The Ayyubid Era. Art and Architecture in Medieval Syria


Book Description

This new MWNF Travel Book was conceived not long before the war started. All texts refer to the pre-war situation and are our expression of hope that Syria, a land that witnessed the evolution of civilisation since the beginnings of human history, may soon become a place of peace and the driving force behind a new and peaceful beginning for the entire region. Bilad al-Sham testifies to a thorough and strategic programme of urban reconstruction and reunification during the 12th and 13th centuries. Amidst a period of fragmentation, visionary leadership came with the Atabeg Nur al-Din Zangi. He revived Syria’s cities as safe havens to restore order. His most agile Kurdish general, Salah al-Din (Saladin), assumed power after he died and unified Egypt and Sham into one force capable of re-conquering Jerusalem from the Crusaders. The Ayyubid Empire flourished and continued the policy of patronage. Though short-lived, this era held long-lasting resonance for the region. Its recognisable architectural aesthetic – austere, yet robust and perfected ‒ survived until modern times. The Ayyubid Era: Art and Architecture in Medieval Syria describes eight thematic Itineraries including, among others, the cities of Damascus, Bosra, Homs, Hama, Aleppo and Raqqa.










The Production of Meaning in Islamic Architecture and Ornament


Book Description

This volume collects Yasser Tabbaa's investigative and interpretive articles on medieval Islamic architecture, ornament and gardens in Syria and Iraq, with comparisons to Anatolia, Egypt, North Africa and Spain, within the context of the political divisions and theological ruptures of the Islamic world between the 11th and 13th centuries.




Shrines of the 'Alids in Medieval Syria


Book Description

The first illustrated, architectural history of the 'Alid shrines, increasingly endangered by the conflict in SyriaThe 'Alids (descendants of the Prophet Muhammad) are among the most revered figures in Islam, beloved by virtually all Muslims, regardless of sectarian affiliation. This study argues that despite the common identification of shrines as 'Shi'i' spaces, they have in fact always been unique places of pragmatic intersectarian exchange and shared piety, even - and perhaps especially - during periods of sectarian conflict. Using a rich variety of previously unexplored sources, including textual, archaeological, architectural, and epigraphic evidence, Stephennie Mulder shows how these shrines created a unifying Muslim 'holy land' in medieval Syria, and proposes a fresh conceptual approach to thinking about landscape in Islamic art. In doing so, she argues against a common paradigm of medieval sectarian conflict, complicates the notion of Sunni Revival, and provides new evidence for the negotiated complexity of sectarian interactions in the period.




The Umayyads: The Rise of Islamic Art


Book Description













Power and Patronage in Medieval Syria


Book Description

"The long reign of Sultan al-Nasir Muhammad was one of the most productive periods for architectural construction, restoration and urban development in the medieval Near East. The building works of this ruler and his amirs transformed the fabric of the Mamluk capital, Cairo, and shaped its future development in decades to come. For most of al-Nasir Muhammads sultanate, Tankiz al-Nasiri ruled as governor of the Syrian province. Tankizs term was one of the longest for any amir to retain a single office and to remain in the good graces of this sultan, known for his mercurial nature. Tankiz played a critical role in Mamluk politics and Syrian history. His lengthy tenure also allowed him to give sustained attention to the built environment of the province. During his term, he undertook an ambitious program of construction that involved monuments, urban works and renewal projects. This book investigates Tankizs building program by identifying the works that he commissioned, exploring the nature of his participation in these works, and situating them within the broader contexts of architectural development in the region and patronage during the Mamluk period. The volume features over 80 photographs and other illustrations, including several in full color. It is fully indexed and provides a wealth of references to primary and secondary literature."