The Basket


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From the Hands of a Weaver


Book Description

For millennia, Native artists on Olympic Peninsula, in what is now northwestern Washington, have created coiled and woven baskets using tree roots, bark, plant stems—and meticulous skill. From the Hands of a Weaver presents the traditional art of basket making among the peninsula’s Native peoples—particularly women—and describes the ancient, historic, and modern practices of the craft. Abundantly illustrated, this book also showcases the basketry collection of Olympic National Park. Baskets designed primarily for carrying and storing food have been central to the daily life of the Klallam, Twana, Quinault, Quileute, Hoh, and Makah cultures of Olympic Peninsula for thousands of years. The authors of the essays collected here, who include Native people as well as academics, explore the commonalities among these cultures and discuss their distinct weaving styles and techniques. Because basketry was interwoven with indigenous knowledge and culture throughout history, alterations in the art over time reflect important social changes. Using primary-source material as well as interviews, volume editor Jacilee Wray shows how Olympic Peninsula craftspeople participated in the development of the commercial basket industry, transforming useful but beautiful objects into creations appreciated as art. Other contributors address poaching of cedar and native grasses, and conservation efforts—contemporary challenges faced by basket makers. Appendices identify weavers and describe weaves attributed to each culture, making this an important reference for both scholars and collectors. Featuring more than 120 photographs and line drawings of historical and twentieth-century weavers and their baskets, this engaging book highlights the culture of distinct Native Northwest peoples while giving voice to individual artists, masters of a living art form.




Selling the Indian


Book Description

For more than a hundred years, outsiders enamored of the perceived strengths of American Indian cultures have appropriated and distorted elements of them for their own purposes—more often than not ignoring the impact of the process on the Indians themselves. This book contains eight original contributions that consider the selling of American Indian culture and how it affects the Native community. It goes beyond studies of “white shamanism” to focus on commercial ventures, challenging readers to reconsider how Indian cultures have been commercialized in the twentieth century. Some selections examine how Indians have been displayed to the public, beginning with a “living exhibit” of Cocopa Indians at the 1904 Louisiana Purchase Exposition and extending to contemporary stagings of Indian culture for tourists at Tillicum Village near Seattle. Other chapters range from the Cherokees to Puebloan peoples to Indians of Chiapas, Mexico, in an examination of the roles of both Indians and non-Indian reformers in marketing Native arts and crafts. These articles show that the commercialization and appropriation of American Indian cultures have been persistent practices of American society over the last century and constitute a form of cultural imperialism that could contribute to the destruction of American Indian culture and identity. They offer a means toward understanding this complex process and provide a new window on Indian-white interactions. CONTENTS Part I: Staging the Indian 1. The “Shy” Cocopa Go to the Fair, Nancy J. Parezo and John W. Troutman 2. Command Performances: Staging Native Americans at Tillicum Village, Katie N. Johnson and Tamara Underiner 3. Savage Desires: The Gendered Construction of the American Indian in Popular Media, S. Elizabeth Bird 4. “Beyond Feathers and Beads”: Interlocking Narratives in the Music and Dance of Tokeya Inajin (Kevin Locke), Pauline Tuttle Part II: Marketing the Indian 5. “The Idea of Help”: White Women Reformers and the Commercialization of Native American Women’s Arts, Erik Trump 6. Saving the Pueblos: Commercialism and Indian Reform in the 1920s, Carter Jones Meyer 7. Marketing Traditions: Cherokee Basketry and Tourist Economies, Sarah H. Hill 8. Crafts, Tourism, and Traditional Life in Chiapas, Mexico: A Tale Related by a Pillowcase, Chris Goertzen




The Women's National Indian Association


Book Description

Mathes's edited volume, the first book to address the history of the WNIA, comprises essays by eight authors on the work of this important reform group.







The Basket, Or, the Journal of the Basket Fraternity Or Lovers of Indian Baskets and Other Good Things; Volume 1


Book Description

This is an entertaining and informative journal for anyone who loves baskets and other handmade goods. The Basket Fraternity was a group of artisans and collectors who shared a passion for the beauty and craftsmanship of traditional handmade items. The journal includes articles on basket-making techniques, profiles of artisans, and information on collecting and preserving handmade objects. Whether you're a serious collector or simply appreciate the beauty of handmade crafts, this journal is sure to delight and inspire. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Manual Training Magazine


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Wheels of Her Own


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Women used automobiles as soon as they had access to them. Black, Indigenous, and White American women utilized the automobile to improve their quality of life and achieve greater freedom. These women shared unique concerns and common aims as they negotiated their way through a time when advocacy for social change was undergoing a resurgence. The years that brought the automobile to the United States, 1893-1929, also brought increased legal and social restrictions based on racism and gender stereotypes. For women the automobile was a useful tool as they worked to improve their quality of life. The automobile provided a means for Black, Indigenous, and White women to pull away from limitations and work toward greater freedom. Exploring these key issues and more, this book is a history and social exploration of women and the automobile during the early automotive era.