The Audition Bible, 2nd Edition


Book Description

As a casting director for twenty-three years, Holly Powell witnessed the casting world from three different points of view: As an independent casting director, as Head of Casting for a Studio, and as a Network Casting Executive. From this unique perspective, she formed Holly Powell Studios, with her mission being to demystify the audition process for actors. Through using her "The 6 Audition Tools Method," actors are guided into adopting the mental focus of the athlete and learn to control sabotaging thoughts that can derail an audition. THE AUDITION BIBLE: Secrets Every Actor Needs To Know, originally written as a companion piece to Holly's audition workshops, covers not only audition techniques and tools but answers many common questions about audition protocol. Anecdotal audition stories exemplify what works and what doesn't during the casting process. Part 1: The Audition is a handbook for any actor auditioning for any venue, be it television, film, theater, a commercial or a webisode. The actor travels through waiting in the lobby, walking into the audition room, the audition itself, the people he encounters in the room, and finally exiting the audition room. This revised edition includes the art of self-taping and the new protocols and tools necessary for auditioning in the post pandemic era. Part 2: Auditioning For A Series-Regular Role guides the actor through the four steps it typically takes to book a series-regular role on a network television series: The Pre-Read with the Casting Director, The Callback for Producers, Reading for Studio Executives, and Testing at the Network. Even though the format in Part 2 is specifically geared toward auditioning for television, all actors in every medium will find invaluable information here that will apply to their individual audition circumstances. An audition is an audition is an audition.




The Audition Bible


Book Description

This book covers audition techniques and tools and answers questions about audition protocol. Anecdotal audition stories exemplify what works and what doesn’t during the casting process. --adapted from Amazon.com.




Kpop Audition Bible: How to become a k-pop idol


Book Description

-How to pass k-pop audition -Tips & Advices for k-pop audition participants -How to become a k-pop idol -Stories behind k-pop stars' trainee life and debut -Written by an experienced k-pop journalist Do you want to become a k-pop idol? Do you want to become a k-pop trainee to realize your dream? Well, the most common way to start off on a long journey to become a k-pop idol is to take part in various k-pop agencies’ auditions. K-pop agencies usually have year-round audition schedules, and they always pay attention to find talented would be singers. You can take part in k-pop auditions either online or offline. If you apply for an online audition, you can put in an application by e-mail and attach a video that shows yourself singing and dancing. If you apply for an offline audition, you should attend the audition and sing in front of the judges. And if you pass the audition, yeah, you can become a k-pop trainee. It doesn’t guarantee your debut, though. Becoming a k-pop singer requires years of training, and you should compete with the other talented trainees too. As a k-pop trainee, you will take a variety of lessons such as singing lessons, dancing lessons and personality educations, while you will have a test periodically. And you will also have to go on a diet to improve your figure. It’s never easy to become a k-pop idol, huh? By the way, the question here is how you can pass your audition and become a k-pop trainee. You may be able to search for various information about k-pop auditions on the Internet, but you know, there is no one who tells you about the actual way how you can pass your audition and become a k-pop trainee. So, here’s what you’ve been waiting for. Kpop Audition Bible: How to become a k-pop idol includes all the stories about k-pop audition. The author, who has been working as a k-pop journalist since 2010 gives you answers to questions such as “What is the evaluation standard of k-pop audition?”, “I’m fat and ugly. Can I become a k-pop trainee?” and “I’m a foreigner. Can I become a k-pop trainee?”. And the book also contains tips & advices for k-pop audition participants and a variety of stories behind k-pop idols’ trainee life and debut. If you want to become a k-pop idol and you want to become a k-pop trainee to realize your dream, Kpop Audition Bible: How to become a k-pop idol must be a very useful guide for you. We dedicate this book to all the potential k-pop idols all over the world. Go for it, guys!




