The Beggar's Vision


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A Vision of Saints


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The Personalist


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The Confessional Imagination


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Originally published in 1974. This book concerns the archetypal quality of Wordsworth's The Prelude, specifically the ways in which it develops and defines concepts of language, time, and narrative that influenced writers who came after Wordsworth. Frank D. McConnell sees the philosopher and theologian St. Augustine as the most suggestive analogue for the Wordsworthian quest for lost time and for the redemptive power of memory. McConnell maps similarities and dissimilarities between Wordsworth's Prelude and Augustine's Confessions. Each chapter of the book centers on an aspect of Wordsworth's confessional procedure in writing the poem. Chapter 1 ascribes peculiarities in the mode of address to The Prelude's definitive auditor, Coleridge, as a felt presence that shapes the overall form of the poem. Chapter 2 discusses the confessional—and Wordsworthian—view of the human career, contrasting the holistic and organic ideal of man's development with a more ancient and allegorical, or daemonic, view against which the confessional vision struggles. Chapter 3 carries the argument to the more fundamental level of the senses of sight and hearing. And chapter 4 deals with language itself, the irreducible counters of Wordsworth's vision and the highly specialized confessional language of "Edenic words." The general direction of the author's reading is a narrowing of focus from the most general to the most specific features of the confessional act.




Holy Beggars


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The 1960s San Francisco spiritual revolution - a view from inside. Memoir about a spiritual teacher and a student in 1960s San Francisco, a colorful cast - including Rabbi Shlomo Carlebach, Timothy Leary, Richard Alpert, Allen Ginsburg, Murshid Samuel Lewis ("Sufi Sam"), Swami Satchidananda, Ajari Warwick, Rabbi Zalman Shalomi Schachter, and many more - and lives that were changed forever. Aryae Coopersmith, a 22-year old college student in 1960s San Francisco, meets the charismatic rabbi and folk singer Rabbi Shlomo Carlebach and decides to start a community for him. He rents a house and moves in with his best friends. Before long they find themselves - and their house - at the center of the San Francisco spiritual revolution as thousands of young people - Jews, Christians, Buddhists, Sufis, and followers of countless gurus - flood in through their doors. Giving concerts to packed halls all over the world, Shlomo is recognized as Judaism's most influential musician, and one of its greatest spiritual leaders, of the late 20th century. Their house - the House of Love and Prayer - becomes an historic part of the legend of 1960s San Francisco. Aryae and his fellow students who are running other spiritual communities bring their teachers and gurus together to create a big San Francisco event - the Meeting of the Ways - to celebrate the oneness of the world's spiritual traditions and all the world's people. Aryae's best friends Efraim and Leah leave San Francisco and head to Jerusalem, where they become ultra-Orthodox Hasidim. Many others from the "House" follow. Aryae stays behind and settles into a secular life as a Silicon Valley business owner. After Shlomo dies, Aryae feels compelled to tell the story. To try to understand the lives of his old friends and pull together the scattered fragments of his own, he travels to Jerusalem. This profoundly moving memoir tells a story of grace, loss, redemption, and ultimately of acceptance. It invites us to reflect on how the 1960s spiritual revolution - with its vision of the oneness of us all - has impacted each of our lives.




Poets and Poems


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Presents a compilation of Bloom's introductions to the Modern critical views and Modern critical interpretations series of books, focusing on poets and poems.




The Beggar’s Crown


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In the small town of Dunverry, whispers of destiny stir four friends, each with their eyes set on joining the Core: a legendary cadre sworn to protect the realms of man from the coming threat of the orcs. Trae, Jaroe, Raf and Ike must negotiate their own perilous path, their fates intertwined, leading them to a fateful reunion at midsummer festival. As they face trials that challenge their courage and test their mettle, the kingdom is thrust into turmoil by the death of a king, setting the stage for a maelstrom of anarchy. Amidst the chaos, a dark conspiracy unfurls, orchestrated by shadowy figures with nefarious plans. As alliances crumble one question lingers: can the march to war truly be halted? To the east the orcs gather, watching, waiting, biding their time...




The Tales


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The fascinating sacred tales of Rabbi Nahman (1772-1810) are presented to the world in the most authentic translations ever accomplished.




"The Yeats Circle, Verbal and Visual Relations in Ireland, 1880?939 "


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Focusing on W.B. Yeats's ideal of mutual support between the arts, Karen Brown sheds new light on how collaborations and differences between members of the Yeats family circle contributed to the metamorphosis of the Irish Cultural Revival into Irish Modernism. Making use of primary materials and fresh archival evidence, Brown delves into a variety of media including embroidery, print, illustration, theatre, costume design, poetry, and painting. Tracing the artistic relationships and outcome of W.B. Yeats's vision through five case studies, Brown explores the poet's early engagement with artistic tradition, contributions to the Dun Emer and Cuala Industries, collaboration between W.B. Yeats and Norah McGuinness, analysis of Thomas MacGreevy's pictorial poetry, and a study of literary influence and debt between Jack Yeats and Samuel Beckett. Having undertaken extensive archival research relating to word and image studies, Brown considers her findings in historical context, with particular emphasis on questions of art and gender and art and national identity. Interdisciplinary, this volume is one of the first full-length studies of the fraternit?es arts surrounding W.B. Yeats. It represents an important contribution to word and image studies and to debates surrounding Irish Cultural Revival and the formation of Irish Modernism.