The Art of the Sigh


Book Description

Come sail with me aboard The Art of the Sigh and experience strong emotional seas, everchanging societal winds and the sanctuary of the shore. Your heart will be touched, your mind will be stimulated and your soul will be replenished. Some of the pieces send an overt message while others are less blatant. All are structured to pique your interest and engage your brain, your heart and inspire. Many of the pieces are based on real, easily recognizable events, to which we all can relate. Some of the pieces are reflections of circumstances in my personal life. Many readers will recognize themselves in these compositions. You will undergo personal enlightenment, as well as many moments of self-examination, empathy, sympathy, and compassion. In the interest of full disclosure, you may be brought to tears, laugh out loud, feel deep sadness, or profound anger. The voyage is a rollercoaster journey packed with thought-provoking scenarios mirroring real life events and episodes effecting life in the 21st century and the overwhelming challenges that face us all.




Sign Painters


Book Description

There was a time, as recently as the 1980s, when storefronts, murals, banners, barn signs, billboards, and even street signs were all hand-lettered with brush and paint. But, like many skilled trades, the sign industry has been overrun by the techno-fueled promise of quicker and cheaper. The resulting proliferation of computer-designed, die-cut vinyl lettering and inkjet printers has ushered a creeping sameness into our visual landscape. Fortunately, there is a growing trend to seek out traditional sign painters and a renaissance in the trade. In 2010 filmmakers Faythe Levine, coauthor of Handmade Nation, and Sam Macon began documenting these dedicated practitioners, their time-honored methods, and their appreciation for quality and craftsmanship. Sign Painters, the first anecdotal history of the craft, features stories and photographs of more than two dozen sign painters working in cities throughout the United States. With a foreword by legendary artist (and former sign painter) Ed Ruscha, this vibrant book profiles sign painters young and old, from the new vanguard working solo to collaborative shops such as San Francisco s New Bohemia Signs and New York s Colossal Media s Sky High Murals.




Sigh, Gone


Book Description

For anyone who has ever felt like they don't belong, Sigh, Gone shares an irreverent, funny, and moving tale of displacement and assimilation woven together with poignant themes from beloved works of classic literature. In 1975, during the fall of Saigon, Phuc Tran immigrates to America along with his family. By sheer chance they land in Carlisle, Pennsylvania, a small town where the Trans struggle to assimilate into their new life. In this coming-of-age memoir told through the themes of great books such as The Metamorphosis, The Scarlet Letter, The Iliad, and more, Tran navigates the push and pull of finding and accepting himself despite the challenges of immigration, feelings of isolation, and teenage rebellion, all while attempting to meet the rigid expectations set by his immigrant parents. Appealing to fans of coming-of-age memoirs such as Fresh Off the Boat, Running with Scissors, or tales of assimilation like Viet Thanh Nguyen's The Displaced and The Refugees, Sigh, Gone explores one man’s bewildering experiences of abuse, racism, and tragedy and reveals redemption and connection in books and punk rock. Against the hairspray-and-synthesizer backdrop of the ‘80s, he finds solace and kinship in the wisdom of classic literature, and in the subculture of punk rock, he finds affirmation and echoes of his disaffection. In his journey for self-discovery Tran ultimately finds refuge and inspiration in the art that shapes—and ultimately saves—him.




The Sign Painter


Book Description

In his Caldecott acceptance speech for GRANDFATHER'S JOURNEY, Allen Say told of his difficulty in separating his dreams from reality. For him this separation was not as important as finding a meaning behind the contradictions and choices we all must make in life and their consequences. Early one morning a boy comes into town, hungry, and looking for work. He meets a sign painter who takes him on as a helper. The boy yearns to be a painter. The man offers him security. The two are commissioned to paint a series of billboards in the desert. Each billboard has one word, Arrowstar. They do not know its meaning. As they are about to paint the last sign, the boy looks up and sees in the distance a magnificent structure. Is it real? They go to find out. Through a simple text and extraordinary paintings, the reader learns of the temptation of safe choices and the uncertainties of following a personal dream. Here Allen Say tells a haunting and provocative story of dreams and choices for readers of all ages.




