The Artificial Bastard


Book Description

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.







The Artificial Bastard


Book Description




The Artificial Bastard


Book Description

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.







Samuel Johnson


Book Description

He was a servant to the public, a writer for hire. He was a hero, an author adding to the glory of his nation. But can a writer be both hack and hero? The career of Samuel Johnson, recounted here by Lawrence Lipking, proves that the two can be one. And it further proves, in its enduring interest for readers, that academic fashions today may be a bit hasty in pronouncing the "death of the author." A book about the life of an author, about how an author is made, not born, Lipking's Samuel Johnson is the story of the man as he lived--and lives--in his work. Tracing Johnson's rocky climb from anonymity to fame, in the course of which he came to stand for both the greatness of English literature and the good sense of the common reader, the book shows how this life transformed the very nature of authorship. Beginning with the defiant letter to Chesterfield that made Johnson a celebrity, Samuel Johnson offers fresh readings of all the writer's major works, viewed through the lens of two ongoing preoccupations: the urge to do great deeds--and the sense that bold expectations are doomed to disappointment. Johnson steers between the twin perils of ambition and despondency. Mounting a challenge to the emerging industry that glorified and capitalized on Shakespeare, he stresses instead the playwright's power to cure the illusions of everyday life. All Johnson's works reveal his extraordinary sympathy with ordinary people. In his groundbreaking Dictionary, in his poems and essays, and in The Lives of the English Poets, we see Johnson becoming the key figure in the culture of literacy that reaches from his day to our own.




Fame and Failure 1720–1800


Book Description

Adam Rounce presents a colourful and unusual history of eighteenth-century British literature, exploring ideas of fame through writers who failed to achieve the literary success they so desired. Recounting the experiences of less canonical writers, including Richard Savage, Anna Seward and Percival Stockdale, Rounce discusses the inefficacy of apparent literary success, the forms of vanity and folly often found in failed authorship, and the changing perception of literary reputation from the beginning of the eighteenth century to the emergence of Romanticism. The book opens up new ways of thinking about the nature of literary success and failure, given the post-Romantic idea of the doomed creative genius, and provides an alternative narrative to critical accounts of the famous and successful.




The Letters of Samuel Johnson, Volume I


Book Description

"It is now become so much the fashion to publish letters, that in order to avoid it, I put as little into mine as I can," Samuel Johnson declared, according to Boswell. And Boswell answered, "Do what you will, Sir, you cannot avoid it. Should you even write as ill as you can, your letters would be published as curiosities." But Johnson's letters are far more than that. Even at their most cursory and casual, they are never less than precious biographical documents, and many of them mirror, define, and re-create a vivid likeness of the most versatile writer of eighteenth-century England. With these three volumes Princeton University Press inaugurates the first scholarly edition of this remarkable material to appear in forty years--the planned five-volume series The Letters of Samuel Johnson. Known as the Hyde Edition, the project will be completed with the fourth volume, covering the years 1782 through 1784, and the fifth, containing the comprehensive index and appendices. The series as a whole will present fifty-two previously unknown letters or parts of letters that have come to light since the publication of R. W. Chapman's three-volume set (Oxford, 1952). Such "new" letters, however, are scarcely more important than those for which only inferior printed texts or copies of varying reliability had previously been recovered. The Hyde Edition offers scores of texts transcribed for the first time from the original documents--a feature of special importance in the case of Johnson's revealing letters to Hester Thrale, many of which have been available only in expurgated form. The Hyde Edition is also the first systematically to record substantive deletions, which can yield intimate knowledge of Johnson's stylistic procedures, mental habits, and chains of association. Furthermore, its ownership credits document the current disposition of the manuscripts, hundreds of which have changed hands during the last four decades. Finally, the annotation of the letters incorporates the many significant discoveries of postwar Johnsonian scholarship, as well as decoding references that had previously resisted explanation. The result is a far richer understanding of Samuel Johnson's life, work, and milieu. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.




Textual Vision


Book Description

A stylish critique of literary attitudes towards painting, TextualVision explores the simultaneous rhetorical formation and empirical fragmentation of visual reading in enlightenment Britain. Beginning with an engaging treatment of Pope's Rape of the Lock, Timothy Erwin takes the reader on a guided tour of the pointed allusion, apt illustration, or the subtle appeal to the mind's eye within a wide array of genres and texts, before bringing his linked case studies to a surprising close with the fiction of Jane Austen. At once carefully researched, theoretically informed and highly imaginative, Textual Vision situates textual vision at the cultural crossroads of ancient pictura-poesis doctrine and modernist aesthetics. It provides reliable interpretive poles for reading enlightenment imagery, offers vivid new readings of familiar works, and promises to invigorate the study of Restoration and eighteenth-century visual culture.




The Passionate Fictions of Eliza Haywood


Book Description

“Will be required reading not just for students of eighteenth-century literature but also for feminist critics and historians of the novel.” —Sandra M. Gilbert, award-winning poet and literary critic The most prolific woman writer of the eighteenth century, Eliza Haywood (1693–1756?) was a key player in the history of the English novel. Along with her contemporary Defoe, she did more than any other writer to create a market for fiction prior to the emergence of Richardson, Fielding, and Smollett. Also one of Augustan England’s most popular authors, Haywood came to fame in 1719 with the publication of her first novel, Love in Excess. In addition to writing fiction, she was a playwright, translator, bookseller, actress, theater critic, and editor of The Female Spectator, the first English periodical written by women for women. Though tremendously popular, her novels and plays from the 1720s and 30s scandalized the reading public with explicit portrayals of female sexuality and led others to call her “the Great Arbitress of Passion.” Essays in this collection explore themes such as the connections between Haywood’s early and late work, her experiments with the form of the novel, her involvement in party politics, her use of myth and plot devices, and her intense interest in the imbalance of power between men and women. Distinguished scholars such as Paula Backschieder, Felicity Nussbaum, and John Richetti approach Haywood from a number of theoretical and topical positions, leading the way in a crucial reexamination of her work. The Passionate Fictions of Eliza Haywood examines the formal and ideological complexities of her prose and demonstrates how Haywood’s texts defy traditional schematization.