The Bible in Israeli Folk Dances


Book Description

A brief history of Israeli folk dance is accompanied by directions for fifty-three Israeli folk dances and songs for each dance.




Seeing Israeli and Jewish Dance


Book Description

A comprehensive survey of historical and contemporary Jewish dance. In Seeing Israeli and Jewish Dance, choreographer, dancer, and dance scholar Judith Brin Ingber collects wide-ranging essays and many remarkable photographs to explore the evolution of Jewish dance through two thousand years of Diaspora, in communities of amazing variety and amid changing traditions. Ingber and other eminent scholars consider dancers individually and in community, defining Jewish dance broadly to encompass religious ritual, community folk dance, and choreographed performance. Taken together, this wide range of expression illustrates the vitality, necessity, and continuity of dance in Judaism. This volume combines dancers' own views of their art with scholarly examinations of Jewish dance conducted in Europe, Israel, other Middle East areas, Africa, and the Americas. In seven parts, Seeing Israeli and Jewish Dance considers Jewish dance artists of the twentieth and twenty-first centuries; the dance of different Jewish communities, including Hasidic, Yemenite, Kurdish, Ethiopian, and European Jews in many epochs; historical and current Israeli folk dance; and the contrast between Israeli and American modern and post-modern theater dance. Along the way, contributors see dance in ancient texts like the Song of Songs, the Talmud, and Renaissance-era illuminated manuscripts, and plumb oral histories, Holocaust sources, and their own unique views of the subject. A selection of 182 illustrations, including photos, paintings, and film stills, round out this lively volume. Many of the illustrations come from private collections and have never before been published, and they represent such varied sources as a program booklet from the 1893 Chicago World's Fair and archival photos from the Israel Government Press Office. Seeing Israeli and Jewish Dance threads together unique source material and scholarly examinations by authors from Europe, Israel, and America trained in sociology, anthropology, history, cultural studies, Jewish studies, dance studies, as well as art, theater, and dance criticism. Enthusiasts of dance and performance art and a wide range of university students will enjoy this significant volume.




Ha-rikud: the Jewish Dance


Book Description

The history of Jewish folk dance is accompanied by directions for twenty-five Israeli folk dances and suggestions for starting a folk dance group.




Dance in Scripture


Book Description

Dance in Scripture: How Biblical Dancers Can Revolutionize Worship Today examines the dances of seven biblical figures: Miriam, Jephthah's daughter, David, the Shulamite, Judith, Salome, and Jesus. Each figure offers a virtue that has the potential to revolutionize worship today. Yarber combines feminist and queer hermeneutics with dance history to highlight the nuances of the texts that often go unnoticed in biblical scholarship, while also celebrating the myriad ways the body can be affirmed in worship in creative, empowering, and subversive ways. Liberation, lamentation, abandon, passion, subversion, innocence, and community each contribute to the exciting ways embodied worship can be revolutionized. This is a book for those interested in biblical scholarship, dance, the arts, feminist and queer theory, or revolutionizing worship.




The Story of Hebrew


Book Description

The Story of Hebrew explores the extraordinary hold that Hebrew has had on Jews and Christians, who have invested it with a symbolic power far beyond that of any other language in history. Preserved by the Jews across two millennia, Hebrew endured long after it ceased to be a mother tongue, resulting in one of the most intense textual cultures ever known. Hebrew was a bridge to Greek and Arab science, and it unlocked the biblical sources for Jerome and the Reformation. Kabbalists and humanists sought philosophical truth in it, and Colonial Americans used it to shape their own Israelite political identity. Today, it is the first language of millions of Israelis. A major work of scholarship, The Story of Hebrew is an unforgettable account of what one language has meant and continues to mean.




On Jewish Folklore


Book Description

The essays collected in this volume, some of which are presented for the first time in English translation, provide a rich harvest of Jewish customs and traditional beliefs, gathered from all over the world and from ancient to modern times. On Jewish Folklore spans a half-century of scholarly inquiry by the noted anthropologist and biblical scholar Raphael Patai. He essays collected in this volume, some of which are presented for the first time in English translation, provide a rich harvest of Jewish customs and traditional beliefs, gathered from all over the world and from ancient to modern times. Among the subjects Dr. Patai investigated and recorded are the history and oral traditions of the now-vanished Marrano community of Meshhed, Iran; cultural change among the so-called Jewish Indians of Mexico; beliefs and customs in connection with birth, the rainbow, and the color blue; Jewish variants of the widespread custom of earth-eating; and the remarkable parallels between the rituals connected with enthroning a new king as described in the Bible and as practiced among certain African tribes.




The Bible in Dance


Book Description




The Sabra


Book Description

The Sabras were the first Israelis—the first generation, born in the 1930s and 1940s, to grow up in the Zionist settlement in Palestine. Socialized and educated in the ethos of the Zionist labor movement and the communal ideals of the kibbutz and moshav, they turned the dream of their pioneer forebears into the reality of the new State of Israel. While the Sabras made up a small minority of the new society’s population, their cultural influence was enormous. Their ideals, their love of the land, their recreational culture of bonfires and singalongs, their adoption of Arab accessories, their slang and gruff, straightforward manner, together with a reserved, almost puritanical attitude toward individual relationships, came to signify the cultural fulfillment of the utopian ideal of a new Jew. Oz Almog’s lively, methodical, and convincing portrayal of the Sabras addresses their lives, thought, and role in Jewish history. The most comprehensive study of this exceptional generation to date, The Sabra provides a complex and unflinching analysis of accepted norms and an impressive appraisal of the Sabra, one that any examination of new Israeli reality must take into consideration. The Sabras became Palmach commanders, soldiers in the British Brigade, and, later, officers in the Israel Defense Forces. They served as a source of inspiration and an object of emulation for an entire society. Almog’s source material is rich and varied: he uses poems, letters, youth movement and army newsletters, and much more to portray the Sabras’ attitudes toward the Arabs, war, nature, work, agriculture, cooperation, and education. In any event, the Sabra remained central to the founding myth of the nation, the real Israeli, against whom later generations will be judged. Almog’s pioneering book juxtaposes the myths against the realities and, in the process, limns a collective profile that brilliantly encompasses the complex forces that shaped this remarkable generation.




Bringing Zion Home


Book Description

Bringing Zion Home examines the role of culture in the establishment of the "special relationship" between the United States and Israel in the immediate postwar decades. Many American Jews first encountered Israel through their roles as tastemakers, consumers, and cultural impresarios—that is, by writing and reading about Israel; dancing Israeli folk dances; promoting and purchasing Israeli goods; and presenting Israeli art and music. It was precisely by means of these cultural practices, argues Emily Alice Katz, that American Jews insisted on Israel's "natural" place in American culture, a phenomenon that continues to shape America's relationship with Israel today. Katz shows that American Jews' promotion and consumption of Israel in the cultural realm was bound up with multiple agendas, including the quest for Jewish authenticity in a postimmigrant milieu and the desire of upwardly mobile Jews to polish their status in American society. And, crucially, as influential cultural and political elites positioned "culture" as both an engine of American dominance and as a purveyor of peace in the Cold War, many of Israel's American Jewish impresarios proclaimed publicly that cultural patronage of and exchange with Israel advanced America's interests in the Middle East and helped spread the "American way" in the postwar world. Bringing Zion Home is the first book to shine a light squarely upon the role and importance of Israel in the arts, popular culture, and material culture of postwar America.




10 Israeli folk dances


Book Description