The Moor's Last Sigh


Book Description

In his first novel since The Satanic Verses, Rushdie gives readers a masterpiece of controlled storytelling, informed by astonishing scope and ambition, by turns compassionate, wicked, poignant, and funny. From the paradise of Aurora's legendary salon to his omnipotent father's sky-garden atop a towering glass high-rise, the Moor's story evokes his family's often grotesque but compulsively moving fortunes in a world of possibilities embodied by India in this century.




The Sign on Rosie's Door


Book Description

There was a sign on Rosie's door that said, "If you want to know a secret, knock three times." Kathy, Rosie's good friend, knocked three times and learned the secret-that Rosie was no longer Rosie, but Alinda, the lovely lady singer. Adventures with Alinda were fun for Kathy and Sal and Pudgy and Dolly. Even Lenny, who occasionally didn't believe in Alinda, was delighted by the Fourth of July celebration that Alinda, with the help of the Magic Man, held. At the end of the celebration, Alinda was gone forever, and Rosie had returned, but she soon found something else nice to be. Maurice Sendak, the well-known artist and author-illustrator of Kenny's Window and Very Far Away, has written a story of real children, playing as only children know how. Young readers will wish that Alinda lived next door to them.




Notes on Shapeshifting


Book Description

Abrāo's work has been described by The Outline as "an existential funhouse of familiar thoughts" that "publicly grapples with pillars of its own existence within the influencer economy." Alongside The Outline, her work has been featured in publications such as The Atlantic, Dazed, The Harvard Crimson, and The Face, among others. In response to Abrāo's work, Dazed Magazine wrote, "Gabi debunks the myth that wellness is the preserve of the privileged, and in doing so hands it back to the masses," and Notes on Shapeshifting is a reminder that we are agents of the change that we seek. Gabi Abrāo's Notes on Shapeshifting is an ode to existing in physical form, fully aware of the changing energy that flows through every aspect of it. As Abrāo writes, "tapping into the ether body to take a break from the demands of the earth body, / making peace with ephemerality, / lightness, / shapeshifting". Throughout this collection, you are invited to travel through various states; pure infatuation to heartbreak, confidence to defeat, from a skepticism for living to a full-on trust in it. And Notes on Shapeshifting yearns to soothe and arouse along the way.




Ekphrasis


Book Description

Originally published in 1992. What, in apparently pictorial poetry, do words represent? Conversely, how can words in a poem be picturable? Murray Krieger develops a systematic theoretical statement out of answers to such questions. Ekphrasis is his account of the continuing debates over meaning in language from Plato to the present. Krieger sees the modernist position as the logical outcome of these debates but argues that more recent theories radically question the political and aesthetic assumptions of the modernists and the two-thousand-year tradition they claim to culminate. Krieger focuses on ekphrasis—the literary representation of visual art, real or imaginary—a form at least as old as its most famous example, the shield of Achilles verbally invented in the Iliad. He argues that the "ekphrastic principle" has remained enduringly problematic in that it reflects the resistant paradoxes of representation in words. As he examines the conflict between the spatial and temporal, between vision-centered and word-centered metaphors, Krieger reveals how literary theory has been shaped by the attempts and the deceptive failures of language to do the job of the "natural sign."




Sign and the Seal


Book Description

The quest for the lost Ark of the Covenent.




Empire of Signs


Book Description

This anthology by Roland Barthes is a reflection on his travels to Japan in the 1960s. In twenty-six short chapters he writes about his encounters with symbols of Japanese culture as diverse as pachinko, train stations, chopsticks, food, physiognomy, poetry, and gift-wrapping. He muses elegantly on, and with affection for, a system "altogether detached from our own." For Barthes, the sign here does not signify, and so offers liberation from the West's endless creation of meaning. Tokyo, like all major cities, has a center--the Imperial Palace--but in this case it is empty, "both forbidden and indifferent ... inhabited by an emperor whom no one ever sees." This emptiness of the sign is pursued throughout the book, and offers a stimulating alternative line of thought about the ways in which cultures are structured.