The Blue Vein Society: Class and Color within Black America


Book Description

The Blue Vein Society Blue Vein Society President Josh Ryder is all set to announce his engagement to a young fair-skinned beauty when his very dark-skinned wife from slavery suddenly appears searching for her long lost husband. A shocked Ryder is forced to confront his hidden past. No Hidin’ Place A southern sheriff discovers the mulatto he is protecting from the lynch mob is his own son, accused of murdering a Confederate army officer. As the mob closes in, the sheriff is forced to make a painful decision to save his son from being lynched. With amazing speed -- and superb acting -- Kelley's play shifts from light but edged irony, to pain, rage, tenderness and acceptance, underscoring the many nuances of prejudice. Neil Novelli Syracuse Post Standard This reviewer long has felt [Kelley] has a kinship with the late August Wilson. Like the Pulitzer Prize winner, Kelley revels in dealing with African-American history. Joan E. Vadaboncouer Syracuse Post Standard The Blue Vein Society . . . is most certainly about the black experience, but like all good drama, it uses that point of view to talk about the human experience. Ann L. Ryan Albuquerque Journal




The Blue Vein Society: Class and Color within Black America


Book Description

The Blue Vein Society Blue Vein Society President Josh Ryder is all set to announce his engagement to a young fair-skinned beauty when his very dark-skinned wife from slavery suddenly appears searching for her long lost husband. A shocked Ryder is forced to confront his hidden past. No Hidin' Place A southern sheriff discovers the mulatto he is protecting from the lynch mob is his own son, accused of murdering a Confederate army officer. As the mob closes in, the sheriff is forced to make a painful decision to save his son from being lynched. With amazing speed -- and superb acting -- Kelley's play shifts from light but edged irony, to pain, rage, tenderness and acceptance, underscoring the many nuances of prejudice. Neil Novelli Syracuse Post Standard This reviewer long has felt [Kelley] has a kinship with the late August Wilson. Like the Pulitzer Prize winner, Kelley revels in dealing with African-American history. Joan E. Vadaboncouer Syracuse Post Standard The Blue Vein Society . . . is most certainly about the black experience, but like all good drama, it uses that point of view to talk about the human experience. Ann L. Ryan Albuquerque Journal




The Wife of His Youth


Book Description




The Color Complex


Book Description

Presents a powerful argument backed by historical fact and anecdotal evidence, that color prejudice remains a devastating divide within black America.




A Companion to the American Short Story


Book Description

A COMPANION TO THE AMERICAN SHORT STORY A Companion to the American Short Story traces the development of this versatile literary genre over the past two centuries. Written by leading critics in the field, and edited by two major scholars, it explores a wide range of writers, from Edgar Allen Poe and Edith Wharton, at the end of the nineteenth century to important modern writers such as Ernest Hemingway, William Faulkner, F. Scott Fitzgerald, and Richard Wright. Contributions with a broader focus address groups of multiethnic, Asian, and Jewish writers. Each chapter places the short story into context, focusing on the interaction of cultural forces and aesthetic principles. The Companion takes account of cutting edge approaches to literary studies and contributes to the ongoing redefinition of the American canon, embracing genres such as ghost and detective fiction, cycles of interrelated short fiction, and comic, social and political stories. The volume also reflects the diverse communities that have adopted this literary form and made it their own, featuring entries on a variety of feminist and multicultural traditions. This volume presents an important new consideration of the role of the short story in the literary history of American literature.




Rereading the Harlem Renaissance


Book Description

African American writers of the Harlem Renaissance generally fall into three aesthetic categories: the folk, which emphasizes oral traditions, African American English, rural settings, and characters from lower socioeconomic levels; the bourgeois, which privileges characters from middle class backgrounds; and the proletarian, which favors overt critiques of oppression by contending that art should be an instrument of propaganda. Depending on critical assumptions regarding what constitutes authentic African American literature, some writers have been valorized, others dismissed. This rereading of the Harlem Renaissance gives special attention to Fauset, Hurston, and West. Jones argues that all three aesthetics influence each of their works, that they have been historically mislabeled, and that they share a drive to challenge racial, class, and gender oppression. The introduction provides a detailed historical overview of the Harlem Renaissance and the prevailing aesthetics of the period. Individual chapters analyze the works of Hurston, West, and Fauset to demonstrate how the folk, bourgeois, and proletarian aesthetics figure into their writings. The volume concludes by discussing the writers in relation to contemporary African American women authors.




Detroit Time Capsule


Book Description

Detroit Time Capsule is a collection of seventy-five articles that first appeared as Fornology.com blog posts. The original posts have been revised and re-edited for inclusion in this anthology. Topics vary from significant historical events to biographical profiles of people who left their mark on Detroit history. Although this collection can be read from beginning to end, most chapters are self-contained with no narrative thread binding them. This eclectic collection makes a great springboard for readers interested in learning more about Detroit's rich past.




Blue Veins and Kinky Hair


Book Description

The author explores how Africans in America internalized the negative images created of them by the European world, and how internalized racism has worked to fracture African American unity and thereby dilute inchoate efforts toward liberation. In the late 1960s, change began with the Black Is Beautiful slogan and new a consciousness, which went hand in hand with Black Power and pan-African movements. The author argues that for any people to succeed, they must first embrace their own identity, including physical characteristics. Naming, skin color, and hair have been topical issues in the African American community since the 18th century. These three areas are key to a sense of identity and self, and they were forcefully changed when Africans were taken out of Africa as slaves. The author discusses how group and personal names, including racial epithets, have had far-reaching and deep-seated effects on African American self perception. Most of her attention, however, is focused on issues of physical appearance which reflect a greater or lesser degree of racial blending. She tells us about exclusive African American organizations such as The Blue Vein Society, in which membership was extended to African Americans whose skin color and hair texture tended toward those of European Americans, although wealthy dark-skinned people were also eligible. Much of the book details the lengths to which African American women have gone to lighten their complexions and straighten their hair. These endeavors started many years ago, and still continue, although today there is also a large number of women who are adamantly going natural. Her historical look at the cultural background to African American issues of hair and skin is the first monograph of its kind.




The Blacker the Berry


Book Description

A source of controversy upon its 1929 publication, this novel was the first to openly address color prejudice among black Americans. The author, an active member of the Harlem Renaissance, offers insightful reflections of the era's mood and spirit in an enduringly relevant examination of racial, sexual, and cultural identity.




Presenting Oprah Winfrey, Her Films, and African American Literature


Book Description

Oprah Winfrey has long promoted black issues by being involved as a producer or actor in the adaptation of works by African American writers for film. This volume evaluates Winfrey's involvement in the visual interpretation of African American literary texts using film, music, black masculinity, black feminist, and cultural theory.