The Best Women's Stage Monologues of 2003


Book Description

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The Best Women's Stage Monologues of 2004


Book Description

Gathers fifty-nine selections from plays suitable for use as audition monologues.







The Best Men's Stage Monologues of 2003


Book Description

Includes a wide variety of characters of various ages with many for younger performers under forty.




The Best Men's Stage Monologues of 2004


Book Description

Selections from 43 plays staged in 2004 feature monologues designed to help male actors enhance their audition and performance skills.




The Best Men's Stage Monologues of 2005


Book Description

Contains forty-three monologues for men, selected from some of the best plays published or produced during the 2004-2005 theatrical season, most for characters under the age of forty.




Holy Ground


Book Description

This new collection brings together plays and monologues from the National Black Theatre Festival, one of the most historic and culturally significant events—not only in the history of Black theater but in American theater. Held every two years in Winston-Salem, North Carolina, this gathering of Black theater companies and artists from around the country and across the globe features an extraordinary array of performances, workshops, films, spoken-word poetry, and more. Established in 1989 by Larry Leon Hamlin and the North Carolina Black Repertory Company, this volume includes three full-length plays produced at the Festival: Maid’s Door by Cheryl L. Davis Berta, Berta by Angelica Chéri Looking for Leroy by Larry Muhammad This collection also includes seventeen monologues and scenes selected from each year of the Festival, featuring the artists and playwrights: Jackie Alexander, Ifa Bayeza, Pearl Cleage, Kamilah Forbes, Endesha Ida Mae Holland, Javon Johnson, Rhodessa Jones, and others.




The Best Men's Stage Monologues of 2007


Book Description

This latest in Smith and Kraus's popular series contains only material from published, readily available plays, all first published or produced in 2006/2007, and most appropriate for use by student actors and working actors in need of audition material. A partial list:BEL CANTO by Renee Flemings BFF by Anna Ziegler BLOOD ORANGE by David Wiener CAROL MULRONEY by Stephen Belber DARK PLAY; OR STORIES FOR BOYS by Carlos Murillo THE DARLINGS by Susan Eve Haar DEDICATION; OR by THE STUFF OF DREAMS by Terrence McNally DIRECT FROM DEATH ROW THE SCOTTSBORO BOYS by Mark Stein DISCONNECT by Rob Ackerman DRACULA RIDES AGAIN by Jeff Goode THE FIRST ANNUAL ACHADAMEE AWARDS by Alan Haehnel HOME FRONT by Greg Owens. Also gender-specific are The Best Men¿s Stage Monologues of 2007, and The Best Women¿s Stage Monologues of 2007, both edited by Lawrence Harbison. Some of the playwrights represented are familiar (Theresa Rebeck, A.R. Gurney, Terrence McNally), but much of the material is from new and emerging authors ¿ once again giving the performer access to well crafted, but not overexposed works. Stage Directions - Off The Shelf, May 2008




She Persisted


Book Description

She Persisted: Thirty Ten-Minute Plays by Women over Forty is a collection of plays by members of Honor Roll!, an advocacy group of women over forty. About Honor Roll!: "Honor Roll! is an advocacy and action group of women+ playwrights over forty—and our allies—whose goal is our inclusion in theater. The term "women+" refers to a spectrum of gender identification that includes women, non-binary identifiers, and trans. We are the generation excluded at the outset of our careers because of sexism, now overlooked because of ageism. We celebrate diversity in theater, and work to call attention to the negative impact of age discrimination alongside gender, race, ethnicity, faith, socioeconomic status, disability, and sexual orientation in the American Theatre and beyond." "These women are in their forties and fifties and sixties, and they have been writing a long time, and they are at the height of their craft. These are tight, complex, nuanced pieces of writing, which no one has seen because for too long they weren't looking. These are important writers, and important plays." —Theresa Rebeck, from the introduction