The Barrister and the Letter of Marque


Book Description

As a barrister in 1818 London, William Snopes has witnessed firsthand the danger of only the wealthy having their voices heard, and he's a strong advocate who defends the poorer classes against the powerful. That changes the day a struggling heiress, Lady Madeleine Jameson, arrives at his door. In a last-ditch effort to save her faltering estate, Lady Jameson invested in a merchant brig, the Padget. The ship was granted a rare privilege by the king's regent: a Letter of Marque authorizing the captain to seize the cargo of French traders operating illegally in the Indian Sea. Yet when the Padget returns to London, her crew is met by soldiers ready to take possession of their goods and arrest the captain for piracy. And the Letter--the sole proof his actions were legal--has mysteriously vanished. Moved by the lady's distress, intrigued by the Letter, and goaded by an opposing solicitor, Snopes takes the case. But as he delves deeper into the mystery, he learns that the forces arrayed against Lady Jameson, and now himself, are even more perilous than he'd imagined. "The Barrister and the Letter of Marque combines the intrigue of John Grisham, the vibrant world of Charles Dickens, and a mystery worthy of Sir Arthur Conan Doyle. . . . This richly historical and lively paced story has all the makings of a modern classic."--JOCELYN GREEN, Christy Award-winning author of Shadows of the White City "At once atmospheric and gripping, Johnson's latest is a luminous and refreshing new offering in inspirational historical fiction."--RACHEL MCMILLAN, author of The London Restoration and The Mozart Code "A fascinating glimpse into a Regency London readers seldom see."--ROSEANNA M. WHITE, bestselling author of Edwardian fiction




Critical Reaction


Book Description

When a Warning Siren Screams in the Desert Night, the Worst Has Happened After turning out plutonium for the Cold War, the shuttered Hanford Nuclear Facility's poisoned buildings may be a bigger risk than ever. The men who guard the facility from sabotage or monitor its buildings are told the dangers are under control. But then the worst happens--a thunderous explosion in the dead of night. Kieran Mullaney survived the blast, but when threats and silence meet his attempts to discover what really happened, he reconnects with an old friend--inexperienced lawyer Emily Hart. Convinced Hanford is hiding something, they also realize their case is sunk without more help. Emily's estranged father, Ryan, has the courtroom experience they need, but he's grown jaded and weary of the profession. Still, it's a chance to rebuild ties to Emily, and the deeper he digs, the stranger--and more dangerous--the case gets.




The Deposit Slip


Book Description

When 10 million dollars goes missing, a down-on-his-luck lawyer is given the case of a lifetime... if he can stay alive long enough to win it.







A law dictionary and glossary


Book Description

Reprint of the original, first published in 1871.




Pirating Fictions


Book Description

Two distinctly different meanings of piracy are ingeniously intertwined in Monica Cohen's lively new book, which shows how popular depictions of the pirate held sway on the page and the stage even as their creators were preoccupied with the ravages of literary appropriation. The golden age of piracy captured the nineteenth-century imagination, animating such best-selling novels as Treasure Island and inspiring theatrical hits from The Pirates of Penzance to Peter Pan. But the prevalence of unauthorized reprinting and dramatic adaptation meant that authors lost immense profits from the most lucrative markets. Infuriated, novelists and playwrights denounced such literary piracy in essays, speeches, and testimonies. Their fiction, however, tells a different story. Using landmarks in copyright history as a backdrop, Pirating Fictions argues that popular nineteenth-century pirate fiction mischievously resists the creation of intellectual property in copyright legislation and law. Drawing on classic pirate stories by such writers as Walter Scott, James Fenimore Cooper, Robert Louis Stevenson, and J. M. Barrie, this wide-ranging account demonstrates, in raucous tales and telling asides, how literary appropriation was celebrated at the very moment when the forces of possessive individualism began to enshrine the language of personal ownership in Anglo-American views of creative work.




Chambers's Encyclopædia


Book Description




Chambers's Encyclopaedia


Book Description