Figure Sculpture in Wax and Plaster


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In this splendidly detailed, generously illustrated text, the well-known American sculptor Richard McDermott Miller introduces the art of modeling the human figure in two media known for their liveliness and spontaneity. Recognizing the needs of the beginner as well as the interests of the professional artist, the book masterfully puts you quickly in possession of the basic procedures you'll need to get started, provides specific details on materials and tools, and launches you into actual projects specifically designed to teach you sculptural skills. The book first analyzes the human figure and describes the way the sculptor translates the figure into the modeled form: finding a personal style; working from photographs or memory; working from life; and capturing gesture, proportion and anatomy. Mr. Miller then describes, step by step, how to work with wax, how to sketch a small figure in wax, how to model the figure on a wax armature, and the process of hollow wax modeling. He follows the same procedure as he introduces working with plaster, from mixing it to modeling a hollow torso. Many other important topics, from mold-making techniques to working with models to finding out where and how to buy materials and tools, are presented. Throughout, Mr. Miller emphasizes the practice, rather than the theory of sculpture, emphasizing that, apart from the artist's need for personal expression, sculpture is a physical task involving the manipulation of materials. His concentration on the sculptor's working problems makes this an unusually useful and valuable guide to sculpting the human figure. Dover (1987) unabridged, slightly updated republication of the edition originally published by Watson-Guptill Publications, New York, 1971.




Wabi-Sabi Art Style


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