THE AUDITION BIBLE


Book Description

As a casting director for twenty-three years, Holly Powell witnessed the casting world from three different points of view: As an independent casting director, as Head of Casting for a Studio, and as a Network Casting Executive. From this unique perspective, she formed Holly Powell Studios, with her mission being to demystify the audition process for actors. Through using her “The 6 Audition Tools Method,” actors are guided into adopting the mental focus of the athlete and learn to control sabotaging thoughts that can derail an audition. THE AUDITION BIBLE: Secrets Every Actor Needs To Know, originally written as a companion piece to Holly’s audition workshops, covers not only audition techniques and tools but answers many common questions about audition protocol. Anecdotal audition stories exemplify what works and what doesn’t during the casting process. Part 1: The Audition is a handbook for any actor auditioning for any venue, be it television, film, theater, a commercial or a webisode. The actor travels through waiting in the lobby, walking into the audition room, the audition itself, the people he encounters in the room, and finally exiting the audition room. Part 2: Auditioning For A Series-Regular Role guides the actor through the four steps it typically takes to book a series-regular role on a network television series: The Pre-Read with the Casting Director, The Callback for Producers, Reading for Studio Executives, and Testing at the Network. Even though the format in Part 2 is specifically geared toward auditioning for television, all actors in every medium will find invaluable information here that will apply to their individual audition circumstances. An audition is an audition is an audition.




Get the Callback


Book Description

All great auditions require preparation and practice, but what’s the secret to securing a callback? What are the best ways to prepare for that pivotal moment? And once you’re in front of the casting director, what does it take to make the most out of your moment in the spotlight? In this second edition of Get the Callback: The Art of Auditioning for Musical Theatre, Jonathan Flom provides practical advice on the many facets of preparation, including selection of songs and monologues to suit your voice and the audition, organizing and arranging your music, working with the accompanist, and presenting yourself to the casting team. The book gives a detailed description of the actual audition performance and even offers advice on how non-dancers can survive a dance audition. In addition to extensively revised chapters on the audition process and how to build a repertoire book, this guide also features updated chapters on headshots, resumes, and cover letters; voice training techniques from Matthew Edward; advice from musical director Joey Chancey; and a foreword by casting director Joy Dewing. Aimed at professionals as well as young artists, this second edition of Get the Callback is a must-have for both seasoned and aspiring musical theatre performers.




Audition


Book Description

The casting director for Chicago, Pippin, Becket, Gypsy, The Graduate, the Sound of Music and Jesus Christ Superstar tells you how you can find your dream role! Absolutely everything an actor needs to know to get the part is here: What to do that moment before, how to use humour; create mystery; how to develop a distinct style; and how to evaluate the place, the relationships and the competition. In fact, Audition is a necessary guide to dealing with all the "auditions" we face in life. This is the bible on the subject.




How to Audition


Book Description

Now revised to reflect the latest industry trends and realities, this bestselling guide (60,000 copies sold) offers actors the best, most specific advice for auditioning.




Confessions of a Casting Director


Book Description

A must-have for any aspiring actor or stage parent––the definitive guide to breaking into film, television, theater, and even YouTube from a top casting director Packed with information that aspiring actors clamor for, this up-to-the-minute advice from a true expert is essential reading for anyone pursuing an acting career. Longtime casting director Jen Rudin demystifies the intimidating and constantly changing audition process, sharing insider tips on how to prepare for every type of audition, from musical theater, television (including reality TV), and film to voice-overs, animated movies, and even Web series. In this comprehensive guide, Rudin covers everything that today's actor needs to succeed on subjects like: finding an agent or manager, using technology to your advantage, understanding the world of child acting, living in New York versus L.A., turning a callback into an offer for the role, and many more. Every actor should walk into an audition room feeling confident and prepared, and this book is full of the dos and don'ts and surefire tricks to help turn rejection into that first big break. Complete with checklists, easy-to-follow game plans, and advice from successful actors, agents, and industry professionals, Confessions of a Casting Director is like having a private audition coach in your back pocket.




The Actor's Audition Checklist


Book Description

THE PERFECT POCKET SIZE BOOK, NOT ONLY TO PREPARE YOU FOR YOUR AUDITIONS BUT TO TAKE WITH YOU AND FLIP THROUGH WHILE YOU'RE WAITING TO GO INTO READ.




Borges, Second Edition


Book Description

Borges cites innumerable authors in the pages making up his life's work, and innumerable authors have cited and continue to cite him. More than a figure, then, the quotation is an integral part of the fabric of his writing, a fabric made anew by each reading and each re-citation it undergoes, in the never-ending throes of a work-in-progress. Block de Behar makes of this reading a plea for the very art of communication; a practice that takes community not in the totalized and totalizable soil of pre-established definitions or essences, but on the ineluctable repetitions that constitute language as such, and that guarantee the expansiveness—through etymological coincidences of meaning, through historical contagions, through translinguistic sharings of particular experiences—of a certain index of universality. This edition includes a new introduction by the author and three entirely new chapters, as well as updated images and corrections to the original translation.