A Dangerous Liberty


Book Description

Thomas Gray's An Elegy Written in a Country Churchyard enjoyed extraordinary popular success in Europe, where it was widely translated, imitated, adapted, and in various ways assimilated into the continental literatures. The history of the Elegy's circulation on the continent demonstrates the importance of the poem to the romantic generation of European poets, while appreciation of this history serves to illuminate modern critical approaches to the poem's often uncertain or ambiguous meaning.










A Companion to Eighteenth-Century Poetry


Book Description

A COMPANION TO & EIGHTEENTH-CENTURY POETRY A COMPANION TO & EIGHTEENTH-CENTURY POETRY Edited by Christine Gerrard This wide-ranging Companion reflects the dramatic transformation that has taken place in the study of eighteenth-century poetry over the past two decades. New essays by leading scholars in the field address an expanded poetic canon that now incorporates verse by many women poets and other formerly marginalized poetic voices. The volume engages with topical critical debates such as the production and consumption of literary texts, the constructions of femininity, sentiment and sensibility, enthusiasm, politics and aesthetics, and the growth of imperialism. The Companion opens with a section on contexts, considering eighteenth-century poetry’s relationships with such topics as party politics, religion, science, the visual arts, and the literary marketplace. A series of close readings of specific poems follows, ranging from familiar texts such as Pope’s The Rape of the Lock to slightly less well-known works such as Swift’s “Stella” poems and Lady Mary Wortley Montagu’s Town Eclogues. Essays on forms and genres, and a series of more provocative contributions on significant themes and debates, complete the volume. The Companion gives readers a thorough grounding in both the background and the substance of eighteenth-century poetry, and is designed to be used alongside David Fairer and Christine Gerrard’s Eighteenth-Century Poetry: An Annotated Anthology (3rd edition, 2014).




Poor Things


Book Description

One of Alasdair Gray's most brilliant creations, Poor Things is a postmodern revision of Frankenstein that replaces the traditional monster with Bella Baxter--a beautiful young erotomaniac brought back to life with the brain of an infant. Godwin Baxter's scientific ambition to create the perfect companion is realized when he finds the drowned body of Bella, but his dream is thwarted by Dr. Archibald McCandless's jealous love for Baxter's creation.The hilarious tale of love and scandal that ensues would be "the whole story" in the hands of a lesser author (which in fact it is, for this account is actually written by Dr. McCandless). For Gray, though, this is only half the story, after which Bella (a.k.a. Victoria McCandless) has her own say in the matter.Satirizing the classic Victorian novel, Poor Things is a hilarious political allegory and a thought-provoking duel between the desires of men and the independence of women, from one of Scotland's most accomplished authors.







Ode on the Spring


Book Description




The Old English Elegies


Book Description

Bringing together some of the most important poetic texts of the Anglo-Saxon period, Anne Klinck presents the poems both as discrete entities and as members of an elegiac group, all inspired by the sense of separation from one's desire that is at the hear




The Poetry of Thomas Gray


Book Description

Thomas Gray was born on 26 December 1716 in Cornhill in London. His father was a scrivener and his mother a milliner. He was the fifth of twelve children and the only one to survive. With his father becoming mentally unwell and abusing his wife she left with Thomas in tow for a safer life. Thomas was sent to Eton, where two of his uncles worked, and although he was a delicate and scholarly child with an aversion to sports he found it suited him. Whilst there he made three close friends; Horace Walpole, son of the Prime Minister Robert Walpole; Thomas Ashton, and Richard West. The four prided themselves on their style, humour, and appreciation of beauty. They were called the "quadruple alliance." In 1734 Gray went up to Peterhouse, Cambridge. Although his family wished him to study law he spent most of his time reading classical and modern literature, and playing Vivaldi and Scarlatti on the harpsichord for relaxation. In 1738 he accompanied his old school-friend Walpole on his Grand Tour of Europe. It was Walpole who later helped publish Gray's poetry. Gray began to seriously write poems in 1742, mainly after his close friend Richard West died. He moved to Cambridge and began a programme of literary study. Gray was a brilliant bookworm, a quiet, abstracted, dreaming scholar. He became a Fellow first of Peterhouse, and later of Pembroke College where he had moved after the students at Peterhouse played a prank on him. It is thought that Gray began writing his masterpiece, the Elegy Written in a Country Churchyard, in the graveyard of St Giles parish church in Stoke Poges, Buckinghamshire, in 1742. After several years of leaving it unfinished, he completed it in 1750. When Gray sent it to Walpole, Walpole sent off the poem as a manuscript and it appeared in many magazines. Gray then published the poem himself and received the credit he was due. The poem was a literary sensation. Its reflective, calm and stoic tone was greatly admired, and despite the piracy it was imitated, quoted and translated into Latin and Greek. Gray spent most of his life as a scholar in Cambridge, and only travelled again later in life. Although he wrote little he is regarded by some as the foremost English-language poet of the mid-18th century. In 1757, he was offered the post of Poet Laureate, which he refused. Gray was extremely self-critical and feared failure. He once wrote that he feared his collected works would be "mistaken for the works of a flea." Gray came to be known as one of the "Graveyard poets" of the late 18th century, along with Oliver Goldsmith, William Cowper, and Christopher Smart. Gray perhaps knew these men, sharing ideas about death, mortality, and the finality of death. In 1768, after the death of Lawrence Brockett the Regius chair of Modern History at Cambridge, a sinecure which carried a salary of 400, fell vacant and Gray secured the position. Thomas Gray died on 30 July 1771 in Cambridge, and was buried beside his mother in the churchyard of Stoke Poges, the setting for his famous Elegy.